Arturia ARP 2600 V Software Synth (Macintosh and Windows)
All the parameters of the original ARP 2600. More than 400 artist presets.
Product rated 10.0 out of 10 (1 rating)
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ADDITIONAL VIEWS:
Main
Classic Grey
Group Shot
Box
Classic Blue
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PRODUCT DESCRIPTION
The ARP 2600 is one of the finest analog synthesizers ever made. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds, heard in numerous popular tunes from Herbie Hancock to Stevie Wonder. With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool, which still finds a good place in today’s music.
With the ARP2600 V, Arturia brings this powerful analog synthesizer back to life. In addition to the original functions, MIDI control, polyphony, and the ability to create, save and recall presets are all provided. But that's not all: behind the speakers panels are hidden innovative features that take the initial design of the ARP 2600 to a new level. Four revolutionary tracking generators add sound design possibilities that have never been seen before. Additional effects are also provided and along with the original ARP sequencer, they form an exciting new virtual synthesizer.
If you are at the beginning of your learning curve, you will be enjoy getting started with the hundreds of presets provided, or if you are an experienced sound designer, the ARP2600 V will allow you to immediately add new dimensions to your music.
Features
All the parameters of the original ARP 2600
Original ARP Sequencer model 1601
New 4 revolutionary tracking generators
New effects: chorus and delay
More than 400 presets, made by professionals
No aliasing from 0.1 Hz to 16 kHz
96 kHz and up to 64 bits floating point
More than 400 presets, made by professionals
Playable through a MIDI keyboard
3 voltage-controlled oscillators. The second oscillator can modulate either the first two oscillators or the filter.
Low pass resonant filter
1 LFO which can be synchronized on the tempo of the host sequencer
1 Sample and Hold
Env 1: ADSR; Env 2: AR ; 1 Envelope Follower
1 Ring modulator
A Tracker / interactive LFO exclusive module allowing to create new kinds of modulations in real time.
ARP2500 multimode 12 db filter including the very special notch / low shell filter combination
Possibility to synchronize Osc2 on Osc1
Updated voltage processors that you can now use either as inverters, mixers or lag processors.
New keyboard following management
Polyphony from 2 to 32 voices with Unison possibilities
Absolutely pure and top quality sound, just like the original ARP 2600 sound
A Little Bit of History...
Alan R. Pearlman, whose initials would form the name of ARP Instruments, became interested in instruments for electronic music as early as 1948, when he was a student at the Worcester Polytechnic Institute. This was a means for him to associate his two passions: electronic music and the piano.
In 1969, he created ARP Instruments (originally called Tonus Inc.) with David Friend and Lewis G. Pollock. The company, based in Newton Highlands (Massachusetts, USA), conceived electronic products, but also and above all else a large modular synthesizer, the ARP 2500. The machine used a matrix which connected the different sections of the synthesizer, instead of the traditional cables found in the Moog Modulars. The ARP 2500 found success in American universities.
The growth of ARP instruments was fast and in 1972 the ARP 2600, probably the most legendary of the entire range, was unveiled. This semi-modular synthesizer, conceived with an educational goal, was to become hugely successful after a shaky start. The ARP 2600 was notably used by Stevie Wonder, Joe Zawinul (Weather Report), Tony Banks (Genesis), Jean-Michel Jarre, Herbie Hancock... ARP was the market leader in synthesizers during the 70’s with around 40% of the market share.
In ten years, three versions of the ARP 2600 were commercialized: The first version was called “Blue meanie” because of its steely blue finish. The “blue meanie” was quickly replaced by a second version, with a grey background finish and white silk screening (1972). This was to be more popular. In 1978 ARP decided to change the graphic chart for all of its machines: a black background color with orange silk screening was introduced. The ARP2600 benefited from its third and last version.
With the ARP2600 V, Arturia brings this powerful analog synthesizer back to life. In addition to the original functions, MIDI control, polyphony, and the ability to create, save and recall presets are all provided. But that's not all: behind the speakers panels are hidden innovative features that take the initial design of the ARP 2600 to a new level. Four revolutionary tracking generators add sound design possibilities that have never been seen before. Additional effects are also provided and along with the original ARP sequencer, they form an exciting new virtual synthesizer.
If you are at the beginning of your learning curve, you will be enjoy getting started with the hundreds of presets provided, or if you are an experienced sound designer, the ARP2600 V will allow you to immediately add new dimensions to your music.
Features
All the parameters of the original ARP 2600
Original ARP Sequencer model 1601
New 4 revolutionary tracking generators
New effects: chorus and delay
More than 400 presets, made by professionals
No aliasing from 0.1 Hz to 16 kHz
96 kHz and up to 64 bits floating point
More than 400 presets, made by professionals
Playable through a MIDI keyboard
3 voltage-controlled oscillators. The second oscillator can modulate either the first two oscillators or the filter.
Low pass resonant filter
1 LFO which can be synchronized on the tempo of the host sequencer
1 Sample and Hold
Env 1: ADSR; Env 2: AR ; 1 Envelope Follower
1 Ring modulator
A Tracker / interactive LFO exclusive module allowing to create new kinds of modulations in real time.
ARP2500 multimode 12 db filter including the very special notch / low shell filter combination
Possibility to synchronize Osc2 on Osc1
Updated voltage processors that you can now use either as inverters, mixers or lag processors.
New keyboard following management
Polyphony from 2 to 32 voices with Unison possibilities
Absolutely pure and top quality sound, just like the original ARP 2600 sound
A Little Bit of History...
Alan R. Pearlman, whose initials would form the name of ARP Instruments, became interested in instruments for electronic music as early as 1948, when he was a student at the Worcester Polytechnic Institute. This was a means for him to associate his two passions: electronic music and the piano.
In 1969, he created ARP Instruments (originally called Tonus Inc.) with David Friend and Lewis G. Pollock. The company, based in Newton Highlands (Massachusetts, USA), conceived electronic products, but also and above all else a large modular synthesizer, the ARP 2500. The machine used a matrix which connected the different sections of the synthesizer, instead of the traditional cables found in the Moog Modulars. The ARP 2500 found success in American universities.
The growth of ARP instruments was fast and in 1972 the ARP 2600, probably the most legendary of the entire range, was unveiled. This semi-modular synthesizer, conceived with an educational goal, was to become hugely successful after a shaky start. The ARP 2600 was notably used by Stevie Wonder, Joe Zawinul (Weather Report), Tony Banks (Genesis), Jean-Michel Jarre, Herbie Hancock... ARP was the market leader in synthesizers during the 70’s with around 40% of the market share.
In ten years, three versions of the ARP 2600 were commercialized: The first version was called “Blue meanie” because of its steely blue finish. The “blue meanie” was quickly replaced by a second version, with a grey background finish and white silk screening (1972). This was to be more popular. In 1978 ARP decided to change the graphic chart for all of its machines: a black background color with orange silk screening was introduced. The ARP2600 benefited from its third and last version.
TECHNICAL DESCRIPTION
Platform Specs
Windows: Windows 2000/XP/Vista
Mac OS X: Mac OS X 10.3 or higher and Universal Binary
Required Configuration
PC/Windows : 512 MB RAM; 1.5 GHz CPU
MAC OS X: 512 MB RAM; 1.5 GHz CPU
Copy Protection
The installation CD is only required each time you want to import new banks of presets or when you install an update patch of the product.
Format Compatibility
Windows: Standalone (ASIO Driver Required), VST(i), RTAS, and AU
Mac OS X: Standalone (Core Audio supported), VST(i), RTAS, and AU
Windows: Windows 2000/XP/Vista
Mac OS X: Mac OS X 10.3 or higher and Universal Binary
Required Configuration
PC/Windows : 512 MB RAM; 1.5 GHz CPU
MAC OS X: 512 MB RAM; 1.5 GHz CPU
Copy Protection
The installation CD is only required each time you want to import new banks of presets or when you install an update patch of the product.
Format Compatibility
Windows: Standalone (ASIO Driver Required), VST(i), RTAS, and AU
Mac OS X: Standalone (Core Audio supported), VST(i), RTAS, and AU
REVIEWS
Product rated 10.0 out of 10 (1 rating)
