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Fulltone OCD Obsessive Compulsive Drive
Until Fulltone's OCD (Obsessive Compulsive Drive), pedals just couldn't hold up to what a high quality amp could do. You lose all the touch sensitivity and you can forget about those complex Harmonics. It's always been somewhat of a compromise using Overdrive pedals until now. The OCD is designed to replicate the dynamics and harmonic structure of an overdriven tube amp, it uses a unique multi-stage distortion circuit, as opposed to the more common diodes-in-feedback-loop/diodes-to-ground configurations. The designers at Fulltone made this pedal for themselves, but they'll let you use it too. And you'll love it! >More
Fulltone FD2MOSFET Fulldrive2 Mosfet OD
Housed in a beautiful powder coated Blue 16ga. steel enclosure, the first channel is the "Overdrive Mode" capable of Clean Boost or non-compressed overdrive or choose light to medium softer Overdrives all while retaining your guitar's original tone. The Tone knob is a very effective Presence control that can smooth out or add upper harmonics... There's also a footswitchable second channel "Boost Mode" with its own separate Distortion control for medium to higher gains with a more singing violin-like sustain! >More
Fulltone FB3 FatBoost3 FET Booster
The Fat Boost 3 is a discrete, class-A, FET (Field-Effect-Transistor) pedal offering up to 35dB of non-distorted Gain without changing your signature sound, unless that is what you desire. The FB3 allows you to fatten/distort your tone, brighten or mellow up the sound, add or subtract Bass, and add even-order harmonics! >More
Fulltone GT500 Distortion/Booster Pedal
NON-NEW $140
The Fulltone GT500 Dual Distortion/Booster Pedal gives you discrete F.E.T Hi-Gain Distortion and Overdrive Booster IN ONE PEDAL. On the Hi-Gain side you get Volume, Distortion knobs, Bass, Mid, and Highs minipots. The Booster Side has Volume, Overdrive knobs, Bass and Highs minipots. These hi-Q sealed minipots don't break either! >More
Fulltone Clyde Standard Wah Pedal
The Clyde Standard Wah by Fulltone is modeled after the Vox Clyde McCoy, used by Jimi Hendrix and Eric Clapton. Jimi used the Clyde McCoy while recording Electric Ladyland! Clyde McCoy was a big-band Trumpet Player in the '60s. He wasn't the best but became famous for getting a muted wah wah sound. Vox tried to approximate this muted trumpet sound in a guitar pedal... hence the Vox Clyde McCoy wah wah circa 1967. >More
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