{"title":"Recording","description":"\u003cp\u003eWhen shopping for Recording you'll get the best price, incredibly fast and free shipping and best in class customer service from Same Day Music!\u003c\/p\u003e","products":[{"product_id":"adp-tv5","title":"Adam Audio T5V Active Studio Monitor","description":"\u003cstrong\u003eAdam Audio T5V Active Studio Monitor\u003c\/strong\u003e\u003cbr\u003eThe Adam Audio T5V is a highly affordable two-way nearfield monitor, optimized for small control rooms. With its 5\" woofer the bass-frequency response of the T5V extends to 45 Hz. The U-ART tweeter, a breakthrough solution for use in high-resolution recording and mixing on a budget, goes up to 25 kHz and is mated to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio's flagship S Series monitors. The waveguide's highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working.\u003cbr\u003e\u003cbr\u003eA beveled cabinet with a rear-firing bass reflex port and a small footprint allows placement anywhere in your room, no matter how small, and contains built-in DSP-controlled driver crossovers and equalization as well as multi-way analog connections. Powered with a 50 W Class D amplifier for the woofer and a 20 W Class D amplifier for the U-ART tweeter, the T5V produces SPLs of up to 106 dB per pair.\u003cbr\u003e\u003cbr\u003eExcellent acoustic characteristics, small dimensions and an outstanding cost\/performance ratio make this studio monitor perfectly suited for use in small control rooms in music, video and broadcast production.\u003cbr\u003e\u003cbr\u003eIf you need to hear more bottom end, the T5V is compatible with the ADAM Sub7 and Sub8 subwoofers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e- U-ART 1.9\" Accelerated Ribbon Tweeter\u003cbr\u003e- Allows longer operation with fewer signs of fatigue\u003cbr\u003e- Breakup is prevented by the folded diaphragms, distortions are effectively reduced to a minimum\u003cbr\u003e- Advanced dynamic range due to acoustically effective diaphragm surface that is 2.5 times bigger (compared to a classic tweeter according to the piston principle)\u003cbr\u003e- Air velocity ratio of 4:1 during the sound generation by folded U-ART membrane\u003cbr\u003e- Direct, fast response in the high-range even with complex transients\u003cbr\u003e- HPS waveguide from the S Series\u003cbr\u003e- Makes dispersion more consistent and imaging more stable over a wider area\u003cbr\u003e- Reduction of early reflections on the surfaces of mixing consoles, desks, and more\u003cbr\u003e- Lightweight polypropylene construction of the woofer\u003cbr\u003e- Excellent transient response even at high sound levels without breakup of the diaphragm\u003cbr\u003e- Vertical 2-way system with 5\" woofer\u003cbr\u003e- High resolution of the stereo image\u003cbr\u003e- Rear-firing bass reflex port\u003cbr\u003e- Bass reproduction with very low compression\u003cbr\u003e- Linear frequency response of 45 Hz to 25 kHz\u003cbr\u003e- Unbiased reproduction in a wide frequency band\u003cbr\u003e- Maximum peak sound pressure per pair in 3.3' (1 m) 106 dB\u003cbr\u003e- Powerful, compression-free sound reproduction even at very high sound levels\u003cbr\u003e- DSP-powered crossover design\u003cbr\u003e- Smooth frequency response without interference between the drivers in the critical midrange\u003cbr\u003e- Simple room acoustic adjustments via high- and low-shelf filters\u003cbr\u003e- Allows optimal adaptation to acoustically difficult listening environments or individual preferences\u003cbr\u003e- Analog inputs over XLR and RCA\u003cbr\u003e- Optimized for balanced and unbalanced line signals\u003cbr\u003e- Acoustically optimized cabinet geometry\u003cbr\u003e- Reduction of unwanted reflections on the cabinets","brand":"Adam","offers":[{"title":"Default Title","offer_id":7067710783553,"sku":"ADP TV5","price":239.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/atbdpy4lhi9rnemvu9ub.jpg?v=1579118623"},{"product_id":"adp-t7v","title":"Adam Audio T7V Active Studio Monitor","description":"\u003cstrong\u003eAdam Audio T7V Active Studio Monitor\u003c\/strong\u003e\u003cbr\u003eThe ADAM Audio T7V is a two-way studio monitor designed for vertical use in a nearfield application. The T7V features a 7\" woofer that provides bass extension down to 39 Hz, while the U-ART tweeter's diaphragm provides pristine and extended high-frequency response up to 25 kHz -- virtually unheard of in monitors in this price range. The U-ART tweeter is fitted to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio's flagship S Series studio monitors. The waveguide's highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working.\u003cbr\u003e\u003cbr\u003eOn the rear side of the T7V's beveled cabinet, a rear-firing bass reflex port joins a sturdy metal backplate that's home to the analog input connections. The U-ART tweeter is powered by a 20 W Class-D amp, while a 50 W Class-D amp serves the woofer. 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The down-firing bass reflex tube avoids intrusive ventilation noise because of its generous size and shape. The PWM amplifier produces over 90% efficiency and can handle critical passages without overheating for long periods of time. An additional output allows you to cascade as many subwoofers as needed.\u003cbr\u003e\u003cbr\u003eThe Sub10 Mk2 subwoofer provides a precise combination of low cutoff frequency (-3 dB at 25Hz) and an undistorted high sound pressure level (113dB at 1m).\u003cbr\u003e\u003cbr\u003eADAM Audio subwoofers are designed with one primary goal in mind: achieving absolute accuracy and an authentic natural sound in the process of music reproduction. This means combining exceptional bass power with precision and clarity in every subwoofer. These elements are the perfect partners to complement the highly acclaimed clarity and transparency of ADAM monitors in the lower and lowest frequencies.\u003cbr\u003e\u003cbr\u003eAll subwoofers feature both balanced (XLR) and unbalanced (RCA) input\/output connectors and comprehensive control options that allow for adapting to different room acoustics and requirements.\u003cbr\u003e\u003cbr\u003eAll subwoofers feature a level control (-60dB to +6dB), phase switch (180 degrees) and a variable upper frequency control (50-150Hz). For the satellite outputs, an 85Hz high pass filter can be switched in to block frequencies below 85Hz so satellite speakers can meet the Dolby recommendations for theater sound and also to relieve the satellites from the lower frequencies. In addition, you can either switch on\/off the subwoofer manually or use the option of automatically powering up the subwoofer whenever it receives a signal.\u003cbr\u003e\u003c\/p\u003e","brand":"Adam","offers":[{"title":"Default Title","offer_id":7067712094273,"sku":"ADP SUB10MKII","price":1699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/mlih8xqktzhmtr17cw2x.jpg?v=1579120424"},{"product_id":"akg-d5-dynamic-supercardioid-handheld-microphone","title":"AKG D5 Dynamic Supercardioid Handheld Microphone","description":"\u003cp\u003eThe AKG D5 professional dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its frequency-independent supercardioid polar pattern ensures maximum gain before feedback. The D5 stands for a crisp sound that cuts through every mix. The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear the pristine sound of your voice! The D5 S has the same mechanical, electrical, and acoustic characteristics as the D5 and features a noiseless on\/off switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePouch Case\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHard rubber \u003cmeta charset=\"utf-8\"\u003eClip\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067740209217,"sku":"AKG D5","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/AKG_D5_Dynamic_Supercardioid_Handheld_Microphone.jpg?v=1733586492"},{"product_id":"akg-p120","title":"AKG P120 Perception High-Performance Condenser Microphone","description":"\u003cp\u003eThe P120 is a 2\/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCardioid polar pattern\u003c\/strong\u003e\u003cbr\u003eThe microphone is most sensitive to sounds arriving from in front of it while picking up much less of sounds arriving from the sides or rear (from monitor speakers or neighboring instruments). This makes the microphone equally suited for recording and onstage use\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGold-sputtered electret diaphragm\u003c\/strong\u003e\u003cbr\u003eThe diaphragm is made of a plastic foil that is gold-sputtered on one side only to prevent shorting to the back electrode even at extremely high sound pressure levels\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll-metal body\u003c\/strong\u003e\u003cbr\u003eThe all-metal body adds to the rejection of RF interference so you can use the microphone near transmitter stations and along with wireless microphones or other communications equipment. The extremely rugged, heavy body and sturdy front grill protect the microphone from damage from tough handling on stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh headroom, minimum distortion:\u003c\/strong\u003e\u003cbr\u003eCapable of handling sound pressure levels up to 150 dB (P120) or 155 dB (P220) without introducing perceptible distortion and built to resist high temperatures and humidity, the microphone will give excellent results in a wide range of applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass cut filter\u003c\/strong\u003e\u003cbr\u003eSwitch on the microphone front further reduces low-end distortion caused by footfall or wind noise, etc. The filter also minimizes the proximity effect that close-in miking from less than 4 inches causes in any unidirectional microphone. The filter rolls off at 6 dB\/octave (P120) or at 12 dB\/octave (P220) from 300 Hz downward.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSwitchable preattenuation pad\u003c\/strong\u003e\u003cbr\u003eSwitch on the microphone front lets you increase the headroom by 20 dB for distortionfree close-in recording. The preattenuation pad prevents the microphone's output level, particularly at low frequencies, from overloading the miniature transformers used in many mixer input stages, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's in The Box?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x P120 Microphone\u003c\/li\u003e\n\u003cli\u003e1 x Stand Adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067740274753,"sku":"AKG P120","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_P120_Perception_High-Performance_Condenser_Microphone.jpg?v=1580162140"},{"product_id":"akg-d12mkii","title":"AKG D112 MKII Dynamic Bass Microphone","description":"\u003cstrong\u003eAKG D112 MKII Dynamic Bass Microphone\u003c\/strong\u003e\u003cbr\u003eThe fabulous egg: for bass drum and bass guitar on stage and in the studio. The AKG D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112's ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost at 4 kHz punches through dense mixes with forceful impact -- no additional EQ needed!\u003cbr\u003e\u003cbr\u003eThe D112 is also an excellent choice for use with bass cabinets and trombones.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e- Large-diaphragm dynamic microphone delivers accurate ultra-deep frequencies\u003cbr\u003e- Bass resonance volume chamber for unique, punchy sound\u003cbr\u003e- Reference dynamic capsule withstands extremely high sound pressure levels up to 160dB SPL\u003cbr\u003e- Integrated hum compensation coil for the cleanest sound\u003cbr\u003e- Established as an industry-standard kick drum microphone on stages worldwide, day by day for over 30 years\u003cbr\u003e- The main difference between the D112 and the D112 MKII is the swivel mount. 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No matter where you’re performing, C7 delivers premium, worry-free vocal reproduction so you can focus on what really matters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAKG C7 Features\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eCustom-tuned supercardioid condenser capsule with high SPL handling\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eWorry-free performance with multi-layer pop noise filtering system\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMechano-pneumatic shock absorber suspension eliminates handling noise\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eOpen-space capsule technology for reduced feedback and spill\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRugged zinc alloy housing and spring steel grill\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003e24-karat gold-plated capsule\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWorld-Famous AKG Condenser Sound Quality\u003c\/strong\u003e \u003cbr\u003eWhen it comes to premium studio-quality sound, it’s what’s on the inside that counts. The C7 microphone features a custom-tuned supercardioid condenser capsule with hand-selected components, so your voice is reproduced with pristine clarity and sparkling highs. And the C7 handles incredibly high sound pressure levels, for maximum fidelity during your loudest performances. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOpen-Space Capsule Technology\u003c\/strong\u003e \u003cbr\u003eDuring your performance, the only feedback you want is applause from the audience. \u003cbr\u003eThe C7’s innovative open-space capsule uses a specially designed inner-capsule holder and three window ports to reduce air turbulence and inner reflections at the backside of the capsule. This creates an extremely consistent supercardioid polar pattern throughout the entire frequency spectrum, for extraordinary feedback and spill rejection.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eProprietary Shock Absorber Suspension\u003c\/strong\u003e\u003cbr\u003eThe C7 features a proprietary mechano-pneumatic shock absorber suspension that ensures handling noise won’t clutter your sound. The capsule sits on top of a unique rubber insert, preventing vibrations from the housing from reaching the capsule. AKG searched extensively to find the right rubber to meet the specification, ultimately working with a Viennese company to source a material with exceptionally strong absorptive properties. The result is far superior to mics that feature extensive internal electronic filters to minimize handling noise. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti-Layer Pop Noise Protection System \u003c\/strong\u003e\u003cbr\u003eThe C7 features a three-layer pop noise rejection system to protect your vocals from annoying plosives. This multi-layer system includes the proprietary mic grill, dense foam underneath the grill, and a mesh layer that encases the capsule. Each layer slows down the air directed toward it, absorbing the “pops” before they ever hit the capsule. So go ahead—sing as hard as you want.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRugged Construction \u003c\/strong\u003e\u003cbr\u003eWith its extremely rugged zinc alloy construction and spring steel grill, the C7 stands up to the most demanding tour schedules. And its 24-karat gold plated capsule protects the microphone against moisture and corrosion. Just focus on your performance—the C7 will take care of the rest, night after night.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067742470209,"sku":"AKG C7","price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/files\/AKG_C7_V3_RGB.jpg?v=1708622494"},{"product_id":"akg-c214","title":"AKG C214 Professional Large-Diaphragm Condenser Microphone","description":"\u003cp\u003eThe AKG C214 is the baby brother of AKG's legendary C414 condenser -a classic microphone prized for its versatility, transparent sound, and high SPL handling capabilities. Utilizing the same one-inch capsule as the C414 and a fixed cardioid pickup pattern, the C214 delivers comparable performance at a much more affordable price. Its fixed cardioid pattern is ideal for capturing vocals and instruments in the home studio, thanks to excellent off-axis rejection. With its all-metal die-cast body, you won't have to play nice with this microphone; it is well-suited to withstand the rigors of abrasive studio and live use. Its well-designed circuitry ensures that it is accurate at all frequencies, boasting a transparent and smooth sound with the slightest boost at 15 kHz, allowing it to cut through any mix without being too harsh.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn Stage\u003c\/strong\u003e\u003cbr\u003eThe AKG C214's capsule is capable of handling an incredible 136 dB of sound pressure. The edge-terminated capsule rejects off-axis sound and ensures that the instrument being miked is upfront and detailed. For applications that require a complete attenuation of the low frequencies, the C214 offers a 150 Hz low cut filter. This filter is ideal when the C214 is being used for drum overheads, vocals, and ambient stage miking. When the low-cut filter and 20 dB attenuation pad are engaged together, the C214 can handle a blistering 156 dB SPL, allowing you to easily handle loud sources like drum overheads and close-miked guitar cabinets. Though the C214 is highly sensitive, it will not succumb to RF interference commonly associated with wireless systems, radio channels, and other communications devices. This means you can be confident anytime you put the C214 on stage -nothing is going to distract this performer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Studio\u003c\/strong\u003e\u003cbr\u003eIf you're recording in a less-than-perfect environment, such as the typical home project studio, the C214's integrated capsule suspension system helps you capture accurate recordings by reducing mechanical noise and resonances. The C214's capsule has been designed with the input of professional sound engineers who were intimately familiar with the entire C 414 series. The C214's huge dynamic range makes it ideal for close-miking aggressive vocals or loud sources like guitar amps and horns. Place the C214 close to a source to take advantage of the cardioid pattern's proximity effect, which boosts lower frequencies at close range. You can also choose to offset this natural occurrence with the C214's switchable low-cut filter, which rolls off frequencies below 150 Hz. Built using state-of-art manufacturing techniques and high-quality components, the C214 will stand the test of time in even the most abusive studio situations.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAKG C214 Features\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1\" cardioid capsule\u003c\/li\u003e\n\u003cli\u003eHigh maximum SPL handling: 136 dB \/ 156 dB (with 20 dB pad)\u003c\/li\u003e\n\u003cli\u003eSolid sonstruction\u003c\/li\u003e\n\u003cli\u003eLow self-noise\u003c\/li\u003e\n\u003cli\u003e20 dB attenuation pad and Low-Cut switch\u003c\/li\u003e\n\u003cli\u003eRugged metal grill protects the capsule and blocks RF interference\u003c\/li\u003e\n\u003cli\u003eShock mount included\u003c\/li\u003e\n\u003cli\u003eMetal carrying case included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067742765121,"sku":"AKG C214","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_C214_Large-Diaphragm_Condenser_Microphone.jpg?v=1580687513"},{"product_id":"akg-c414-xls-9-pattern-condenser-microphone","title":"AKG C414 XLS 9-Pattern Condenser Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEvery Studio Needs an AKG C414 Microphone (or Two)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA recording studio staple since the 1970s, the AKG C 414 microphone hardly needs an introduction. This instantly-recognizable large-diaphragm condenser has seen a handful of revisions over the years, as AKG has responded to engineers' demands for ever-greater headroom, sensitivity, and linearity. As an update to the B-ULS, the longest-lived C 414 design, the C 414 XLS is AKG's most neutral-sounding 414 model. The cutting-edge XLS is intended for accurate and detailed sonic reproduction, but it also retains the classic C 414 signature of extended low frequencies, crisp top end, and a gentle low-mids dip that rounds off the harsh edges of voices or instruments. Holding up its predecessors' reputation as a go-to mic for piano, drum overheads, classical ensembles, vocals and much more, the C 414 XLS adds unmatched versatility with an impressive nine pickup patterns.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eIntroducing the Nine-Pattern C 414\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA multi-pattern microphone allows you to dial in a particular sound right at its source. If you're going for a natural character, choose a wider pattern; for a more direct, \"in-your-face\" quality, lean toward the hypercardioid pattern. The XLS' rocking switch rotates through omni, wide cardioid, cardioid, hypercardioid, bidirectional figure-8, and four intermediate settings for a total of nine patterns, for more flexibility than typical 3-to-5-pattern mics. With the C 414 XLS, you can always go a little narrower to add a heightened sense of reality or eliminate bleed from surrounding sources when recording an ensemble. Plus, the plethora of pickup patterns on the C 414 XLS makes it possible to place multiple mics in X-Y stereo, middle\/side setups, ORTF pairs, Blumlein pairs, or even a Decca Tree configuration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLEDs Display Pickup Pattern and Switch Settings\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWhen you connect your C 414 XLS to phantom power, you'll see LEDs illuminate in green as you select your pickup pattern. If phantom power is interrupted, the C 414 XLS keeps its last pickup pattern in memory, so your mic will power on to the exact setting you left it -- which is especially useful if you have your XLS mics hanging in hard-to-reach spots over a choir or a large drum kit. Once you've made your pickup pattern selection, lock it in by holding the switch for three seconds to prevent bumping during handling. The LED lights provide quick visual confirmation for your settings. And with an eye toward visual confirmation, this update to the classic C 414 design has a distinctive silver grill on the front and a black grill on the back, so you can tell which way your 414 is facing from across the studio.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003ePads and Filters: Dynamic Range to Spare\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eFlip the mic around to find the LEDs and rocking switches for the -6\/-12\/-18 dB pad and 40, 80, or 160 Hz bass roll-off filter, two of the most useful features on the C 414 XLS. Padded down to -18 dB, this mic can now handle a sound pressure level of an incredible 158 dB. But since you probably won't be making location recordings of space shuttle launches anytime soon, you'll be glad to know that the C 414 XLS is well-equipped to record much quieter sources, thanks to its transformerless design and internal capsule suspension system resulting in extremely low self-noise of 6 dB-A. The XLS model also introduces a peak hold function: if the output level of the microphone approaches its overload limit, the polar pattern LEDs will light up in red for about three seconds -- alerting you to engage the mic's pre-attenuation pad (or to perhaps ask that overzealous trumpet player to step back from the mic a few inches.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e- The most neutral and accurate C 414 model available, well-suited to nearly any source\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Capsule design based on the time-honored C 414 B-ULS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 9 pickup patterns provide unmatched versatility\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 4-position bass roll-off filter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 4-position pre-attenuation pad for handling up to 158 dB SPL\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Microphone \"remembers\" its pattern, filter and pad settings when phantom power is interrupted\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Lock mode disables switches to prevent bumping during handling\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Peak Hold LEDs illuminate red when the mic output is within 2 dB of overloading\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Transformerless design and suspended capsule for extremely low noise floor of 6 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Includes AKG pop filter, foam windscreen, spider-suspension shock mount, and foam-lined aluminum flight case\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eA Refinement to a Legend\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWith its legendary stature as one of the most universal, versatile large-diaphragm condensers of the past four decades, the C 414 adds formidable flexibility with nine pickup patterns in the C 414 XLS model. If you don't already own one or more of these classic microphones, now is the time to round out your collection with AKG's updated version of the legendary C 414.\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067743256641,"sku":"AKG C414XLS","price":1249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_C414_XLS_9-Pattern_Condenser_Microphone_Single.jpg?v=1580345684"},{"product_id":"akg-c414-xl-ii-9-pattern-condenser-microphone","title":"AKG C414 XL II 9-Pattern Condenser Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRecord Everything From Drums to Vocals With the Iconic AKG C414!\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSince the release of the legendary C 414 microphone in 1971, AKG has ushered in a wealth of technical performance improvements to maximize headroom, sensitivity, and linearity -- all while maintaining the classic \"414 sound\" best described as a flattering, gentle low-mids frequency dip that can tame an instrument or singer's harsh edges. With the release of the C 414 B-TL II in the early 1990s, AKG delivered a presence boost reminiscent of the CK-12 capsule, well-suited to lead vocal and solo instrument recording.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eToday, the C 414 XL II succeeds the TL II with improved detail between 4 kHz and 10 kHz. In plain English, this mic adds high-end presence and \"air\" to whatever it's capturing. The XL II also shines in distance mic applications, banishing muddy, boxy sound and bringing clarity and spatial reproduction to rooms and ensembles. Reaffirming the must-have status of this classic mic, the AKG C 414 XL II rises to any occasion with an incredible nine pickup patterns.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eYes, Nine Pickup Patterns\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSonically and physically, the C 414 XL II resembles its famous predecessor. But as soon as you plug in phantom power and touch the rocking switch to cycle through omni, wide cardioid, cardioid, hypercardioid, and bidirectional figure-8, you'll find that LEDs illuminate to reveal four intermediate settings between these five patterns for a grand total of nine polar patterns. Dial in an exact pattern to match any instrument or performer, and lock your choice of pickup pattern by holding the switch for 3 seconds. The XL II is so advanced, it \"remembers\" its pickup pattern setting. So if you've got an orchestral setup or a big drum kit with mics hanging everywhere and your phantom power is momentarily interrupted, your C 414 XL II mics will come right back to the settings where you left them when power is restored.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFour-Position High-Pass Filter\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eIf you're recording a vocalist who's also playing acoustic guitar, you may try using figure-8 mode to get a tighter sound on the vocal while rejecting the guitar in the null point of the figure-8 pattern. On the other side of the C 414 XL II, you'll find a four-position bass-cut filter, adjustable to 40 Hz, 80 Hz, or 160 Hz. Select 160 Hz to offset the bass-boost that goes along with the proximity effect inherent to a figure-8 pattern, and there you have it: a tight vocal sound with a minimum of cranking around on an EQ. LEDs illuminate your choice of high-pass frequency for quick visual confirmation from the rear of the mic. (And speaking of quick visual confirmation, the front grill of the XL II is bright gold, while the back is black. It's an unmistakable update to a classic design.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eIncredible Dynamic Range\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGo ahead and use it on screaming guitar amps, thrashing drums, a bagpipe ensemble, or a cathedral organ: the C 414 XL II's multi-position pad can attenuate its input down -6, -12, or -18 dB. When it's time to mic up the cannon that the United States Marine Corps Band uses on the 1812 Overture, the 414 can handle an earwax-melting 158 dB SPL with its -18 dB pad switched in. If even a millisecond of distortion occurs from clipping at the microphone, red LEDs will illuminate for about 2 seconds, so you'll know when it's time to engage the pad (or maybe back off the mic a bit from your source) But if you do happen to be recording a very quiet source, the XL II's electronics are even quieter, with an extremely low 6 dB-A self-noise. Long story short, with a dynamic range of 152 dB, there's not a lot you can't record with the C 414 XL II.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cspan\u003e:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Modern version of the classic C 414 with a presence boost well-suited to vocals and lead instruments\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Capsule based on the legendary CK 12 delivers spatial detail useful for distance-mic applications like drum rooms or classical ensembles\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Nine switchable pickup patterns, three bass-cut filters and three pad levels to suit any sound source\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Lock mode disables controls for installations and live situations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Peak Hold LEDs illuminate to display overload peaks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Low noise floor and 152 dB dynamic range\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Comes with AKG's PF 80 pop filter, foam windscreen, spider-suspension shock mount, and foam-lined aluminum flight case\u003c\/span\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067743322177,"sku":"AKG C414XLII","price":1249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_C414_XL_II_9-Pattern_Condenser_Microphone_Single.jpg?v=1580369873"},{"product_id":"allen-and-heath-zedi-10-compact-usb-mixer","title":"Allen \u0026 Heath ZEDi-10 Compact USB Mixer","description":"Allen and Heath's ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4x4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.The studio quality, 24-bit \/ 96kHz, 4x4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10's mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.\u003ch3\u003eFeatures:\u003c\/h3\u003e- 4 in, 4 out USB Audio Interface (24-bit\/96kHz)\u003cbr\u003e- Cubase LE Software included\u003cbr\u003e- Cubasis LE App included\u003cbr\u003e- 4 Mic \/ Line Inputs with separate XLR and TRS jack sockets\u003cbr\u003e- 2 Stereo Inputs with TRS jack sockets\u003cbr\u003e- 2 Guitar DI high impedance inputs, eliminating the need for DI boxes\u003cbr\u003e- Lo-cut filter for cleaning up unwanted low frequency noise\u003cbr\u003e- 3 band EQ for easy creative and corrective tonal shaping\u003cbr\u003e- FX out for connecting external effects units\u003cbr\u003e- Aux out for connecting a monitor speaker or in-ear \/ headphone monitoring\u003cbr\u003e- 60mm smooth travel fader on main mix\u003cbr\u003e- XLR main outputs\u003cbr\u003e- Flexible signal monitoring\u003cbr\u003e- 8 LED signal metering\u003cbr\u003e- 48V Phantom Power for condenser mics\u003cbr\u003e- Robust internal power supply","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":7067747319873,"sku":"ALL ZEDI10","price":379.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Allen_and_Heath_ZEDi-10_Compact_USB_Mixer_6-Channel.jpg?v=1580491319"},{"product_id":"allen-and-heath-zed10fx-usb-mixer","title":"Allen \u0026 Heath ZED10FX USB Mixer","description":"ZED-10 and ZED-10FX are amazing little desks for small band mixing. They are extremely portable for carrying to the gig, and can be used for recording live or in the studio. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR main stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. In the FX version, A\u0026amp;H has added a set of fabulous effects to give shimmering reverbs and enhance your sound.ZEDs are great for live mixing. Their layout makes them very easy to use and easy to achieve a great sound. They are also perfect for recording, either a live show or an audio project at home can be built up track by track using the USB digital audio interface.The flexibility and quality of these mixers make them stand out from the crowd. You can plug your guitars or instruments straight into the class A discrete FET high impedance inputs, cater for up to four microphones, two stereo sources with MP3 player compatibility, separate 2-track record outputs and a stereo playback input for 2-track replay or perhaps interval music from a CD player, XLR main stereo outputs with inserts, comprehensive monitoring with headphones and separate monitor speaker outputs, 48V microphone phantom power, DI level switching for sub mixing, and not least of all, the same digital effects algorithms as those used on A\u0026amp;H's flagship digital consoles costing 150 times as much.\u003ch3\u003eInputs\u003c\/h3\u003eOne of the great things about the ZED series is the number and variety of things you can plug in. In addition to the sixteen mono channels there are two dual stereo channels, each with a main stereo input on jack sockets and with additional inputs on phono sockets. The USB return can be selected to one of the additional inputs so that it feeds either the main LR bus or the stereo channel. \u003ch3\u003eGuitar DI\u003c\/h3\u003eIn place of the DuoPre, the ZED-10 \u0026amp;10FX have preamps similar in design to A\u0026amp;H's MixWizard range of mixers, but with a twist! Inputs 3 \u0026amp; 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup.These inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain \"Boost\" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.\u003ch3\u003eEQ section\u003c\/h3\u003eZED-10FX is equipped with a responsive 3-band EQ with MusiQ, an optimized slope (or Q factor) for equalizing individual instruments.\u003ch3\u003eAuxiliary sends\u003c\/h3\u003e6 aux sends are provided, of which 1\u0026amp;2 are prefade for foldback monitoring, and 3 \u0026amp; 4 are switched pre or post-fade for effects sends. and 5\u0026amp;6 are post-fade. Auxes 1\u0026amp;2 can be sent to the USB bus for recording pre-fade signals independently to the main mix. Auxes 5\u0026amp;6 can also be sent to the USB bus for use as effects sends. \u003ch3\u003eUSB audio flexibility\u003c\/h3\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way A\u0026amp;H have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! Quality audio to and from your PC or Mac. Three switches provide different send\/return configurations for recording, playback and utilizing external FX.\u003ch3\u003eBuild\u003c\/h3\u003eThe ZED-10FX has been designed using individual vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel \u003cbr\u003e- making a much more robust product that will resist damage and give years of reliable use.\u003ch3\u003eAmpliTube X-GEAR Software\u003c\/h3\u003eAllen \u0026amp; Heath is pleased to announce a partnership with leading music software company, IK Multimedia, to bundle its pioneering AmpliTube X-GEAR Visit their site for more information.","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":7067747811393,"sku":"ALL ZED10FX","price":479.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Allen_and_Heath_ZED10FX_10-Channel_Mixer_with_USB_Interface.jpg?v=1580390084"},{"product_id":"allen-and-heath-zed-14-usb-mixer","title":"Allen \u0026 Heath ZED-14 USB Mixer","description":"The Allen and Heath ZED14 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible.This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.Allen and Heath have teamed up with major software supplier, Cakewalk, to bundle its Sonar LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation.\u003ch3\u003eWhat's great about the ZED14?\u003c\/h3\u003eThe feature-set is incredibly advanced for a mixer at this level -\u003cbr\u003e- it has 13 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send \u0026amp; return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED14 is so packed full of great features that you'd think it would cost much, much more!It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings.\u003ch3\u003eWhat about the sound quality?\u003c\/h3\u003eAllen and Heath's chief designer, Mike Griffin, has been at the forefront of audio innovation for many years and has developed the designs for their spectacularly successful MixWizard and GL series professional live mixers. Mike is always striving to produce the best possible sound for our mixers, and for ZED has produced the 'DuoPre', a mic preamplifier which sounds as sweet as a nut, as pure as the driven snow. The DuoPre combines an optimized line input circuit together with the microphone preamp circuit so that it will not color or distort your sound, will give you lots of headroom and give you a truly professional feel.\u003ch3\u003eInputs\u003c\/h3\u003eOne of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED14 boasts 99 different controls on its front panel -\u003cbr\u003e- way more than any of the competition! 6 mic\/line channels are provided on ZED14 -\u003cbr\u003e- plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs \u003cbr\u003e- dual inputs, both with gain and 2-band EQ\u003ch3\u003eDuoPre\u003c\/h3\u003eBased on the proven pre-amps from the hugely successful Allen and Heath PA series, the ZED series has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge -\u003cbr\u003e- 69dB of range to be exact -\u003cbr\u003e- and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input.\u003ch3\u003eEQ section\u003c\/h3\u003eZED14 features a responsive 3-band, swept mid frequency design with MusiQ -\u003cbr\u003e- optimised slope (or Q factor) for equalizing individual instruments. HF and LF also boast Xtra Boost, to make these frequencies more responsive.\u003ch3\u003eAuxiliary sends\u003c\/h3\u003e4 aux sends are provided, of which 1\u0026amp;2 are prefade for foldback monitoring, and 3 \u0026amp; 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB to computer to create 2 separate record feeds independent of the main LR mix (1\u0026amp;2) and or used as FX sends (3\u0026amp;4).\u003ch3\u003eUSB audio flexibility\u003c\/h3\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way it's implemented on the ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! Quality audio to and from your PC or Mac. Three switches provide different send\/return configurations for recording, playback and utilizing external FX.\u003ch3\u003eBuild\u003c\/h3\u003eAt this level, most mixers are built using a single, flat PCB with all the pots and switches attached at right angles. ZED14 utilizes individual vertically mounted channel circuit boards with each rotary control fixed with a metal nut to the front panel -\u003cbr\u003e- making a much more robust product that will resist damage and give years of reliable use. ZED also has professional 100mm faders for ultimate control over your levels.\u003ch3\u003eSonar LE -\u003cbr\u003e- provided Free!\u003c\/h3\u003eAllen and Heath have teamed up with Cakewalk to bundle Sonar LE with this ZED mixer. The two team up together in many ways -\u003cbr\u003e- for example straightforward recording of a stereo mix, recording tracks individually to build up a song, or for inserting a Sonar LE effects plug-in.","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":7067747909697,"sku":"ALL ZED14","price":679.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Allen_and_Heath_ZED14_14-Channel_Mixer_with_USB_Interface.jpg?v=1580513169"},{"product_id":"allen-and-heath-zed12fx-usb-mixer","title":"Allen \u0026 Heath ZED12FX USB Mixer","description":"Complementing the existing ZED series, the ZED FX has been developed around an FX chipset purely for this model. Allen and Heath's DSP engineers have been working hard, crafting and refining beautiful reverb algorithms. The effects are available nowhere else -\u003cbr\u003e- this quality and integration is only available from the ZED FX.16 essential time-delay effects add to the already bulging feature set. The mixer is ideal for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings.In addition to the DuoPreTM mic pre-amps, 100mm faders and MusiQ EQ section which are shared with the whole ZED range, the ZED FX has 16 unique effects, designed by Allen and Heath's DSP team, in Cornwall.\u003ch3\u003eZED FX\u003c\/h3\u003eZED FX are easily controlled using 3 buttons and 9 LEDs. Quickly tap the ideal delay time or 'dial-in' the perfect amount of reverb on the lead vocal. One-stop navigation and editing. In fact, just as easy as your effects pedals. Hold down the TAP button and press the up or down button to alter the effects parameter, for example on patch (9) Plate, this would adjust the decay length. The ZED FX is designed to fulfill all the functions a small band would need without their own sound engineer. The layout and features have been arranged to be logical and instantly recognizable at a dark gig -\u003cbr\u003e- a mixer you can trust to perform.The USB audio interface, with its uniquely flexible capability, allows different signals to be sent to USB, from LR or from selected aux buses. The USB return signal can be routed straight to the LR mix or to a stereo channel. The connectors are placed on the top surface for easy plugging \u0026amp; patching, and the construction, with individual circuit boards firmly nutted to the top panel, is as rock solid as Allen \u0026amp; Heath's top of the range ML Series mixers.The ZED FX range currently comprises of the ZED12FX and the 22FX. Between them they offer a solution for any small group or singer songwriter needing up to 16 mono inputs and 3 stereo inputs. Keyboards, microphones, samplers, the sky is the limit. Each mono channel has an insert point, allowing in-line effects such as compressors to be added to the signal chain, just like A\u0026amp;H's large-format mixers.\u003ch3\u003eInternal FX\u003c\/h3\u003e16 separate effects have been crafted into the ZED-FX range. These include Delay and Reverb, Ping-Pong delay, a selection of reverbs with different room\/hall\/arena properties, a flanger and a chorus. All have been designed to complement the material the engineer is working with. Each of the effects has a parameter which can be altered: pre-delay can be adjusted, room sizes tweaked, and flanger speed dialled-in. Five of the effects can have their tempo tapped in, and the output auditioned by the FX PFL.\u003ch3\u003eInputs\u003c\/h3\u003eOne of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are three dual stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. 6 mic\/line channels are provided on ZED12FX -\u003cbr\u003e- plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs -\u003cbr\u003e- dual inputs, both with gain and 2-band EQ\u003ch3\u003eDuoPre\u003c\/h3\u003eBased on the proven pre-amps from the hugely successful PA series, the ZED series has DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge -\u003cbr\u003e- 69dB of range to be exact \u003cbr\u003e- and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input.\u003ch3\u003eEQ section\u003c\/h3\u003eZED-FX features a musical 3-band EQ derived from the acclaimed GL2400 mixer.The design utilises MusiQ -\u003cbr\u003e- optimised slope (or Q factor) for equalising individual instruments.\u003ch3\u003eAuxiliary sends\u003c\/h3\u003e4 aux sends are provided, of which 1\u0026amp;2 are prefade for foldback monitoring, and 3 \u0026amp; 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB to computer to create 2 separate record feeds independent of the main LR mix (1\u0026amp;2) and or used as FX sends (3\u0026amp;4).\u003ch3\u003eUSB audio flexibility\u003c\/h3\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way A\u0026amp;H have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! Quality audio to and from your PC or Mac. Three switches provide different send\/return configurations for recording, playback and utilizing external FX.\u003ch3\u003eBuild\u003c\/h3\u003eThe ZED12FX has been designed using individual vertically mounted circuit boards with each rotary control fixed with a metal nut to the front panel -\u003cbr\u003e- making a much more robust product that will resist damage and give years of reliable use. ZED also has professional 100mm faders for ultimate control over your levels.\u003ch3\u003eSonar LE\u003c\/h3\u003eAllen and Heath have teamed up with Cakewalk to bundle Sonar LE with this ZED mixer. The two team up together in many ways -\u003cbr\u003e- for example straightforward recording of a stereo mix, recording tracks individually to build up a song, or for inserting a Sonar LE effects plug-in.","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":7067747942465,"sku":"ALL ZED12FX","price":799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Allen_and_Heath_ZED12FX_12-Channel_Mixer_with_USB_Interface.jpg?v=1580373003"},{"product_id":"allen-and-heath-zed-18-usb-mixer","title":"Allen \u0026 Heath ZED-18 USB Mixer","description":"The Allen and Heath ZED-18 has an incredibly advanced feature-set for a mixer at this level \u003cbr\u003e- it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in\/out makes it easy to capture stereo recordings.\u003ch3\u003eUSB audio flexibility\u003c\/h3\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. \u003ch3\u003eMusiQ\u003c\/h3\u003eZED-18 features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ \u003cbr\u003e- with optimized slope (or Q factor) for equalizing individual instruments.\u003ch3\u003eDuoPre\u003c\/h3\u003eBased on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge \u003cbr\u003e- 69dB of range to be exact \u003cbr\u003e- and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.\u003ch3\u003eSONAR X1 LE \u003cbr\u003e- Provided Free!\u003c\/h3\u003eAllen \u0026amp; Heath has included Cakewalk SONAR X1 LE with ZED-18 so you can immediately start to use it to create your own music \u003cbr\u003e- just add a PC and it couldn't be easier to get going. You'll be able to record from your ZED mixer, create tracks and arrange songs, then play back to ZED via the USB port. You can use SONAR X1 LE and your ZED mixer together in many ways \u003cbr\u003e- e.g. straightforward recording of a stereo mix, recording tracks individually to build up a song, or using the USB port and software as an effects loop.\u003ch3\u003eKey Features\u003c\/h3\u003e- Powered by SONAR X1\u003cbr\u003e- 32 audio tracks\u003cbr\u003e- 64 MIDI tracks\u003cbr\u003e- 8 simultaneous inputs and outputs\u003cbr\u003e- 24-bit\/96 kHz audio quality\u003cbr\u003e- 24 simultaneous effects\u003cbr\u003e- 8 simultaneous virtual instruments\\t\u003ch3\u003eFeatures:\u003c\/h3\u003e- 10 mono channels\u003cbr\u003e- Neutrik mic XLR\u003cbr\u003e- Neutrik 1\/4\" jacks\u003cbr\u003e- Channel insert\u003cbr\u003e- Super wide gain 'DuoPre' mic line input\u003cbr\u003e- 3 band EQ with MusiQ\u003cbr\u003e- 4 auxes\u003cbr\u003e- Illuminated mute\u003cbr\u003e- Sound image pan\u003cbr\u003e- Illuminated PFL \u0026amp; peak warning indicator\u003cbr\u003e- ALPS 100mm faders\u003cbr\u003e- 4 stereo channels with 2-band EQ\u003cbr\u003e- Stereo returns \u0026amp; playback\u003cbr\u003e- All inputs with level control\u003cbr\u003e- 12 bar meters\u003cbr\u003e- Mono\/stereo function on auxes 1\u0026amp;2\u003cbr\u003e- Monitor output section\u003cbr\u003e- Alt stereo output source\u003cbr\u003e- Configurable USB stereo audio in\/out\u003cbr\u003e- Global +48V phantom power\u003cbr\u003e- Cakewalk SONAR LE bundled with mixer","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":7067748008001,"sku":"ALL AHZED18","price":899.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Allen_and_Heath_ZED-18_USB_Mixer_18-Channel.jpg?v=1580681370"},{"product_id":"allen-and-heath-zed-24-usb-mixer","title":"Allen \u0026 Heath ZED-24 USB Mixer","description":"The Allen and Heath ZED-24 has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible.This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It'll be equally happy running your gig on stage, recording live or mixing down in your studio at home.Allen and Heath has teamed up with major software supplier, Cakewalk, to bundle its Sonar LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation.\u003ch3\u003eWhat's great about the ZED-24\u003c\/h3\u003eThe feature-set is incredibly advanced for a mixer at this level \u003cbr\u003e- it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, a USB send and return for PC or Mac recording, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you'd think it would cost much, much more!It can be used for many different tasks, whether in live performance, utilizing plug-in effects via USB, live recording via USB and Cakewalk, studio recording or mixing down to produce your own 2-track recordings.What about the sound quality? Our chief designer, Mike Griffin, has been at the forefront of audio innovation for many years and has developed the designs for our spectacularly successful MixWizard and GL series professional live mixers. Mike is always striving to produce the best possible sound for our mixers, and for ZED has produced the 'DuoPre(tm)', a mic preamplifier which sounds as sweet as a nut, as pure as the driven snow. The DuoPre combines an optimised line input circuit together with the microphone preamp circuit so that it will not colour or distort your sound, will give you lots of headroom and give you a truly professional feel. \u003ch3\u003eInputs\u003c\/h3\u003eOne of the great things about the ZED series is the number and variety of things you can plug in. In addition to the sixteen mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED-24 boasts 129 different controls on its front panel -\u003cbr\u003e- way more than any of the competition! 16 mic\/line channels are provided on ZED-24 -\u003cbr\u003e- plenty for mics or DI boxes for larger bands or demanding applications requiring more inputs than the ZED-14. 4 stereo line inputs, 3 with dual inputs. All inputs have independent gain control.\u003ch3\u003e16 DuoPre Mic Preamps\u003c\/h3\u003eBased on the proven preamps from the hugely successful PA series, the ZED series has DuoPre preamps, which use a two-stage design with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge -\u003cbr\u003e- 69dB of range to be exact -\u003cbr\u003e- and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input.\u003ch3\u003eEQ section\u003c\/h3\u003eZED-24 features a responsive 3-band, swept-mid frequency design with MusiQ -\u003cbr\u003e- optimised slope (or Q factor) for equalising individual instruments. HF and LF also boast Xtra Boost giving you extra control.\u003ch3\u003eAuxiliary sends\u003c\/h3\u003e4 aux sends are provided, of which 1\u0026amp;2 are prefade for foldback monitoring, and 3 \u0026amp; 4 post-fade for effects sends. A stereo signal can be sent from auxes via USB to computer to create 2 separate record feeds independent of the main LR mix (1\u0026amp;2) and or used as FX sends (3\u0026amp;4).\u003ch3\u003eUSB audio flexibility\u003c\/h3\u003eGetting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! Quality audio to and from your PC or Mac. Three switches provide different send\/return configurations for recording, playback and utilising external FX.\u003ch3\u003eBuild\u003c\/h3\u003eAt this level, most mixers are built using a single, flat PCB with all the pots and switches attached at right angles. ZED-24 utilises individual vertically mounted channel circuit boards with each rotary control fixed with a metal nut to the front panel \u003cbr\u003e- making a much more robust product that will resist damage and give years of reliable use. ZED also has professional 100mm faders for ultimate control over your levels.\u003ch3\u003eSonar LE \u003cbr\u003e- provided Free!\u003c\/h3\u003eWe have teamed up with Cakewalk to bundle Sonar LE with this ZED mixer. The two team up together in many ways \u003cbr\u003e- for example straightforward recording of a stereo mix, recording tracks individually to build up a song, or for inserting a Sonar LE effects plug-in. \u003ch3\u003eOther features:\u003c\/h3\u003e- Insert points\u003cbr\u003e- High pass filter\u003cbr\u003e- Stereo imaging control on every channel\u003cbr\u003e- Channel mute switches\u003cbr\u003e- Stereo return\u003cbr\u003e- 2-track return\u003cbr\u003e- Advanced monitoring facilities\u003cbr\u003e- 1\/4-inch and 3.5mm headphones outputs\u003cbr\u003e- Stereo record out\u003cbr\u003e- Alternative stereo out\u003cbr\u003e- Mono sum of LR output\u003cbr\u003e- Main LR\u003cbr\u003e- 12-bar LR meters\u003cbr\u003e- Master controls for aux1\u0026amp;2","brand":"Allen \u0026 Heath","offers":[{"title":"Default Title","offer_id":7067748335681,"sku":"ALL ZED24","price":1199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Allen_and_Heath_ZED-24_24-Channel_Mixer_with_USB_Interface.jpg?v=1580359998"},{"product_id":"adj-mediaoprtrbt","title":"American Audio Media Operator BT Bluetooth Media Player","description":"\u003cp\u003eThe American Audio Media Operator BT is a fast, simple and reliable all-in-one MP3\/Bluetooth media player designed for permanent installations where easy control of music is a must (ie. restaurants, fitness studios, retail locations, etc.) and great for mobile entertainers as well. The Media Operator BT offers digital playback from SD cards or USB sticks\/drives.The Media Operator BT includes full MP3 playback control as well as a microphone input (XLR \/ 1\/4' combo), master volume control and 3x line output options. Plug the unit directly into powered speakers, an amplifier or secondary mixer through the balanced XLR, 1\/4\" or stereo RCA outputs.\u003c\/p\u003e","brand":"American Audio","offers":[{"title":"Default Title","offer_id":7067754397761,"sku":"ADJ MEDIAOPRTRBT","price":119.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/rhmf4wikyfuhrzljtjlm.jpg?v=1579124687"},{"product_id":"art-splitmix4","title":"ART SPLITMix4 Passive Four-Channel Stereo\/Mono Splitter","description":"The ART SPLITMix4 is a fully passive hybrid mixer that offers a wide variety of configurations. Mix 4 stereo input channels down to 1 stereo output, split a stereo input signal to distribute 4 stereo output channels, or combine the configurations for a wide range of applications. You can even configure the SPLITMix4 as 4 stereo input channels thru 4 independent level attenuators to 4 stereo output channels.Independent stereo level controls are provided on each channel. All 1\/4-inch connections are stereo TRS (Tip, Ring, Sleeve) and all channel connections have intelligent switching to allow for a wide variety of configurations. Plugging into a mix input channel removes it from the splitter bus, and plugging into a splitter output channel removes it from the mix bus. Stereo or mono operation is determined by the type of 1\/4-inch plug and cabling that you use.The fully passive design of the SPLITMix4 has no active circuitry to add noise or distortion, and virtually any signal level can be handled. The Level attenuators cover a wide range and offer over 90dB of attenuation and channel isolation. The SPLITMix4 is designed primarily as a line level device with medium input and output impedances.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Four Channel Passive Splitter\/Mixer\u003cbr\u003e- Four Stereo Input Channels\u003cbr\u003e- Stereo Output\u003cbr\u003e- Independent stereo level controls are provided on each channel\u003cbr\u003e- Passive Design (No Power Supply Required)\u003cbr\u003e- Over 90dB of Attenuation","brand":"ART","offers":[{"title":"Default Title","offer_id":7067768651841,"sku":"ART SPLITMIX4","price":84.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/pcvaiubcitzri1lr9088.jpg?v=1579118342"},{"product_id":"art-phantom2pro","title":"ART Phantom II Pro Phantom Power Supply","description":"The ART Phantom II Pro is designed to do one thing and do it well. It provides clean, reliable phantom power for one or two condenser microphones in a rugged, compact, and portable unit. Innovative low power circuitry generates the higher voltage necessary for powering microphones while maximizing battery life. The Phantom II Pro installs inline between your microphone and a balanced line input on your gear. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.The Phantom II Pro is an invaluable tool in application areas including (but not limited to): home or professional recording studios, live sound, PA, permanent installs, DJ, AV, podcasting and broadcasting. Use it with mixers, audio processors, digital audio workstations or anywhere you need phantom power for your mics.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Dual Ch. Phantom Power Supply\u003cbr\u003e- XLR connectors for balanced inputs and outputs\u003cbr\u003e- Low power, high efficiency CMOS circuitry for Long battery life using a standard 9 Volt battery (Alkaline recommended)\u003cbr\u003e- Can be powered with an external power supply for operation from AC mains\u003cbr\u003e- Rugged extruded aluminum case with accessible battery compartment\u003cbr\u003e- LED lighted On\/Off switch\u003cbr\u003e- Low noise, low distortion circuitry","brand":"ART","offers":[{"title":"Default Title","offer_id":7067768717377,"sku":"ART PHANTOM2PRO","price":119.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/so5z7k1mvftdkvn3coya.jpg?v=1579114188"},{"product_id":"art-voicechannel","title":"ART Voice Channel Tube Microphone Preamp System with Digital In\/Out","description":"The ART Voice Channel is the answer to your recording and computer audio interface needs. Built to provide the ideal all-in-one input solution for analog or digital recording, the ART VoiceChannel is a true second-generation discrete Class-A microphone preamp capable of providing clean quiet gain while maintaining incredible transparency. An integrated fully variable powerful dynamics processor subtly controls transients and noise of the most demanding sources while the VoiceChannel's semi-parametric EQ offers wide tune-ability.For added versatility the EQ can be patched before OR after the dynamics processor while separate insertion jacks allow you quick quiet in-line connectivity to external signal processing gear immediately after the Mic preamp, before the EQ and dynamics processor in the signal path.Another insert patch point exists just before the A\/D converters.Choose between a wide range of outputs including balanced analog output, 44.1 KHz to 192 KHz AES\/EBU, S\/PDIF, ADAT and USB. Both analog and digital meters provide a detailed indication of audio levels.\u003ch3\u003eFeatures\u003c\/h3\u003e- Ideal input solution for any recording application.\u003cbr\u003e- Tube Microphone Preamplifier with Selectable plate Voltage and Variable Input Impedance\u003cbr\u003e- Exceptional warmth and definition from proven ART Tube Preamp design\u003cbr\u003e- Smooth musical sounding dynamics control including Compressor \/ Expander \/ De-Esser \/ Gate\u003cbr\u003e- Powerful Parametric EQ selectable Pre or Post Compressor in signal path\u003cbr\u003e- Flexible digital connectivity including ADAT Lite-pipe \/ AES\/EBU \/ S\/PDIF \/ TOSLink Digital Output supports 44.1 to 192 KHz Sample Rates\u003cbr\u003e- USB direct-connect to computer or laptop","brand":"ART","offers":[{"title":"Default Title","offer_id":7067770224705,"sku":"ART VOICECHANNEL","price":649.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.ART_Voice_Channel_Tube_Microphone_Preamp_System_with_Digital_InOut.jpg?v=1580628880"},{"product_id":"adi-asp800","title":"Audient ASP800 Microphone Preamplifier, 8-Channel","description":"The Audient ASP800 is an audio powerhouse designed to transform your sessions into world class recordings, making it the perfect addition to your audio interface. ASP800 provides 8 channels of Audient's renowned console mic preamps, class-leading Burr-Brown converter technology, two JFET DI's and two Retro channels with revolutionary tone control. Just plug in your mics, guitars, keyboards and drum machines and you're ready to go, so get creative and start thinking big!\u003ch3\u003eUpgrade your sound. The professional sound you deserve.\u003c\/h3\u003eWhether you're recording drums or simply need more channels, ASP800 is the perfect tool for expanding your existing interface via ADAT. Its flexible and intuitive feature set will transform your current setup into the complete recording rig, perfectly at home recording both acoustic and electronic instruments.\u003ch3\u003eWorld Class Mic Pres. The professional sound you deserve.\u003c\/h3\u003eAudient is the only company that uses the same Class-A mic pre design throughout their entire product range, whether you're in the studio with an Audient ASP8024 console or on the road with ASP800, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimized over 18 years, thei rmic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the ASP800 will quickly become your 'go to' mic pre.\u003ch3\u003eThe Retro Channels. Take Control of your audio.\u003c\/h3\u003eAudient is known for super clean mic pres but that doesn't mean they don't understand the importance of adding color. Whether you need to add growl to a bass guitar or make those vocals sparkle, ASP800's revolutionary harmonic generation circuitry has got you covered.\u003ch3\u003eColor Your Sound with HMX and Iron Controls\u003c\/h3\u003eRetro Channels 1 \u0026amp; 2 feature two unique variable harmonic COLOR controls per channel \u003cbr\u003e- HMX \u0026amp; IRON. Designed to emulate tones often associated with 1960s tube designs and the coveted transformer zing of British audio in the 1970s, HMX \u0026amp; Iron will add a dimension to your audio by providing warm, sparkly tones. Better still, you can combine them to get anywhere in between!\u003ch3\u003eHMX: Tube-Style Harmonic Distortion When You Want It\u003c\/h3\u003ePlenty of engineers love the sound of tubes\/valves and if you're one of them, then you're going to love HMX. Travel back in time with ASP800's very own custom harmonic distortion control. Similar to vintage valve preamplifier designs of the 1960s, HMX provides a sweet, thick tone that will sound incredible on anything from drums to electric guitars. By using discrete MOSFET technology, HMX produces asymmetrical harmonic distortion giving you the option to add richness and body to the pristine tone of the Audient mic preamp, DI or line input. Take control of your sound and bring your audio to life, 1960s style.\u003ch3\u003eIRON: Audient's British transformer saturator\u003c\/h3\u003eA testament to innovation, IRON uses a custom British transformer with a high voltage MOSFET drive network designed to recreate that sparkly, \"sounds like a record\" signature of 1970s recording. With one control that simultaneously alters drive impedance, bass response, high frequency damping, phase shift, magnetic saturation and transient shaping -\u003cbr\u003e- IRON can instantly add sparkle, growl and so much more with one twist of a knob! It sounds killer on snare, bass, acoustic guitar and anything that needs some extra bite.\u003ch3\u003ePristine Converter Technology. Brilliance on the inside enables brilliance on the outside.\u003c\/h3\u003eASP800 provides you with high performance 118-dB AD converters from Burr Brown, the leaders in converter technology. Quality in the analog stages of design comes from years of experience as analog console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated.\u003ch3\u003eExperience audio the Audient way. Plug and Play. Plug in and be inspired.\u003c\/h3\u003eAs well as offering you 8 channels of mic pre, ASP800 has two harmonically rich JFET D.I inputs. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine and start recording instantly.\u003ch3\u003eBuilt to Last. Quality deserves protection.\u003c\/h3\u003eThe result of years of experience in analogue design combined with a focus on precision and detail, ASP800 packs a powerful feature set in an ergonomic 1RU rack mount. From its beautifully crafted hand milled aluminum knobs to its all-metal construction, ASP800 will stand up to countless late nights in the studio and days on the road.\u003ch3\u003eFeatures:\u003c\/h3\u003e- 8 x World Class Audient Console Mic Pres\u003cbr\u003e- 2 x Retro Channels with Dual Stage COLOUR Saturation Controls \u003cbr\u003e- HMX \u0026amp; IRON\u003cbr\u003e- 2 x Discrete JFET Instrument Inputs\u003cbr\u003e- Pristine 118-dB Burr-Brown A-D Converters\u003cbr\u003e- Balanced Analogue Line Outputs\u003cbr\u003e- ADAT Output for Expandability\u003cbr\u003e- Word Clock Input\u003cbr\u003e- All-Metal Enclosure","brand":"Audient","offers":[{"title":"Default Title","offer_id":7067775369281,"sku":"ADI ASP800","price":1199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audient_ASP800_Microphone_Preamplifier_8-Channel.jpg?v=1580511786"},{"product_id":"adi-asp880","title":"Audient ASP880 Microphone Preamplifier, 8-Channel","description":"The Audient ASP880 is an 8-channel microphone preamplifier \u0026amp; ADC that will transform your sessions into world class recordings, the perfect addition to your set-up. ASP880 provides eight of Audient's renowned console mic pres, pristine converter technology and a versatile feature set that includes Variable Impedance and Variable High Pass Filters. All in a 1RU rack!\u003ch3\u003eUpgrade Your Sound. The first step to audio excellence.\u003c\/h3\u003eTransform your sessions into world class recordings with ASP880, the perfect addition to your set-up. Bypass the mic pres and converters in your current interface and achieve the same audio excellence as the top studios.\u003ch3\u003eWorld Class Mic Pres. The professional sound you deserve.\u003c\/h3\u003eAudient's renowned Class-A, console mic pre outshines the competition and gives you the same sonic quality of products costing three or four times the price. Capture the detail and excitement of your audio sources, all with a hint of analogue coloration that will sound stunning on any project!Developed by design legend David Dearden, our mic pre is used by thousands of professional studios around the world. With its versatile nature and accurate translation, the ASP880 will quickly become your 'go to' mic pre.\u003ch3\u003ePristine Converter Technology. Brilliance on the inside enables brilliance on the outside.\u003c\/h3\u003eASP880 provides you with the highest grade converters from Burr Brown, the leaders in converter technology. The integral ADC guarantees you will have the best conversion possible. This isn't just the best converter in a mic pre either, it stands up against dedicated converters too. You can focus on the music and let ASP880 take care of the rest.\u003ch3\u003ePlug and Play. Plug straight in and be inspired.\u003c\/h3\u003eAs well as offering you 8 channels of mic pre and line inputs, ASP880 has two sonically accurate discrete JFET DI inputs, so you can plug your guitar or bass straight in.Take Control. Enhance your audio with ASP880's versatile feature set.\u003ch3\u003eBring your outboard in from the cold\u003c\/h3\u003eEver wanted to add compression or EQ to your signal before going to the computer? Well with ASP880 you can. Simply insert any analogue processor before the converters \u003cbr\u003e- it's as easy as that!The A-D button allows ASP880 to function as an 8 channel mic pre while you use the converters separately in stand-alone mode.\u003ch3\u003eSay Goodbye to Pesky Low frequencies\u003c\/h3\u003eLose those unwanted low frequencies with a simple to use variable high-pass filter. The result is a clean, ready to record signal.\u003ch3\u003eWrap it up with a ribbon\u003c\/h3\u003eIf you're partial to the character of ribbon mics, then ASP880 is made for you. Variable impedance allows you to match the pre to your favorite ribbon mic. Retain the punch and frequency response the mic was born with. It also works on your other mics, just more subtly.\u003ch3\u003eBuilt to Last. Quality deserves protection.\u003c\/h3\u003eASP880 has been designed to last, its all-metal construction and hand milled aluminum knobs will stand up to countless late nights in the studio and days on the road.All this in 1RU!\u003ch3\u003eFeatures:\u003c\/h3\u003e- 8 Audient Console Mic Pres\u003cbr\u003e- Burr Brown AD converter technology\u003cbr\u003e- Variable Input Impedance\u003cbr\u003e- Variable High Pass Filters\u003cbr\u003e- 8 Insert points between the mic preamps and AD converters\u003cbr\u003e- 2 Channels of Class-A Discrete JFET D.I instrument inputs\u003cbr\u003e- Digital Outputs \u003cbr\u003e- ADAT, AES \u0026amp; S\/PDIF","brand":"Audient","offers":[{"title":"Default Title","offer_id":7067775434817,"sku":"ADI ASP880","price":1799.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audient_ASP880_Microphone_Preamplifier_8-Channel.jpg?v=1580416934"},{"product_id":"aud-cp8201","title":"Audio-Technica CP8201 Lo-Z to Hi-Z Transformer","description":"Connect an XLR microphone cable to an 1\/4\" instrument jack with Audio-Technica's CP8201 impedance-matching transformer. This handy adapter converts standard XLR low-impedance signals to high-impedance instrument-level signals, allowing you to plug XLR mics into guitar amps, pedalboards, or any 1\/4\" instrument input.This impedance-matching transformer is designed to match 200-ohm output impedance to 50K-ohm input impedance. With an input impedance of 200 ohms and output impedance of 50,000 ohms, it's the perfect adapter for connecting a microphone to a Hi-Z instrument jack, such as the 1\/4\" jack on a guitar amplifier or guitar effects pedal.Note: This adapter does not pass phantom power, since it uses a two-conductor 1\/4\" TS plug. It cannot be used with condenser microphones that require external phantom power to operate.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Lo-Z to Hi-Z Transformer matches low-impedance microphones to high-impedance instrument jacks\u003cbr\u003e- Reduces noise and hum caused by impedance-mismatched connections\u003cbr\u003e- Maintains high-frequency response of signals that is reduced by an impedance mismatch\u003ch3\u003eAbout Audio-Technica\u003c\/h3\u003eAudio-Technica has been dedicated to advancing the art and technology of electro-acoustic design and manufacturing since 1962. From a beginning in state-of-the-art phono cartridges, A-T has expanded over the years into high-performance headphones, microphones, mixers, and electronic products for home and professional use. In each area the goal has been to create innovative, problem-solving products. The results of these engineering and production efforts can be seen in the effective use of A-T products in a broad spectrum of applications.","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067775959105,"sku":"AUD CP8201","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_CP8201_Lo-Z_to_Hi-Z_Transformer.jpg?v=1580160632"},{"product_id":"aud-pro8hecw","title":"Audio-Technica PRO 8HEcW Headworn Hypercardioid Dynamic Microphone with 4-Pin Connection","description":"This headworn, professional-quality vocal microphone is terminated with a 4-pin Hirose connector for use with Audio-Technica UniPak transmitters. Hands-free operation and hi-energy neodymium element for crisp sound reproduction makes it perfect for performance. Includes windscreen. \u003ch3\u003eFeatures:\u003c\/h3\u003e- Professional-quality vocal pickup with hands-free operation \u003cbr\u003e- Hi-energy neodymium element for crisp sound reproduction \u003cbr\u003e- Low-visibility headband provides stable, comfortable fit \u003cbr\u003e- Pivot-mounted flexible mic boom descends from left or right side \u003cbr\u003e- 55\" (1.4 m) cable terminated with 4-pin HRS connector for A-T UniPak wireless systems\u003ch3\u003eA Word about Audio-Technica\u003c\/h3\u003eAudio-Technica has been dedicated to advancing the art and technology of electro-acoustic design and manufacturing since 1962. From a beginning in state-of-the-art phono cartridges, A-T has expanded over the years into high-performance headphones, microphones, mixers, and electronic products for home and professional use. In each area the goal has been to create innovative, problem-solving products. The results of these engineering and production efforts can be seen in the effective use of A-T products in a broad spectrum of applications.","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067784347713,"sku":"AUD PRO8HECW","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_PRO_8HEcW_Headworn_Hypercardioid_Dynamic_Microphone_with_4-Pin_Connection.jpg?v=1580159926"},{"product_id":"aud-pro8hex","title":"Audio-Technica PRO8HEx Headworn Hypercardioid Dynamic Microphone with XLR Connection","description":"Offering highly intelligible individual voice reproduction, the comfortable, lightweight PRO 8HEx is ideal for guitarists, keyboard players, drummers and others who need the use of their hands during performance. Its low-visibility headband and cushioned support pads provide a stable, comfortable fit. Designed for professional quality vocal pickup with hands-free operation, the PRO 8HEx features a pivot-mounted flexible mic boom that descends from either the left or right side.Comfortable and lightweight, this headset microphone is hands-free and low cost. Hypercardiod pattern rejects unwanted sounds. Low-impedance; doesn't need phantom power. Includes two windscreens, 7' XLR cable, and clothing clip.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Ideal for guitarists, keyboard players, drummers and others who need the use of their hands during performance\u003cbr\u003e- Low-visibility headband and cushioned support pads provide a stable, comfortable fit\u003cbr\u003e- Pivot-mounted flexible mic boom descends from left or right side\u003cbr\u003e- Hypercardioid polar pattern improves isolation of desired sound source\u003cbr\u003e- Hi-ENERGY neodymium element for articulate vocal reproduction\u003cbr\u003e- 7.2' (2.2 m) cable permanently attached between microphone and XLRM-type connector","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067784380481,"sku":"AUD PRO8HEX","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_PRO8HEx_Headworn_Hypercardioid_Dynamic_Microphone_with_XLR_Connection.jpg?v=1580161567"},{"product_id":"aud-at2020","title":"Audio-Technica AT2020 Studio Microphone","description":"Audio-Technica's stringent consistency, reliability and quality standards bring professional performance to an extremely affordable price point in home\/project studio microphones.\u003ch3\u003eFeatures:\u003c\/h3\u003e- The AT2020 has the price\/performance standard in side-address studio condenser microphone technology.\u003cbr\u003e- It is ideal for project\/home-studio applications.\u003cbr\u003e- High SPL handling and wide dynamic range provide unmatched versatility.\u003cbr\u003e- Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response.\u003cbr\u003e- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.\u003cbr\u003e- Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone.d mount attaches securely for easy and precise placement of the microphone.","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067785396289,"sku":"AUD AT2020","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT2020_Studio_Microphone.jpg?v=1580522252"},{"product_id":"aud-pro44","title":"Audio-Technica PRO44 Condenser Boundary Microphone, Black","description":"With its half-space unidirectional polar pattern, low-profile design, and outstanding sound quality, the PRO44 is ideal for conference tables, podiums, lecterns and other installed-sound uses. This versatile boundary mic's self-contained electronics eliminate the need for external power modules. The PRO44 is equipped with a wide-range condenser element with low-mass diaphragm for superior performance.\u003cb\u003eFeatures\u003c\/b\u003eLow profile for minimum visibilityWide-range condenser element with low-mass diaphragm for superior performanceSelf-contained electronics eliminate need for external power modulesRugged design and construction25 ft. (7.6 m) detachable cable (TA3F to XLRM-type)","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067785953345,"sku":"AUD PRO44","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_PRO44_Condenser_Boundary_Microphone_Black.jpg?v=1580158934"},{"product_id":"aud-pro45-bk","title":"Audio-Technica Pro45 Black Hanging Condenser Microphone","description":"With robust construction and unobtrusive appearance, the Pro45 offers a versatile sound-reinforcement solution for speech, theater, orchestra and choir sound reinforcement and recording. The microphone's high-SPL handling is perfect for suspension over choirs and orchestras.\u003ch3\u003eFeatures:\u003c\/h3\u003e- High SPL handling is ideal for suspension over choirs and orchestras\u003cbr\u003e- Wide-range condenser element with low-mass diaphragm for superior performance\u003cbr\u003e- Self-contained electronics eliminate need for external power modules\u003cbr\u003e- Flat, smooth frequency response\u003cbr\u003e- 25 ft. (7.6 m) cable permanently attached between microphone and XLRM-type connector","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067785986113,"sku":"AUD PRO45 BK","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_Pro45_Hanging_Condenser_Microphone_Black.jpg?v=1580159162"},{"product_id":"aud-pro45-wh","title":"Audio-Technica Pro45 White Hanging Condenser Microphone","description":"With robust construction and unobtrusive appearance, the Pro45 offers a versatile sound-reinforcement solution for speech, theater, orchestra and choir sound reinforcement and recording. The microphone's high-SPL handling is perfect for suspension over choirs and orchestras.\u003ch3\u003eFeatures:\u003c\/h3\u003e- High SPL handling is ideal for suspension over choirs and orchestras\u003cbr\u003e- Wide-range condenser element with low-mass diaphragm for superior performance\u003cbr\u003e- Self-contained electronics eliminate need for external power modules\u003cbr\u003e- Flat, smooth frequency response\u003cbr\u003e- 25 ft. (7.6 m) cable permanently attached between microphone and XLRM-type connector","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067786051649,"sku":"AUD PRO45 WH","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_Pro45_Hanging_Condenser_Microphone_White.jpg?v=1580159990"},{"product_id":"aud-at2035","title":"Audio-Technica AT2035 Studio Microphone","description":"Designed for critical home\/project\/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount. \u003ch3\u003eFeatures:\u003c\/h3\u003e- Large diaphragm for smooth, natural sound and low noise\u003cbr\u003e- High SPL handling and wide dynamic range provide unmatched versatility\u003cbr\u003e- Custom shock mount provides superior isolation\u003cbr\u003e- Switchable 80 Hz high-pass filter and 10 dB pad\u003cbr\u003e- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003cbr\u003e- Includes custom shock mount \u0026amp; protective pouch\u003cb\u003eNOTE: Cable not included.\u003c\/b\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067789000769,"sku":"AUD AT2035","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT2035_Studio_Microphone.jpg?v=1580161528"},{"product_id":"aud-at2041sp","title":"Audio-Technica AT2041 Studio Microphone Package","description":"The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build. The critically acclaimed AT2020 side-address condenser is ideal for vocal and instrument applications, while the AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano. Audio-Technica's stringent quality\/consistency standards set both microphones apart from other mics in their class. Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a stand clamp and protective pouches. \u003ch3\u003eAT2041SP Studio Pack Includes:\u003c\/h3\u003e- AT2020 Side-address cardioid condenser microphone\u003cbr\u003e- AT2021 Small-diaphragm cardioid condenser microphone\u003cbr\u003e- Pivoting, threaded stand mount for the AT2020\u003cbr\u003e- Professional stand clamp for the AT2021\u003cbr\u003e- Two protective pouches\u003ch3\u003eAbout the microphones\u003c\/h3\u003e\u003cb\u003eAT2020 Side-address cardioid condenser microphone\u003c\/b\u003e\u003cbr\u003e- The price\/performance standard in side-address studio condenser microphone technology\u003cbr\u003e- Ideal for project\/home-studio applications\u003cbr\u003e- High SPL handling and wide dynamic range provide unmatched versatility\u003cbr\u003e- Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response\u003cbr\u003e- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003cbr\u003e- Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone\u003cb\u003eAT2021 Small-diaphragm cardioid condenser microphone\u003c\/b\u003e\u003cbr\u003e- Ideal for acoustic guitar, overheads, piano and group vocals\u003cbr\u003e- Condenser design for studio-quality vocal and instrument applications\u003cbr\u003e- Excels in high-SPL applications\u003cbr\u003e- Extended response for smooth, natural sonic characteristics\u003cbr\u003e- Low-mass element for superb transient response \u003cbr\u003e- Corrosion-resistant contacts from gold-plated XLRM-type connector\u003cbr\u003e- Rugged design and construction for reliable performance","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067791753281,"sku":"AUD AT2041SP","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT2041_Studio_Microphone_Package.jpg?v=1580159812"},{"product_id":"aud-at875r","title":"Audio-Technica AT875R Line\/Gradient Shotgun Microphone","description":"Audio-Technica's AT875R is designed for video production and broadcast (ENG\/EFP) audio acquisition. Audio-Technica's shortest shotgun microphone, it mounts conveniently on a DV camcorder without adding noticeable heft, and is ideal for use with compact digital cameras. This high-performance microphone offers a narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- Designed for video production and broadcast (ENG\/EFP) audio acquisition\u003cbr\u003e- Extremely short length (under 7\") ideal for use with compact digital cameras\u003cbr\u003e- Provides the narrow acceptance angle desirable for long-distance sound pickup\u003cbr\u003e- Excellent sound rejection from the sides and rear of mic\u003cbr\u003e- Tailored response minimizes camera and handling noise\u003cbr\u003e- Operates on phantom power only\u003cbr\u003e- RoHS compliant--free from all substances specified in the EU directive on hazardous substances","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067792080961,"sku":"AUD AT875R","price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT875R_LineGradient_Shotgun_Microphone.jpg?v=1580372476"},{"product_id":"aud-u853r","title":"Audio-Technica U853R Black Hanging Condenser Microphone","description":"Perfect for speech, theater, orchestra and choir sound reinforcement and recording, the U853R cardioid condenser hanging microphone is equipped with UniGuard innovations that offer unsurpassed immunity from radio frequency interference. With a consistent cardioid polar pattern, the mic offers natural sound from any angle, and superior gain before feedback. It is phantom powered and features an integral 80 Hz low-cut UniSteep filter that reduces pickup of low-frequency ambient noise. The microphone accepts interchangeable elements, available in cardioid, hypercardioid, omnidirectional and UniLine line cardioid polar patterns.\u003ch3\u003eFeatures\u003c\/h3\u003e- Designed for suspension over choirs, instrumental groups and theater stages\u003cbr\u003e- Superior off-axis rejection for maximum gain before feedback\u003cbr\u003e- UniGuard RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)\u003cbr\u003e- UniSteep filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality\u003cbr\u003e- Accepts interchangeable elements to permit angle of acceptance from 90* to 360*\u003cbr\u003e- Low-profile design with low-reflectance finish for minimum visibility\u003cbr\u003e- Available in two colors: black (U853R) and white (U853RW)","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067792539713,"sku":"AUD U853R","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_U853R_Hanging_Condenser_Microphone_Black_U853R.jpg?v=1580159717"},{"product_id":"aud-atm350ucw","title":"Audio-Technica ATM350UcW Cardioid Condenser Clip-on Instrument Microphone with Universal Mounting System for UniPak","description":"Perfect for active performers, this Audio-Technica ATM350a microphone is terminated with a locking 4-pin connector for A-T UniPak bodypack wireless transmitters. Note that no XLR output is included with this microphone. The package includes a 55-inch (1.4 m) cable, AT8491U universal clip-on mount, AT8490 5-inch gooseneck, AT8468 violin mount (hook-and-loop fastener), and a protective carrying case. Designed for use with brass, saxophone and other instruments, Audio-Technica's ATM350a clip-on microphone is a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the UniMount mounting system -\u003cbr\u003e- the included AT8491U universal clip-on mount and strong, flexible AT8490 5\" gooseneck -\u003cbr\u003e- the mic can be clipped securely to the bell of your instrument and positioned to stay where you want it. The gooseneck won't flop around no matter how aggressively you move the instrument as you play. The microphone's cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- Cable permanently attached to microphone, with Hirose HR10-type connector for connecting to Audio-Technica cW-style wireless bodypack transmitter (Note: No standard XLR output)\u003cbr\u003e- Low-profile mic design for minimum visibility\u003cbr\u003e- Crisp, clear, well-balanced microphone response, even at high SPLs\u003cbr\u003e- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003cbr\u003e- UniMount universal clip-on mount attaches securely to instrument bell and provides excellent shock resistance for the microphone\u003cbr\u003e- Rugged UniMount 5\" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play\u003cbr\u003e- Interchangeable elements available for hyper-cardioid and omnidirectional polar patterns\u003cbr\u003e- Included violin mount with hook-and-loop fastener provides an additional mounting option","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067792965697,"sku":"AUD ATM350UCW","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_ATM350UcW_Cardioid_Condenser_Clip-on_Instrument_Microphone_with_Universal_Mounting_System_for_UniPak.jpg?v=1580638581"},{"product_id":"aud-bphs1","title":"Audio-Technica BPHS1 Broadcast Stereo Headset","description":"The Audio-Technica BPHS1 Broadcast Stereo Headset has closed-back circumaural (around-the-ear) ear cups and a professional boom-mounted microphone that can be worn on either side. It is designed for news and sports broadcasting, announcing and interviews.The headset's microphone has a cardioid polar pattern tailored for pickup of speech with maximum voice intelligibility over a wide range of frequencies. It is more sensitive to sound originating directly in front of the element, making it useful in reducing pickup of unwanted sounds. The flexible gooseneck boom swivels for easy positioning on either the right or left side.The dual earphones offer an extended frequency response of 20-20,000 Hz and smooth, natural sound reproduction. At the heart of each earpiece, a 40 mm neodymium driver offers impressive power handling for high maximum sound pressure levels. Generously padded circumaural ear cups provide acoustic isolation and long-wearing comfort; the adjustable headband is also crafted and cushioned for listening comfort.The headset includes a user-replaceable detachable 3.3 m (10.8') cable terminating in two output connectors, one each for the microphone and headphone: the microphone output is a 3-pin XLRM-type connector; the headphones' output is a 3-conductor 1\/4\" connector. Three windscreens are also included to protect against noise from breath and wind.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- Microphone features polar pattern and frequency response tailored for natural, highly intelligible vocal reproduction\u003cbr\u003e- Closed-back circumaural ear cups help seal out crowd noise and other background distractions\u003cbr\u003e- Neodymium magnets in microphone and headphones for high output level \u0026amp; detailed sound reproduction\u003cbr\u003e- Cardioid pickup pattern of the dynamic microphone rejects off-axis sounds\u003cbr\u003e- Boom-mounted microphone can be positioned on the left or right side\u003cbr\u003e- Adjustable cushioned headband and lightweight design for long-wearing comfort\u003cbr\u003e- Rugged design with user-replaceable cable and ear pads\u003cbr\u003e- Detachable cable (BPCB1) terminates in 3-pin XLRM-type connector for microphone and 1\/4\" 3-conductor for headphone","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067793064001,"sku":"AUD BPHS1","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_BPHS1_Broadcast_Stereo_Headset.jpg?v=1580161596"},{"product_id":"aud-at2050","title":"Audio-Technica AT2050 Multi-Pattern Condenser Microphone","description":"The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Three switchable polar patterns: omni, cardioid, figure-8\u003cbr\u003e- Switchable 80 Hz high-pass filter and 10 dB pad\u003cbr\u003e- Large diaphragm for smooth, natural sound and low noise\u003cbr\u003e- State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards\u003cbr\u003e- Includes shock mount \u0026amp; protective pouch","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067794178113,"sku":"AUD AT2050","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT2050_Multi-Pattern_Condenser_Microphone.jpg?v=1580501858"},{"product_id":"aud-at8024","title":"Audio-Technica AT8024 Mono\/Stereo Camera Mount Microphone","description":"The Audio-Technica AT8024 is a fixed-charge condenser microphone designed for use with DSLR and other video cameras. The microphone offers the flexibility of mono and mid-side stereo modes for high-resolution audio in any environment.The microphone is powered by a single 1.5V AA battery, included. The AA battery provides optimal performance with high max SPL. A red\/green LED power indicator, located on the top of the unit, illuminates green when the microphone is sufficiently powered and red when battery power is low.The AT8024 is equipped with a three-position input pad that allows for attenuation adjustment. The microphone also features an 80 Hz high-pass filter switch that permits choice of flat response or low-frequency roll-off to reduce the pickup of undesired ambient noise, room reverberation and mechanically coupled vibrations.The microphone is enclosed in a rugged housing and includes an integral shoe mount that fits most camera shoes. Two rubber shock mounts isolate the microphone from vibration and mechanical camera noise. The microphone includes a permanently attached cable with a 3.5 mm (1\/8\") L-type stereo plug output. A clip on the shoe mount holds the cable, relieving tension and preventing vibration noise.A windscreen and fuzzy windscreen are also included.\u003ch3\u003eOperation \u0026amp; Maintenance\u003c\/h3\u003eThe mode switch located on the top of the unit allows user to select between mono and internally matrixed mid-side stereo modes.Mono Operation: In Mono mode, the microphone uses its line-cardioid element exclusively to provide excellent off-axis rejection. This is ideal for recording interviews, dialogues or sound sources that might otherwise be drowned out in noisy environments.Mid-Side Stereo Operation: In Stereo mode, the microphone provides internally matrixed mid-side stereo, delivering wide, life-like stereo sound. Locating the AT8024 nearer the sound source will enhance the apparent width of the stereo image, while decreasing room ambience. Moving the microphone away from the sound source will narrow the stereo image and provide more \"room sound.\" The Stereo mode is well-suited for sporting events and other active situations where sonic realism is desired.The integral shoe mount slides into the shoe of most cameras. Tighten the nut on the shoe mount to hold the microphone securely in place. The shoe mount is also equipped with a strain-relief clip for the cable. Insert the cable into the clip to reduce wear on the cable and eliminate noise from cable vibration.To install the battery, press the PUSH button located on the side of the unit. This will eject the battery compartment. Insert a 1.5V AA battery according to the polarity markings in the compartment, then press the compartment back into the body of the unit so that it clicks closed. When the mode switch is moved from the Off position to Mono or Stereo, the LED power indicator will illuminate green, showing that the microphone has power. Replace or recharge the battery when the LED illuminates red.The attenuation can be adjusted by using the three-position input pad switch (-20 dB, -10 dB, 0 dB) located on the top of the unit. Adjust according to the volume of the sound source: -20 dB for the loudest sounds, 0 dB for the softest. The 80 Hz high-pass filter switch is located alongside the input pad switch. To engage the high-pass filter, slide the switch toward the \"bent\" line.Since even slight or unexpected winds can adversely affect audio recordings, it is best to use the microphone with the supplied windscreen or, when recording in especially windy environments, the supplied fuzzy windscreen.Avoid leaving the microphone in the open sun or in areas where temperatures exceed 110* F (43* C) for extended periods. Extremely high humidity should also be avoided.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Designed for use with DSLR and other video cameras, delivering dramatically better sound quality than the camera's internal microphone\u003cbr\u003e- Selectable line-cardioid mono or mid-side stereo modes provide the flexibility to capture high-resolution audio in any environment\u003cbr\u003e- Three-position adjustable input pad and switchable low-frequency roll-off\u003cbr\u003e- Integral rubber shock mounts isolate the microphone from vibration and mechanical camera noise\u003cbr\u003e- Compact, lightweight design with integral shoe mount","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067794374721,"sku":"AUD AT8024","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT8024_MonoStereo_Camera_Mount_Microphone.jpg?v=1580646021"},{"product_id":"aud-at897","title":"Audio-Technica AT897 Line\/Gradient Shotgun Microphone","description":"Audio-Technica's AT897 is designed for field audio acquisition in film\/TV\/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- Designed for video production and broadcast (ENG\/EFP) audio acquisition\u003cbr\u003e- Short length (11\") ensures mic stays out of the shot -\u003cbr\u003e- even when used with compact digital cameras\u003cbr\u003e- Smooth, natural-sounding on-axis audio quality\u003cbr\u003e- Provides the narrow acceptance angle desirable for long-distance sound pickup\u003cbr\u003e- Excellent sound rejection from the sides and rear of mic\u003cbr\u003e- Switchable low-frequency roll-off\u003cbr\u003e- Operates on battery or phantom power\u003cbr\u003e- RoHS compliant--free from all substances specified in the EU directive on hazardous substances","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067794833473,"sku":"AUD AT897","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT897_LineGradient_Shotgun_Microphone.jpg?v=1580162280"},{"product_id":"aud-bp896ct4","title":"Audio-Technica BP896CT4 Black MicroPoint Omnidirectional Lavalier Microphone","description":"With a capsule diameter not much bigger than the head of a pin, Audio-Technica's smallest-ever lavalier microphone virtually disappears in props or clothing to create highest-quality audio for broadcast and theater sound reinforcement. The Audio-Technica BP896 MicroPoint omnidirectional lavalier delivers extremely intelligible natural audio and handles high sound pressure levels with ease. Its subminiature omni element is enclosed in a durable housing designed to minimize noise from handling, clothing and wind. Flip a switch to eliminate low-frequency hum without affecting intelligibility. \u003ch3\u003eFeatures\u003c\/h3\u003e- Offered in wired \u0026amp; wireless models, the BP896 comes generously equipped with an extensive accessory kit--mic holders, windscreens, element covers \u0026amp; more. \u003cbr\u003e- Inconspicuous, lightweight capsule\u003cbr\u003e- Extremely intelligible natural audio\u003cbr\u003e- Handles high sound pressure levels with ease\u003cbr\u003e- Rugged built for long-lasting performance\u003cbr\u003e- High-pass UniSteep(r) filter provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality\u003cbr\u003e- Requires 11V to 52V DC phantom power\u003cbr\u003e- Includes generous accessory kit \u0026amp; protective case\u003cbr\u003e- RoHS compliant--free from all substances specified in the EU directive on hazardous substancesThe BP896CT4 comes with a 1.4 m (55\") cable terminated with TA4F-type connector for Shure wireless systems.","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067794964545,"sku":"AUD BP896CT4","price":149.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_BP896_MicroPoint_Omnidirectional_Lavalier_Microphone_Black_BP896CT4.jpg?v=1580160513"},{"product_id":"aud-atm230pk","title":"Audio-Technica ATM-230 Hypercardioid Dynamic Microphone, 3-Pack","description":"The ATM230 hypercardioid instrument microphone brings a compact drum model to Audio-Technica's popular Artist Series line. The mic's proprietary capsule is designed to excel in high SPL applications, delivering full, well-rounded audio with an exceptional low-end. The hypercardioid polar pattern keeps the focus on the sound source, directionality that is aided by the mic's low-profile design, which allows it to be placed in a wide variety of setups. All this makes the ATM230 ideally suited for miking toms, snare and other percussion instruments.The ATM230 features rugged metal construction that stands up to the rigors of live and studio applications, and comes with an AT8665 drum mount and a protective pouch.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003cbr\u003e- Handles very high SPL at close range\u003cbr\u003e- Big, warm low-frequency response with excellent attack\u003cbr\u003e- Low-profile design permits versatile placement around drum kit\u003cbr\u003e- Rare earth magnet for improved output and transient response\u003cbr\u003e- Rugged, all-metal design and construction for years of trouble-free use","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067797160001,"sku":"AUD ATM230PK","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_ATM-230_Hypercardioid_Dynamic_Microphone_3-Pack.jpg?v=1580159013"},{"product_id":"aud-atm350d","title":"Audio-Technica ATM350D Condenser Microphone with Drum Mounting System","description":"This Audio-Technica ATM350a microphone comes with an AT8543 power module, AT8491D drum mount, AT8490 5\" gooseneck, AT8468 violin mount (hook-and-loop fastener), and a protective carrying case. The microphone includes a Hirose HR10-type output connector for use with Audio-Technica UniPak wireless bodypack transmitters, plus an XLR output adapter for use as a wired mic.Designed for use with drums, the ATM350D UniMount mounting system gives you the tools to perform with confidence. The system features the ATM350a cardioid condenser microphone, a high-SPL mic that provides a clear, well-balanced response from any instrument. When teamed with the included AT8491D drum mount and strong, flexible AT8490 5\" gooseneck, the mic can be securely fastened to the drum and positioned to stay where you want it. The drum mounts unique spring-loaded mechanism clamps it tightly to a drum lug (without hindering your ability to adjust the lug) and provides excellent shock resistance for the mic; the gooseneck's rigidity ensures that it won't flop around no matter how aggressively you play. The microphones cardioid polar pattern isolates the instrument by reducing side and rear pickup, and the switchable 80 Hz high-pass filter on the in-line power module helps control undesired low-frequency noise. The system also includes an AT8468 violin mount with hook-and-loop fastener and a protective carrying case.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- Low-profile mic design for minimum visibility\u003cbr\u003e- Crisp, clear, well-balanced microphone response, even at high SPLs\u003cbr\u003e- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003cbr\u003e- UniMount drum mount with unique spring-loaded mechanism attaches securely to a drum lug, and provides excellent shock resistance for the microphone\u003cbr\u003e- Rugged UniMount 5\" gooseneck rigidly holds its shape, keeping microphone accurately positioned even during aggressive play\u003cbr\u003e- In-line power module is equipped with a switchable 80 Hz high-pass filter to control undesired ambient noise\u003cbr\u003e- Interchangeable elements available for hyper-cardioid and omnidirectional polar patterns\u003cbr\u003e- Included violin mount with hook-and-loop fastener provides an additional mounting option","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067797192769,"sku":"AUD ATM350D","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_ATM350D_Condenser_Microphone_with_Drum_Mounting_System.jpg?v=1580529051"},{"product_id":"aui-boomcg","title":"Audix Boom-CG Cab Grabber Extension Boom Arm","description":"\u003cp\u003eFor use with the Audix CabGrabber or Cabgrabber-XL, the Audix Boom-CG boom arm features a 12 inch adjustable steel tube that enables the CabGrabber to handle front address microphones and a wider variety of miking positions.\u003c\/p\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":7067800502337,"sku":"AUI BOOMCG","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/BOOM-CG-onCabGrab-980285ab540648732cfc653086099600.jpg?v=1580698164"},{"product_id":"aui-cabgrab1","title":"Audix CabGrabber Amplifier Microphone Mounting Clamp","description":"The Audix CabGrabber is an effective compact microphone mounting system for smaller guitar and bass speaker cabinets. An advantage when using the CabGrabber is you can place your microphone on either side of the cabinet and position it at any height. The CabGrabber can hold anything from a smaller dynamic microphone up to a large condenser mic that weighs up to one pound. \u003ch3\u003eFeatures:\u003c\/h3\u003e- An innovative miking solution for guitar amps and cabinets\u003cbr\u003e- Allows for precise positioning\u003cbr\u003e- Simple, elegant, compact and easy to use\u003cbr\u003e- No tools required\u003cbr\u003e- Adjustable, tension held\u003cbr\u003e- Mic arm hand tightens firmly into position\u003cbr\u003e- Holds mics weighing up to 1 pound (.45 Kilos)\u003cbr\u003e- Works on cabinets with flat or recessed edge\u003cbr\u003e- Clamps to side or top of cabinet \u003cbr\u003e- Durable steel construction","brand":"Audix","offers":[{"title":"Default Title","offer_id":7067800895553,"sku":"AUI CABGRAB1","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/gpbkm42snuw3ynpcw4s2.jpg?v=1579117522"},{"product_id":"aui-om5","title":"Audix OM5 Dynamic Hypercardioid Microphone","description":"The design of the Audix OM-5 was in response to the market's demand for a super high-output mic with natural, undistorted sound. Unlike other brands using neodymium magnets, which results in unnatural sound and excessive feedback, the Audix OM-5 does not sacrifice sonic quality or feedback rejection to achieve its high levels of gain.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Dynamic hypercardioid element\u003cbr\u003e- High output with gentle presence rise and smooth proximity response\u003cbr\u003e- VLM equipped offers unmatched noise and feedback rejection\u003cbr\u003e- 48Hz to 19kHz frequency response\u003cbr\u003e- 144db SPL handling\u003cbr\u003e- Durable zinc alloy construction\u003cbr\u003e- Electronically cut blast filter with black E-coat finish\u003cbr\u003e- Comes with carry pouch and nylon mic clip","brand":"Audix","offers":[{"title":"Default Title","offer_id":7067801190465,"sku":"AUI OM5","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/twqkixiw1sb7ujaxvnwe.jpg?v=1579118474"},{"product_id":"aui-d6b","title":"Audix D6 Large Format Bass Drum Microphone, Black","description":"With a wide frequency response of 30 Hz \u003cbr\u003e- 15 kHz and the ability to handle sound pressure levels in excess of 144 dB, the Audix D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drum, large toms, and bass cabinets. Lightweight, compact, and easy to position, the D6 is characterized with a cardioid pickup pattern for isolation and feedback control and equipped with a VLM (Very Low Mass) diaphragm for natural, accurate sound reproduction. The D6's transformerless design, low impedance, and balanced output allow for interference-free performance. The D6 includes a precision machined aluminum body, black anodized finish, laser etched model and serial number, steel mesh grill, Switchcraft XLR connector and is supplied with a tension-fit heavy duty nylon mic clip. Designed, machined, assembled and tested by Audix in the USA, the D6 is a dynamic instrument microphone used for stage, studio and broadcast applications.","brand":"Audix","offers":[{"title":"Default Title","offer_id":7067801288769,"sku":"AUI D6B","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/k1zqxeeikg76nmzagjnw.jpg?v=1579131574"},{"product_id":"avn-av10mhf","title":"Avantone AV10MHF NS10M High-Frequency Tweeter","description":"Since Yamaha discontinued the iconic NS10M, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done an exact reverse engineering of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with RoHS requirements.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- The AV10MHF replacement driver is physically and dimensionally exactly the same as the original and is a \"bolt in,\" hassle-free install that requires no changes to the cabinet in the installation process.\u003cbr\u003e- The AV10MHF is a match throughout the frequency range, engineered with the same voicing as the original.","brand":"Avantone Pro","offers":[{"title":"Default Title","offer_id":7067806302273,"sku":"AVN AV10MHF","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/av10-mhf_0_2500x2500-4ada9c6087796d0b940005763b08cbf2.jpg?v=1580698233"},{"product_id":"avn-av10mlf","title":"Avantone AV10 MLF NS10M Low-Frequency Woofer","description":"Since Yamaha discontinued the iconic NS10M, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done an exact reverse engineering of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with RoHS requirements.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- The AV10mLF replacement driver is physically and dimensionally exactly the same as the original and is a \"bolt in,\" hassle-free install that require no changes to the cabinet in the installation process.\u003cbr\u003e- The Low Frequency driver, AV10MLF, is a near exact match from 20Hz to the crossover frequency. We have changed the cone design from a lapped seam to a single continuous press formed cone from the same supplier as the original. This allows a much higher level of quality control and consistency during the manufacturing process.","brand":"Avantone Pro","offers":[{"title":"Default Title","offer_id":7067806335041,"sku":"AVN AV10MLF","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/dzcxvtcfkclcb6n8pnrt.jpg?v=1579117967"},{"product_id":"avn-mixcubem","title":"Avantone Active MixCube Mono-BLOK Studio Monitor, Buttercream","description":"\u003cp\u003eAvatone Active MixCubes are powered, shielded, full-range studio mini-reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually major studios for the last 25 years. The Avantone Active MixCubes are designed to be high resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full range transducer.Studios primarily use 2-way \u0026amp; 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small \"bass-challenged\" systems such as televisions, clock radios, computers, car stereos, ipod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing.More than twelve months of R\u0026amp;D, comparative listening \u0026amp; tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from those old familiar 5C Sound Cubes engineers were so fond of in the 1980's-1990's. Listening tests reveal that the Mix Cubes have a smoother midrange, more accurate, transparent top end response with extended bass while maintaining the basic characteristics of those original little cubes.Constructed of non-layered, high rigidity MDF board due to its natural low-resonance characteristics. All cabinet edges are radiused. Elegent Polyurethane high gloss \"Butter Cream\" finish. 7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant acoustic isolator. For creative mounting solutions, we recessed an industry standard 5\/8\"-27 mic stand mount into the base.The paper cone (chosen for its musical character) was custom designed utilizing the FEA modeling and \"old-school\" speaker design artistry. The finest New Zealand pulp material is blended with mica fibers for rigidity and longevity. The cloth surround material is made in Japan and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. The motor structure is made of certified 1008 low carbon steel by Sumitomo. The magnets are Y-40 GRADE (MIL-SPEC) yielding a 43 oz High-power\/low-distortion motor structure. The proprietary 5.25\" die-cast aluminum frame supports the driver\/cone minimizing mechanical transfers. The outer mounting face of the aluminum frame is polished for an elegant appearance.\u003c\/p\u003e","brand":"Avantone Pro","offers":[{"title":"Default Title","offer_id":7067808563265,"sku":"AVN MIXCUBEM","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/r6qbkq5wfuslyzdutlod.jpg?v=1579118214"},{"product_id":"avn-mixcubesa","title":"Avantone MixCubes Active Studio Monitor (60 Watts, 1x5.25 Inch), Retro Cream, Pair","description":"The Avantone MixCubes Active are shielded, full-range studio mini-reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years. The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that complements a single full-range transducer. \u003ch3\u003ePerformance Objective\u003c\/h3\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small bass-challenged systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character. \u003ch3\u003eCabinet Design\u003c\/h3\u003eThe original 5C Sound Cubes were made of 1\/2 inch particleboard covered with a glue-on wood grain contact paper. Avantone chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. They started with a 165mm (6 1\/2 inches) sealed cube design with radiused edges. They then chose an elegant Polyurethane high gloss Retro-Cream finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. Avantone upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized, milled and silk-screened aluminum terminal plate. Next, Avantone added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, they recessed an industry standard 5\/8 inches-27 mic stand mount into the base. \u003ch3\u003eDriver Design\u003c\/h3\u003eThe originals were a basic 5 inch stamped frame design. Avantone designed a proprietary 5.25 inch die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y\u003cbr\u003e- 40 Grade (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. \u003ch3\u003eAmplifier Design\u003c\/h3\u003eAvantone designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates overkill concepts in component selection as well as safety. The result is a no-compromise amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps. \u003ch3\u003eRear Panel Controls\/Connections\u003c\/h3\u003eBalanced Input: This combo XLR input accepts a balanced male XLR plug as well as a 3-conductor balanced TRS 1\/4 inch or a 2 conductor unbalanced TS 1\/4 inch male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.System Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note... when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. On\/Off Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.AC Input: This input is only to be use with the proprietary Avantone Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/Mains operating voltage for your location.Ground Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003ch3\u003ePlacement\u003c\/h3\u003eWhen positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.","brand":"Avantone Pro","offers":[{"title":"Default Title","offer_id":7067808727105,"sku":"AVN MIXCUBESA","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/sc0rtfxknjxutlnevtgy.jpg?v=1579114824"}],"url":"https:\/\/www.samedaymusic.com\/collections\/recording.oembed?page=13","provider":"Same Day Music","version":"1.0","type":"link"}