"Delivery was very fast; my order arrived just in time for my son's birthday!" - customer on May 7, 2013
DiMarzio Area '58 Single-Coil Pickup
There are two major differences between a great vintage Strat(R) pickup and an average one: treble response and dynamics. A great pickup is clear and bright, but not thin-sounding. A great one makes the sound jump out of the amp when you pick hard and drop way down when you play softly, and the tone varies when the string is picked at different spots. The best pickup DiMarzio has ever heard like this was from 1958, and that's what inspired the Area '58(TM), with two major differences. DiMarzio's pickup has way less magnet pull, and virtually no hum. >More
DiMarzio DP186 The Cruiser Neck Pickup
If you're a serious traditional Strat(R) player, you probably won't want to know about pickups with side-by-side coils. But if you're the player who's up for something more modern with no 60-cycle hum, string drop-outs or sustain-killing magnet pull, DiMarzio designed the DP186 The Cruiser for you. >More
DiMarzio DP100 Super Distortion Pickup
This is the pickup that started it all. Many of the classic Rock guitar sounds of the 70's and 80's were produced by a Super Distortion and a raging tube amp. But don't confuse classic with outdated. Diverse artists from Al DiMeola, Frank Gambale, and Vinnie Moore to Metal veterans Iron Maiden and Ace Frehley have chosen the Super Distortion as an integral part of their personal sound. >More
DiMarzio DP708 Crunch Lab 7 Pickup
One thing has stayed consistent throughout John Petrucci's long and successful career: the DiMarzio pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the DiMarzio Crunch Lab 7 Bridge Model ensued from their most recent collaboration with John. >More
DiMarzio DP228 Crunch Lab Guitar Pickup
John has been pushing the envelope of progressive metal since the late eighties, and the new DiMarzio DP228 Crunch Lab Bridge Model ensued from the most recent collaboration with John. He used it throughout Dream Theaters tenth studio album,Black Clouds & Silver Linings. >More
DiMarzio D Activator Humbucker Pickup
Both the D Activator(TM) neck and bridge pickups were designed to eliminate the sterile edginess commonly associated with active pickups. >More
DiMarzio DP227 LiquiFire Guitar Pickup
John has been pushing the envelope of progressive metal since the late 80's, and the DiMarzio LiquiFire Neck Model resulted from DiMarzio's most recent collaboration with John. >More
DiMarzio Evolution 2 Humbucker Pickup
The original Evolution(R) bridge model did exactly what Steve Vai wanted it to do: kick butt and produce serious scream. Now he wants something a little more complex-the same basic tone with increased headroom and dynamics, so that the sound kills on 10 and cleans up when the volume is rolled down. With a little less power than the original Evolution(R), Evo 2(TM) balances perfectly with the Evolution(R) neck model and performs equally well with high gain and vintage amps. >More
DiMarzio DP707 LiquiFire 7 Guitar Pickup
One thing has stayed consistent throughout John Petrucci's long and successful career: the DiMarzio pickups in his guitars. John has been pushing the envelope of progressive metal since the late eighties, and the DiMarzio LiquiFire 7 Neck Model resulted from their most recent collaboration with John. >More
DiMarzio Area '61 Single-Coil Pickup
DiMarzio has been working on serious vintage single-coil design with no hum for eight years. DiMarzio's goal has always been to capture the best qualities of pickups DiMarzio heard from the 1950s and early '60s. >More
DiMarzio DP155 Tone Zone Pickup
The Tone Zone has the most dramatic tone curve of the Modern Classic Humbuckers. The vowel-like open wah-wah feel of the PAF Pro and FRED is combined with tremendous mid-range and bass for a sound that really kicks hard. >More
DiMarzio DP224 Andy Timmons AT1 Pickup
The outstanding characteristics of the DiMarzio Andy Timmons AT1 guitar pickup are balance, warmth, and clarity. It achieves this blend with the same patented technology as the PAF(R) 36th Anniversary, but the sound is hotter and the focus is rock. >More
DiMarzio Evolution Humbucker Pickup
This pickup is designed for maximum impact and power. The sound is tight, aggressive and loud. The design incorporates DiMarzio's patented dual-resonance coil configuration that senses more harmonic overtones than ordinary humbuckers. >More
DiMarzio DP102 X2N Humbucker Pickup
DiMarzio's highest gain pickup excels at thrashing your amplifier into screaming overdrive. Put one in the bridge position for a powerful boost in the voltage the amp sees from your guitar. The result is a hot sound with relentless drive. >More
DiMarzio DP193 Air Norton Guitar Pickup
The DiMarzio DP193 Air Norton guitar pickup started out simply to be the Airbucker version of the Norton. They thought it would make a distinctive-sounding bridge pickup with high-gain amps, but they soon discovered that it's a radically neat neck pickup, too. >More
DiMarzio DP103F PAF F-Spaced Pickup
Partly based on the pickups in Larry DiMarzio's own 1959 Les Paul and partly on their own patented technology, the PAF 36th Anniversary Model will perform equally well in the neck or bridge position, just as the best humbuckers from the '50s did. >More
DiMarzio DP187 The Cruiser Bridge Pickup
If you're a serious traditional Strat player, you probably won't want to know about pickups with side-by-side coils. But if you're the player who's up for something more modern with no 60-cycle hum, string drop-outs or sustain-killing magnet pull, the DiMarzio DP187 The Cruiser Bridge Pickup is designed for you. >More
DiMarzio DP188 Pro Track Pickup
The DiMarzio DP188 Pro Track Pickup is warm, its friendly, it sounds like a vintage PAF and will drop right into your Strat. The Pro Track has enough power for any pickup position, and the twin black blades mean there wont be any problems with string-alignment or dropouts. >More
DiMarzio Area '67 Single-Coil Pickup
The Monterey Pop Festival of 1967 was a watershed event in American music. When it was over, the world had heard and felt the sound of a Strat in the hands of a master. Single-coils in 1967 were bright and very clean. And of course, they hummed. DiMarzio has captured the classic bright and clean sound but totally eliminated that hum with their patented Area technology. >More
DiMarzio DP151 PAF Pro Humbucker Pickup
The PAF Pro humbucker has the most transparent sound of the group of Modern Classic Humbuckers. That's not to say there isn't plenty of aggressive chunk in the bottom-end, because there is a spike in the mid-range that gives the pickup a subtle aw vowel sound, like a wah-wah pedal stopped in the middle. >More
DiMarzio DP104 Super 2 Humbucker Pickup
The Super 2 is just the pickup to clean up the overdrive sound of a mud-heavy 24-3/4 in. scale, 2-humbucker guitar. Add snap to a dark sounding 25-1/2 in. bolt-on. It works great in the bridge or the neck. >More
DiMarzio Evolution Single Coil Pickup
Now you can get the same pickup used in the middle position of Steve Vai's Jem series guitars -- The DiMarzio Evolution ISCV2 Single Coil. This pickup must be wired to DiMarzio Evolution neck and bridge humbuckers according to the included instructions. It does not sound like an Evolution when played by itself. >More
DiMarzio DP213 PAF Joe Satriani Pickup
The PAF Joe is the neck pickup that DiMarzio(R) developed for Joe Satriani. Joe wanted a neck position humbucker that combines the best qualities of the DiMarzio(R) PAF Pro(R) with those of a late '50s Gibson humbucker. >More
DiMarzio EQed the HS-3 with a broad low-end while gently rolling back the top. The result is warmth without a glaring high-end - just right for the guitar that needs more body and less screech. The HS-3 hum-free design lends itself to any performance situation. Try HS-3 pickups in a recording environment. No more dumping your best solo because of single-coil noise on the track. >More
DiMarzio Vintage Minibucker Pickup
From clean country to heavy levels of amp gain. The DiMarzio Vintage Minibucker Mini Humbucker Pickup is all about clarity, dynamics and lots of sparkle. In a word, the Vintage Minibucker has chime. It excels at clean country sounds, but it also shines with heavy levels of amp gain because it doesn't get muddy with a distorted amp. >More
DiMarzio P-90 Super Distortion Pickup
A Super Distortion in a P-90 package? Cool! The DiMarzio Super Distortion has been the industry standard since it's introduction in the early 70s. The new P-90 Super Distortion is DiMarzio's highest-output humbucking soapbar replacement. >More
DiMarzio DP417 Area T Neck Guitar Pickup
The DiMarzio DP417 Area T Neck guitar pickup has the combination of clarity and warmth that Telecaster players have always sought, and improved technology allows them to include a vintage Tele cover with no sacrifice in sound quality or power. >More
DiMarzio Humbucker Pickup Cover
The DiMarzio GG1600 Humbucker pickup cover fits all DiMarzio full-size humbuckers with PAF-style hardware. Players who prefer their humbuckers covered and don't want flashy chrome or gold pickups can now go with basic black. DiMarzio's black covered humbuckers come standard with black polepieces and mounting screws. Protect and preserve the looks and integrity of your guitar with this stylish black metal pickup cover. >More
DiMarzio D Activator 7 Humbucker Pickup
Active humbuckers have a distinctive sound: powerful, clean, open-sounding, with excellent harmonic overtones and very tight lows. This also fits the description of a great 7-string pickup, if the problems associated with active pickups sterile sound and limited headroom could be eliminated. The D Activator 7(TM) does just that. >More
DiMarzio DP153 Fred Humbucker Pickup
For straight-into-the-amp burning, FRED lets you make all the changes happen right from the guitar. A short time spent exploring pick attack and the guitar's volume and tone controls reveals the wide variety of tones available from FRED. >More
DiMarzio DP217 YJM Single-Coil Pickup
You might not realize it from his music, but Yngwie Malmsteen is a vintage Strat(R) collector, and he swears by his 50s and 60s axes. He also swears by DiMarzio's HS-3(TM), and he's always wanted a vintage magnet-stagger version to go with his best guitars. While there is still a strong resemblance to the HS-3(TM), the YJM(TM) has more presence and brilliance, particularly on the high strings, and still no 60-cycle hum. >More
DiMarzio DP223F PAF F-Spaced Pickup
There was no such thing as a "neck" or "bridge" humbucker in the 1950s, but there was a wide range of performance between individual pickups which made some better suited to one position. Some of the old pickups had a lot of wire on the coils, which created more power and a warmer tone. DiMarzio used new technology to duplicate these qualities - without sacrificing the presence and open sound of the best vintage humbuckers - to bring you the PAF 36th Anniversary Bridge Model, a hotter version of their new PAF 36th Anniversary. This version, the DP223F, is specially designed for F-spaced guitars, including many Fender guitars and other guitars with a little extra space between strings. >More
DiMarzio DP409 Vintage Heavy Blues 2
If you've heard the cliche that Alnico 2 means warm, soft sound, prepare to be surprised. The DiMarzio DP409 Virtual Vintage Heavy Blues 2 guitar pickup is not a polite pickup, and the closer it's adjusted to the strings, the more raw it gets. >More
DiMarzio True Velvet Single Coil Pickup
It's not difficult to make a vintage single-coil pickup that's clean and bright, but not so easy if you also want the high strings to sound sweet above the 12th fret. The True Velvet neck model was designed to make this happen by tuning the coil to a frequency range that's bright but not thin. DiMarzio has combined this with a magnet stagger specifically designed to enhance string balance, which produces great clarity, even with full chords. >More
DiMarzio DP216 Mo'Joe Humbucker Pickup
Joe Satriani has used the Fred(r) as his main bridge pickup for years. This year Joe asked DiMarzio for a hotter and bigger version to replace the Fred in his Ibanez guitars. The model called the Mo' Joe(tm) is all about tone and definition. It's name says it all. It has more power than the Fred, but it doesn't sacrifice clarity or dynamics. >More
DiMarzio DP103 PAF Humbucker Pickup
Classic vintage tone - a smooth, almost voice-like quality - the PAF has that intangible swell to the notes after attack. It possesses vintage output and breathes freely with an open, warm character. Played flat-out through non-master volume tube amps, the PAF recreates the deep character of the great plug-in, turn-up, and wail school of tone. >More
DiMarzio DP422 Paul Gilbert Injector
DiMarzio first heard about Paul Gilbert in the 1980s. Billy Sheehan told them about an amazing 18-year-old who had recently arrived in California and had blown everyone away with his musicianship, speed, and awesome technical ability in Racer X. Naturally, DiMarzio; immediately asked Paul to become a DiMarzio; endorser. It was the start of a great relationship. >More
DiMarzio DP704 Evolution 7 Pickup
Combining the basic Evolution design with Virtual Vintage technology results in a 7-string pickup possessing crunching lows and intense highs. The output voltage of the Evolution 7 is concentrated towards the upper mids and treble, so there's a lot of cutting power, and the low end stays hot and clear. >More
DiMarzio Tone Zone S Humbucker Pickup
The Tone Zone S(TM) brings the performance of the famous Tone Zone T(TM) to a humbucking Strat(R) replacement pickup. DiMarzio has built-in the tremendous mid-range and bass response of the original Tone Zone(R), and the same patented dual-resonance design produces great harmonics. >More
DiMarzio Virtual Solo Single-Coil Pickup
DiMarzio has combined the best qualities of the Virtual Vintage Solo and Solo Pro - high output and a full, warm sound - and pushed these qualities even further. Treble response is smoother, the lows are tighter, and there is more pick attack. Play hard, and the sound jumps out of the amp. Play softer, and the sound becomes cleaner and quieter. And of course, there's no hum. >More
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