Gibson J200 Super Jumbo Standard Guitar

From its inaugural appearance in 1937, Gibson's J200 set a standard others have been trying to match ever since. Today--nearly 71 years later--the legacy of Gibson's "King of the Flat-tops" lives on in the new J200 Standard. Upon its introduction in the late 1930s, the J200 immediately filled a need for a deeper, more balanced and powerful sound. It gave purveyors of the new American music scene of the 1930s a reliable, well-built instrument, capable of projecting the sound of the guitar well beyond that of any other acoustic on the market--a fact that still holds true today. It is simply the world's most famous acoustic guitar, and certainly one of most popular, as evidenced by the list of players that have made it their primary acoustic instrument, among them Ray Whitley, Emmylou Harris, Roy Rogers, Gene Autry, Gram Parsons, and Pete Townshend. >More

Gibson J165 EC Rosewood Compact Jumbo

The new J165 EC Rosewood is a welcome addition to Gibson's distinguished line of LSeries Small Body acoustics. For players wanting a comfortable, small-body acoustic with the tonal characteristics of a Jumbo, the J165 models answer the call. The new J165 EC Rosewood has the same shape as Gibson's Jumbos, but with smaller dimensions. >More

Gibson CSRCE Rosewood Grand Concert

The Gibson CSR CE featuring a grand concert cutaway body style is comfortable and allows full access to the 20 fret mahogany neck. Amplifying the gorgeous acoustic tones is as simple as plugging the sophisticated Fishman Prefix Pro Blend electronics into your amplifier or sound system. Controls for volume, phase, notch filter, bass, middle, treble and brilliance allow total control over your sound. As you effortlessly play this guitar, you will appreciate the radiant tones that are resonant from the solid spruce top and solid rosewood body. The electronics require a standard 9-volt battery and a Gibson hardshell case is included. >More

Gibson SJ200 Pete Townsend Jumbo

Gibson Montana and rock icon Pete Townshend have recreated the 1960s J-200 that he used to pen such classic hits as "Pinball Wizard" from The Who's 1969 rock opera Tommy and "Won't Get Fooled Again." >More