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Notion Rhythm Section Sound Expansion Kit for Notion Software

This kit requires Notion / Protege version 1.6.1 or later.

 New $80

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In stock Only 1 Left! Should ship Monday.

Limited Inventory

Our inventory system indicates that we are running low on this item. Though it is unlikely, there is a chance that we will not be able to fulfill an order placed for this item. If we have any problems shipping this item, we will contact you to let you know. Due to limited inventory, our cash-back guarantee does not apply to this item at the present time.

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  • Ground: free ground shipping
  • 2 Day: $6
  • Overnight: $24

Copyrighted materials cannot be returned once opened due to copyright law. This includes books, videotapes, DVDs, sample libraries, style disks, sound expansion boards, and software (which may also include software bundled with hardware).

We DO NOT COLLECT TAX except on orders shipped to New Jersey.

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PRODUCT DESCRIPTION

Notion Sessions: Rhythm Section supplements Notion's traditional orchestral library with the sounds of a contemporary rhythm section. This kit introduces Notion's first drum set staff, taking you directly from notation to superb quality drum set sounds performed by Roy Wooten. It features Victor Wooten on electric bass and Vernon Reid on electric guitar, providing a broad variety of techniques and dynamics. To complete the section, upright bass, Fender Rhodes electric piano, and Hohner Clavinet are also included. This kit requires Notion / Protege version 1.6.1 or later.

The Notion Music Sound Expansion Kits allow individual users to customize the sound library of their Notion software. Some kits simply provide additional playing techniques for existing instruments, while other kits add completely new instruments into the mix. These kits are manufactured separately so that you don't get stuck paying for sounds you'll never use. Currently, new kits are being released at intervals of every 1-2 months, so the Notion sound library is always growing.

All orchestral Notion Music sounds were recorded at Abbey Road Studio I under the supervision of Recording Engineer Jonathan Allen. Electric bass and drum set sounds were recorded at Dark Horse Recording in Nashville, TN and guitar was recorded at Electric Lady Studios in New York, NY.

Recording equipment used includes:
NEVE 88RS console

Avalon M5 preamps

Neve preamps

Massenberg preamps

Pro Tools HD2

Recorded at 96 kHz/24-bit

Microphones used include:
2 Neumann M50 and 2 Neumann TLM 50s for close ambience

Decca tree with 3 Neumann M50 for room ambience

Neumann U47fet, U67, U87, KM84, KM184, TLM 170

DPA 4003, 4006, 4011

Sennheiser MD421

AEA R84

Coles 4038 for close mics on single instruments

5 Schoeps MK 21 for close mics on sections for dry sound of each instrument.

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