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    Focusrite MH443 TwinTrak Pro Platinum Series 2-Channel Preamp/Compressor

    Dual-Mono/Stereo Preamp/Compressor. 24-Bit/96kHz D/A Converter Standard. Mid-Scoop EQ.

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    Focusrite MH443 TwinTrak Pro Platinum Series 2-Channel Preamp/Compressor Product Description

    Focusrite MH443 TwinTrak Pro Platimun Series 2-Channel Preamp/Compressor
    Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis.

    Each channel features Focusrite's award-winning Platinum preamp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambience

    In pride of place is TT Pro's powerful dual mono/stereo optical compressor. This optical compressor features Focusrite's custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true 'twinned' stereo pair. These circuit design innovations are complemented by a comprehensive set of focused controls.

    TT Pro is the first Platinum to feature a D/A converter as standard, alongside its optional analogue to digital converter. The D/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the preamp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite's established stereo A/D converter option.

    Together, these facilities make TT Pro the perfect analogue interface for any digital audio workstation, and equally the world's first 'hardware plug-in'.

    Features

    Award-winning Class A discrete transistor-based preamps

    Dual mono/stereo optical compressor, featuring custom fast-acting optos

    Latency free monitoring with total control over balance, effects, mix and monitor levels

    24-bit/192 kHz D/A input card fitted as standard (included), for processing digital signals or feeding digital signals into the monitoring path

    24-bit/96kHz A/D output card is optional (sold separately). Both the A/D and the D/A feature wordclock (BNC)

    Inductor-induced "Air" opens up high frequencies like an expensive transformer-balanced pre amp

    Variable impedance for improved microphone performance and extended creativity

    Mid scoop EQ for correcting problematic mid frequencies

    Direct inputs on the front fascia for both instruments (Jack) and microphones (XLR)

    Post preamp inserts and compressor side-chain inserts, for enhanced processing flexibility

    2 ocean blue peak-reading meters, innately beautiful and ideal for catching fast transients

    With TwinTrak Pro, Focusrite's fanatical approach to quality design has given birth to twins.

    Same Day Music is an authorized dealer of Focusrite products.

    Technical Description

    Mic Input Response

    Gain range = 0 dB to 60 dB continuously variable
    Input impedance = 50 Ohm to 3K3 Ohmcontinuously variable
    EIN = 128 dB measured at 60 dB of gain with 150 Ohm terminating impedance and 20 Hz/22 kHz bandpass filter
    THD at minimum gain (0 dB) = 0.0004% measured with +16 dBu input signal and with a 20 Hz/22 kHz bandpass filter
    THD at maximum gain (60 dB) = 0.003% measured with a 36 dBu input signal and with a 20 Hz/22 kHz bandpass filter
    THD at maximum input level (26.5 dBu) = 0.005% measured with a 20 Hz/22 kHz bandpass filter
    Frequency response at minimum gain (0 dB) = flat at 10 Hz and 2 dB down at 200 kHz
    Frequency response at maximum gain (60 dB) = 2 dB down at 10 Hz and 200 kHz
    CMRR at full gain (60 dB) = 80 dB
    Line Input Response

    Gain range = -10 dB to +10 dB continuously variable
    Input impedance = 10K Ohm from 10 Hz to 200 kHz
    Noise at main output with gain set to 0 dB = -94 dBu measured with a 20 Hz/22 kHz bandpass filter
    Noise at 10 dBV output with gain at 0 dB = -100 dBu measured with a 20 Hz/22 kHz bandpass filter
    Signal to noise ratio relative to max headroom (27 dBu) = 121 dB
    Signal to noise ratio relative to 0 dBfs (+22 dBu) = 116 dB
    THD at unity gain (0 dB) = 0.0006% measured with 0 dBfs (+22 dBu) input signal and with a 20 Hz/22 kHz bandpass filter
    Frequency response at unity gain (0 dB) = 0.1 dB down at 10 Hz and 3 dB down at 200 kHz
    Instrument Input Response

    Gain range (High Gain switch out) = 0 dB to 20dB continuously variable
    Gain range (High Gain switch in) = 20 dB to 40dB continuously variable
    Input Impedance = > 1 Meg Ohm
    Noise at minimum gain (0 dB) = -90 dBu measured with a 20 Hz/22 kHz bandpass filter
    Noise at maximum gain (40 dB) = -78 dBu measured with a 20 Hz/22 kHz bandpass filter
    THD at minimum gain (0 dB) = 0.006% measured with 10 dBu input signal and with a 20 Hz/22 kHz bandpass filter
    Frequency response at unity gain (0 dB) = 0.5 dB down at 10 Hz and 1 dB down at 200 kHz
    Frequency response at maximum gain (40 dB) = 6 dB down at 10Hz and 1dB down at 200KHz
    Input Meter

    6 LED peak reading meter is calibrated relative to 0 dBfs where 0 dBfs = +22 dBu (the maximum level which can be correctly converted by the optional internal A/D converter before overload occurs). The meter calibration points are as follows:
    Meter panel calibration value Equivalent dBu value
    0dBfs +22dBu (the maximum level the ADC can convert before digital distortion occurs)
    -6dBfs +16dBu
    -12dBfs +10dBu
    -18dBfs +4dBu (the normal signal level in an analogue system to allow headroom for additional processing such as EQ)
    -24dBfs -2dBu
    -42dBfs -20dBu

    Channel Insert

    Unbalanced input and output on balanced (TRS) socket as follows:
    Tip = Send (Output)
    Ring = Return (Input)
    Signal level equivalent to 6dB below normal operating level.
    High Pass Filter

    Roll off = 12 dB per octave 2 pole filter
    Cut off frequency:
    -3 dB at 120 Hz
    -6 dB at 85 Hz
    -12 dB at 56 Hz
    Optical Compressor

    Threshold hold range = -12 dBfs (10 dBu) to 42 dBfs (-20 dBu).
    Compressor ratio (Hard Ratio switch out) = 2.5:1
    Compressor ratio (Hard Ratio switch in) = 6:1
    Attack time (Slow Attack switch out) = 0.5 ms.
    Attack time (Slow Attack switch in) = 5 ms.
    Release time = 100 ms to 1 s and then auto release mode when the release knob is turned fully clockwise. Auto release creates a release time dependent upon the average level of the incoming signal.
    Noise = -94 dBu measured with a 20 Hz/22 kHz bandpass filter.
    Makeup gain = 0 to +21 dB.
    Compressor Side-Chain Insert

    Can be used to input an independent signal to trigger compression or to allow the side-chain audio to be sent in and out of the unit via an external processor, such as an EQ for frequency conscious compression and de-essing of vocals.
    Connector is an unbalanced input and output on balanced (TRS) socket as follows:-
    Tip = Send (Output)
    Ring = Return (Input)
    Signal level equivalent to 6 dB below normal operating level.
    Mid Scoop EQ

    EQ shape = Peak
    Center frequency = Variable between 120 Hz and 2 kHz
    Cut (Deep switch out) = -6 dB
    Cut (Deep switch in) = -12 dB
    Q (Deep switch out) = 1.5
    Q (Deep switch in) = 3
    FX Send

    Unbalanced output, signal level equivalent to -6 dB below normal operating level.
    Noise = -94 dBu measured with a 20 Hz/22 kHz bandpass filter.
    Maximum output signal level = +20 dBu
    FX Return

    Balanced input
    Operating level = +4 dBu
    Headphones Mix

    Unbalanced output, signal level equivalent to 6 dB below normal operating level.
    Noise = -94 dBu measured with a 20 Hz/22 kHz bandpass filter.
    Maximum output signal level = +20 dBu
    Monitor Input

    Balanced input
    Operating level = +4 dBu
    Monitor Output

    Balanced output
    Operating level = +4 dBu
    Noise = -98 dBu measured with a 20 Hz/22 kHz bandpass filter and monitor level knob at maximum output level (fully clockwise).
    Maximum output signal level = +26 dBu
    DAC Performance

    Playback sample frequency = 32 kHz to 192 kHz.
    Maximum bit depth = 24-bit
    Maximum analogue output level = +21 dBu.
    Dynamic Range = 111 dB measured with A weighted filter.
    Wordclock BNC connector outputs a regenerated wordclock at the sample frequency contained within the SPDIF signal connected to the RCA connector.
    Output Meter

    Calibrated for 0 dBfs = +22 dBu and indicates the level after the output fader being sent to both the internal AD converter and the TwinTrak Pro XLR output.
    O/L LED is lit when any section of the unit (including the headphone output) reaches a level greater than 0 dBfs (O/L: LED triggered at +22.4 dBu).

    Weight
    5 kg

    Dimensions
    482 mm (W) x 88 mm (H) x 180 mm (D)

    Same Day Music is an authorized dealer of Focusrite products.

    Focusrite MH443 TwinTrak Pro Platinum Series 2-Channel Preamp/Compressor Catalog Description

    Produce pro-quality vocal tracks@2 Class-A discrete preamps@Dual mono/stereo optical compressor@Control balance/effects with zero-latency monitoring@Match mic specs with variable impedance@post-preamp inserts; compressor side-chain inserts

    Same Day Music is an authorized dealer of Focusrite products.

    User Reviews for Focusrite MH443 TwinTrak Pro Platinum Series 2-Channel Preamp/Compressor

    • "Great Transparent Pre for Recording Instruments" - Read More
    • "Another Great Product from Focusrite" - Read More
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