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The ultimate archtop evolves again as the L-5 Doublecut from Gibson Custom, an elegant and iconic instrument reimagined for the player of the 21st century. Orville Gibson invented the archtop guitar in the 1890s, but most aficionados will tell you that the form achieved its zenith in 1922 with the Lloyd Loar-designed L-5, a glorious carved-top guitar with a subtly elegant look, a huge tone, and the first violin-style f-holes seen on a six string. >More
The introduction of the remodeled Les Paul models of the early 1960s sought to bolster Gibson's reputation as a quality builder of electric solid body guitars, something the Les Pauls of the late 1950s had failed to do. >More
Expertly crafted in Memphis, TN, this 2015 ES-335 semi-hollowbody has the elegance and versatility you'd expect thanks to Burstbucker 1 and 2 pickups. Featuring Milk Bottle Grover Rotomatic Tuners, figured maple top back and sides, all skillfully crafted in the USA, the ES-335 is a remarkable instrument that has stood the test of time and will make a fantastic addition to any arsenal! >More
The perfect marriage of Les Paul and ES-335 yields powerful tones and a lightweight playing feel, courtesy of PAF-style MHS pickups, rounded 'C'' neck profile, historic details and more. The Gibson ES-LPC in Ebony has the F-Hole emblem engraved truss rod cover. >More
One of the guitars that kick-started rock and roll gains an elegant '60s cherry twist, with traditional 'bail' tailpiece, MHS P-90 pickups, and a vintage-certified look and playing feel. >More
In addition to its foundation of a solid, lightweight mahogany body with carved maple top and a glued-in, quarter-sawn mahogany neck with long-tenon neck joint, the Les Paul Reissue Goldtop Darkback VOS 2014 includes a one-piece rosewood fretboard, Kluson Deluxe machine heads, hot-hide neck glue, a historic truss rod assembly with no tubing, accurate body and fretboard binding color, new Custom Buckers created in the image of the original PAFs, and period-correct Gold top and mahogany back/neck finish colors. >More
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