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T-Rex Replica Delay Echo Pedal
The Replica utilizes truly amazing circuitry to create the most amazing delay. Unlike other digital units that use a DSP chip to sample at 44.1 kHz, the Replica uses 2 Burr Brown 24-bit converters (1 Analog to Digital; 1 Digital to Analog) to sample at an unprecedented rate of 200 kHz! In order to maintain full dynamics, the signal is routed from the input ADC directly into RAM, where it is manipulated (according to the unit's settings) and then routed directly to the Output DAC. The circuitry is entirely analog, with the exception of the 24-bit converters and RAM. An input pad switch can be engaged (attenuation of -10 dB) for studio use. >More
T-Rex Engineering is proud to announce ToneBug Reverb, a stunning new reverb pedal built with one goal in mind: to bring dry, flat-sounding, bedroom-bound guitar playing to life. ToneBug Reverb simulates real-life performance environments - from huge echoey concert halls and modern-sounding live stages, to raunchy clubs and basement dives. But no matter what setting you choose, loads of incredible T-Rex tone will keep you sounding like the best of them. >More
T-Rex Fuel Tank Junior Power Supply
The T-Rex Fuel Tank Junior is a lean, mean power supply that will handle virtually any 9-Volt effects pedal - and then some. Just like its big sister Juicy Lucy, Junior features 5 isolated outputs that deliver clean, quiet power to your pedals. Don't let the compact size of this unit fool you - Fuel Tank Junior is a real powerhouse! >More
T-Rex Fuel Tank Chameleon Power
The Fuel Tank Chameleon is the most versatile power supply T-Rex has ever produced. Built for players with a large number of diverse pedals, the Fuel Tank Chameleon offers all the advantages of the other Fuel Tank power supplies, plus an unprecedented 4 separate voltage options! >More
T-Rex Tonebug Totenschlager Distortion
If you play metal, hard rock, industrial or any other type of music where distortion rules supreme, do yourself a favour and plug in to Totenschlager. It's a little black box of fire-breathing distortion you'll never want to live without, once you've heard what it can do. >More
T-Rex Room-Mate Tube Reverb Pedal
Room-Mate from T-Rex Engineering is the sweetest-sounding reverb pedal you've ever heard. That's because the four guitar reverb presets are only the start of the rich, warm sound that this box delivers. A built-in 300 volt power supply takes the whole effect to the next level--powering a T-Rex tube that adds a voluminous, earthy warmth to incredible detail and spacious true stereo. >More
Of all the effects that can really make an electric guitar solo really stand out, fuzz is clearly the king. Insanely dirty, but also soft and creamy, fuzz differs from distortion by being far more extreme - boosting the guitar's signal until it clips so much, it turns from a sine wave into a square wave. >More
T-Rex Spindoctor 2 Overdrive Pedal
Musicians and music equipment reviewers were astonished when T-Rex Effects released their original SpinDoctor, a tube-driven preamp stomp box with 4 programmable channels, a full set of tone controls, motorized knobs and gorgeous vintage tone. >More
T-Rex PolySwitch Stereo A/B Pedal
T-Rex Engineering is pleased to announce its breakthrough stereo PolySwitch AB - a true hardwire stereo A-B switch. PolySwitchAB is the perfect solution for guitarists looking to route their signal to two different setups - even in stereo - and easily switch between these. >More
The Tremster has been designed to sound like a vintage tube amp tremolo. Unlike many other tremolos that utilize opto-electronic designs, the Tremster uses a light-dependent resistor (LDR) to achieve it's deep, buttery, seductive tone. A flashing LED displays the selected speed setting, and allows a wide range of control from very slow to head-spinning fury. >More
ToneBug Overdrive is a masterpiece of simplicity, offering just the controls you need to give your sound the unmistakable warm edge that's the hallmark of every guitarist that's ever meant anything to rock and roll. You get a Gain control for setting the amount of overdrive, a Tone control for tuning the timbre of your gain, and Level for making sure your overall volume is right. It's neither more nor less than everything you need. >More
T-Rex Gull Multi-Function Wah Pedal
Along with distortion and delay, the wah-wah is part of the "Holy Trinity" of classic guitar effects. Invented by accident in the 1960s, the wah-wah can make a guitar sing, laugh, cry and scream like human being. It's a powerful effect that's helped take solos by Hendrix, Clapton and a thousand guitarists since to the highest echelons of classic rockdom. Now, T-Rex is proud to introduce Gull, their own interpretation of the wah-wah legend. >More
T-Rex Mark Tremonti Phaser Pedal
Tremonti Phaser delivers everything you expect in a phaser and then some. The Stage switch lets you choose between a raw, vintage-sounding effect and a richer, more modern swirl. And the ingenious Bite knob adds a sexy overdrive edge to any setting. Fast or slow, deep or shallow, vintage or modern, Tremonti Phaser delivers extraordinary-sounding phased modulation that will take your playing to another world. >More
T-Rex Tonebug Distortion Effect Pedal
Tonebug Distortion is a phenomenal-sounding pedal that delivers gobs of rich, tubey-sounding distortion you'll recognise instantly as a fundamental ingredient of classic guitar rock. And it couldn't be easier to use. A simple Gain knob lets you choose how dirty you want to get, while a Tone knob lets you tune the timbre of your distortion - from a muted bluesy crunch to a searing wail that'll slice through anything in its way. >More
T-Rex CompNova Compressor Pedal
The Comp Nova is T-Rex's answer for players seeking a simple to use, 9v powered compressor unit with clarity and dynamics (even at maximum compression levels) that will not color their sound. The setting of the comp control is used to dial in the desired amount of compression. The attack control is dual function and adjusts both the attack and threshold (how hot the signal should be before engaging and how long before releasing). >More
T-Rex Alberta Overdrive Effects Pedal
The Alberta has that creamy overdrive tone reminiscent of a great sounding, vintage TS-808 unit, but is voiced with slightly more bottom end. When the gain is turned up towards maximum, the pedal behaves much the same as a vintage Tube Screamer. When a more subtle setting of the gain control is dialed in, the result is the perfect "Blues Tone." >More
T-Rex Mudhoney II Distortion Pedal
The T-Rex Mudhoney II Distortion is now even more deliciously dirty. Dirty and sweet, this classic dual distortion pedal has been praised for its amazing tonal range and ability to deliver everything from a smooth dirty edge to a harrowing wall of distorted sound. It's one of first pedals T-Rex produced, and it set the standard for many T-Rex pedals to come. >More
The Hobo Drive from T-Rex Effects is a spectacular overdrive pedal that's built to put you firmly in the driver's seat. Hobo Drive is so configurable and so gorgeous sounding, it's hard to imagine that no one has thought of it before. >More
T-Rex Tonebug Sensewah Auto-Wah Pedal
There aren't many effects that add more character to music than the wah-wah pedal. The definitive sound in funk guitar and a major force in rock from Hendrix on, the wah-wah cries out for attention and makes an electric guitar sound more like it's talking than being played. >More
T-Rex Mudhoney Fuzz Distortion Pedal
The Mudhoney is the ultimate "fire and brimstone" machine. With the boost function disengaged, it provides a mild to fierce boost (depending on gain setting), with lots of bottom, easily recreating psychadelic guitar sounds of the '60s. When the boost is engaged, the gain becomes much more sensitive and is capable of unleashing the most hairy "in your face" fuzz mania by adding a wild subharmonic beneath the selected fuzz setting. >More
T-Rex Reptile Modulation Delay
Offering classic T-Rex tone and unsurpassed performance for price, the T-Rex Reptile delay pedal joins its big brother Replica as the delay of choice for musicians who accept nothing less than the best in sonic craftsmanship. >More
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