Audix DR456 Drum Microphone Combo Pack (4xi5, 1xD6, 4xDVice)
Includes 4x i-5 mics, 1x D6 mic, and 4x D-Vice mic clamps. Save over $160 compared to individual pieces bought separately.
Personal use items that are used at your mouth or in your ear cannot be returned once opened due to health laws. This includes all microphones, guitar talk boxes, ear plugs, and in-ear earphones.
We DO NOT COLLECT TAX except on orders shipped to New Jersey.
ADDITIONAL VIEWS:
Main
i-5 Microphone
D6 Microphone
D-Vice
FIND SIMILAR PRODUCTS:
PRODUCT DESCRIPTION
The D6 is an American-made instrument microphone designed for live and studio performance. Characterized by a cardioid pick-up pattern and a frequency response of 30 Hz - 15 kHz, the D6 is an ideal choice for kick drum, bass cabs, and other instruments requiring low-frequency reproduction. Transformerless design, low impedance, and balanced output allow interference-free performance even with long cable runs. The D6, a one-piece body precision machined from solid aluminum, consists of a durable hard-coat anodized finish.
The i-5 is a professional dynamic instrument microphone designed for a wide variety of applications for live sound and studio performance. Characterized with a cardioid pick-up pattern and a frequency response of 50 Hz - 15 kHz, the i-5is an ideal choice for snare, toms, percussion instruments, electric guitar cabs, brass, and acoustic instruments. Clear, accurate, and able to handle sound pressure levels in excess of 140 dB, the i-5 can also be utilized for speech and vocals. Transformerless design, low impedance, and balanced output allow interference-free performance, even with long cable runs. The i-5 housing and grill are precision-cast parts made of zinc-alloy metal, with durable black e-coat finish.
The D-Vice is a gooseneck clip designed primarily for use on drums. It works with Audix D series, Micro D series, and most other mic clips using a 5/8 in. thread.
D6 Applications
Live stage-coffee house to stadium
Kick drum, floor tom, djembe, cajon
Acoustic bass, electric bass cabs
Studio-any instrument requiring precise low-frequency reproduction
i-5 Applications
Live stage, studio
Snare, toms, percussion
Guitar cabs, electric instruments
Brass, flute, woodwinds
Acoustic instruments
Vocals, speech
i-5 Features
Clear and accurate sound reproduction
Handles high SPL without distortion
Provides exceptional gain before feedback
Provides excellent isolation on stage
Precision cast zinc alloy body and grill
Extremely durable
The i-5 is a professional dynamic instrument microphone designed for a wide variety of applications for live sound and studio performance. Characterized with a cardioid pick-up pattern and a frequency response of 50 Hz - 15 kHz, the i-5is an ideal choice for snare, toms, percussion instruments, electric guitar cabs, brass, and acoustic instruments. Clear, accurate, and able to handle sound pressure levels in excess of 140 dB, the i-5 can also be utilized for speech and vocals. Transformerless design, low impedance, and balanced output allow interference-free performance, even with long cable runs. The i-5 housing and grill are precision-cast parts made of zinc-alloy metal, with durable black e-coat finish.
The D-Vice is a gooseneck clip designed primarily for use on drums. It works with Audix D series, Micro D series, and most other mic clips using a 5/8 in. thread.
D6 Applications
Live stage-coffee house to stadium
Kick drum, floor tom, djembe, cajon
Acoustic bass, electric bass cabs
Studio-any instrument requiring precise low-frequency reproduction
i-5 Applications
Live stage, studio
Snare, toms, percussion
Guitar cabs, electric instruments
Brass, flute, woodwinds
Acoustic instruments
Vocals, speech
i-5 Features
Clear and accurate sound reproduction
Handles high SPL without distortion
Provides exceptional gain before feedback
Provides excellent isolation on stage
Precision cast zinc alloy body and grill
Extremely durable
TECHNICAL DESCRIPTION
D6
Transducer type: dynamic
Frequency response: 30 Hz - 15 kHz
Polar pattern: cardioid
Output impedance: 200 ohms
Sensitivity: 2.2 mV @ 80Hz
Capsule technology: VLM Type E
Off-axis rejection: >20 db
Maximum SPL: 144 db
Cable/connector: 3-pin gold-plated male XLR connector
Polarity: positive voltage on pin 2 relative to pin 3 of output
XLR connector
Housing: machined aluminum
Weight: 7.7 oz / 217 grams
Finish: black anodized
i-5
Transducer type: dymamic
Frequency response: 50 Hz - 16 kHz
Polar pattern: cardioid
Output impedance: 150 ohms
Sensitivity: 1.9 mV (ref 1k @ 1 Pascal)
Capsule technology: VLM Type B
Off-axis rejection: >23 dB
Maximum SPL: 140 dB
Cable/connector: 3-pin gold-plated male XLR connector
Polarity: positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing: cast zinc alloy
Weight: 6.5 oz/183 grams
Finish: black E-coat
Transducer type: dynamic
Frequency response: 30 Hz - 15 kHz
Polar pattern: cardioid
Output impedance: 200 ohms
Sensitivity: 2.2 mV @ 80Hz
Capsule technology: VLM Type E
Off-axis rejection: >20 db
Maximum SPL: 144 db
Cable/connector: 3-pin gold-plated male XLR connector
Polarity: positive voltage on pin 2 relative to pin 3 of output
XLR connector
Housing: machined aluminum
Weight: 7.7 oz / 217 grams
Finish: black anodized
i-5
Transducer type: dymamic
Frequency response: 50 Hz - 16 kHz
Polar pattern: cardioid
Output impedance: 150 ohms
Sensitivity: 1.9 mV (ref 1k @ 1 Pascal)
Capsule technology: VLM Type B
Off-axis rejection: >23 dB
Maximum SPL: 140 dB
Cable/connector: 3-pin gold-plated male XLR connector
Polarity: positive voltage on pin 2 relative to pin 3 of output XLR connector
Housing: cast zinc alloy
Weight: 6.5 oz/183 grams
Finish: black E-coat
REVIEWS
