"If you're looking for the latest and greatest all around workstation for studio and live use, you've got to get this one... PERI"
Feature:
No foot pedal, no sample memory, no digital outs (standard, that is), but the ability to create Arps and manipulate the sounds make up for those things that can be added. And look at the amount of wave ROM... and the number of wave forms, and the polyphony, and the sampling (after memory is installed) and the sequencer, the onboard effects (which are great too). With the addition of the mLan16e (which you can get for about 279.00 street now), you have the ability to have 16 DIGITAL audio channels and 3 ports of 16 MIDI channels each with only one IEEE1394 firewire cable!!! that gives you total digital to digital quality and the ability to route from your DAW to the Motif ES to use as an external effects processor! Big K can't do those things yet (not to my knowledge anyway!) Save songs, patterns, voices to SmartMedia (which is going away) or USB storage devices such as Cruzer Mini or the like. So overall, it has many many features. If you can't be creative with this thing, you can't just aren't creative!
Quality:
Seems rugged enough for road use, but I'll only use it in my Studio.
Value:
For the money, you'd be hard pressed to find a better deal, with this amount of wave ROM and the features it does have along with the expandability.
Desirability:
Let me tell you... this is outselling the others (Triton, Fantom, etc.) by far in most stores, check it out for yourself. A lot of the pros are using this monster now and you're going to be hearing a lot of them on recordings (it's all over even now) in the future. It's one purchase I've made with NO regrets whatsoever. I don't long for other units now, this one really satisfies my needs.
Sound:
If anyone says that this unit sounds "thin" or "tinny", they've apparently lost some of the very fine and precious hairs in the lining of their ears. Kurzweil is probably the king of overall sound, but for sounds right out of the box, this unit is hard to beat. Everything (except the saxes) sound full and lush, covering the entire audible frequency range that the particular instrument it is emulating is supposed to cover. The guitars are strong as well as the brass and string sections, and the electric pianos are done as only Yamaha can do them. The acoustic piano is fantastic and only slightly under that of the Kurzweil (and I've owned several K's), but when the new PLG150-AP expansion board arrives this fall, The CFIIIS piano will be hard to beat!
Support:
N/A (yet)
Overall:
Technology is gaining by leaps and bounds all the time. No doubt Yamaha will again improve on what they've done here just as they did with the original Motif, and if they do and they offer something as different from the ES as the ES was to the classic Motif, I'll probably get that. If someone else does it better, I'd get that perhaps, but until that happens, I'd definitely replace this one with another very quickly as I'd rather have this than anything Korg, Kurzweil or Roland is offering at this time.
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