{"title":"Stand-Mount Condenser Microphones","description":"\u003cp\u003eWhen shopping for Stand-Mount Condenser Microphones you'll get the best price, incredibly fast and free shipping and best in class customer service from Same Day Music!\u003c\/p\u003e","products":[{"product_id":"akg-p120","title":"AKG P120 Perception High-Performance Condenser Microphone","description":"\u003cp\u003eThe P120 is a 2\/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value. The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCardioid polar pattern\u003c\/strong\u003e\u003cbr\u003eThe microphone is most sensitive to sounds arriving from in front of it while picking up much less of sounds arriving from the sides or rear (from monitor speakers or neighboring instruments). This makes the microphone equally suited for recording and onstage use\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGold-sputtered electret diaphragm\u003c\/strong\u003e\u003cbr\u003eThe diaphragm is made of a plastic foil that is gold-sputtered on one side only to prevent shorting to the back electrode even at extremely high sound pressure levels\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll-metal body\u003c\/strong\u003e\u003cbr\u003eThe all-metal body adds to the rejection of RF interference so you can use the microphone near transmitter stations and along with wireless microphones or other communications equipment. The extremely rugged, heavy body and sturdy front grill protect the microphone from damage from tough handling on stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh headroom, minimum distortion:\u003c\/strong\u003e\u003cbr\u003eCapable of handling sound pressure levels up to 150 dB (P120) or 155 dB (P220) without introducing perceptible distortion and built to resist high temperatures and humidity, the microphone will give excellent results in a wide range of applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass cut filter\u003c\/strong\u003e\u003cbr\u003eSwitch on the microphone front further reduces low-end distortion caused by footfall or wind noise, etc. The filter also minimizes the proximity effect that close-in miking from less than 4 inches causes in any unidirectional microphone. The filter rolls off at 6 dB\/octave (P120) or at 12 dB\/octave (P220) from 300 Hz downward.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSwitchable preattenuation pad\u003c\/strong\u003e\u003cbr\u003eSwitch on the microphone front lets you increase the headroom by 20 dB for distortionfree close-in recording. The preattenuation pad prevents the microphone's output level, particularly at low frequencies, from overloading the miniature transformers used in many mixer input stages, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's in The Box?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 x P120 Microphone\u003c\/li\u003e\n\u003cli\u003e1 x Stand Adapter\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067740274753,"sku":"AKG P120","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_P120_Perception_High-Performance_Condenser_Microphone.jpg?v=1580162140"},{"product_id":"akg-c214","title":"AKG C214 Professional Large-Diaphragm Condenser Microphone","description":"\u003cp\u003eThe AKG C214 is the baby brother of AKG's legendary C414 condenser -a classic microphone prized for its versatility, transparent sound, and high SPL handling capabilities. Utilizing the same one-inch capsule as the C414 and a fixed cardioid pickup pattern, the C214 delivers comparable performance at a much more affordable price. Its fixed cardioid pattern is ideal for capturing vocals and instruments in the home studio, thanks to excellent off-axis rejection. With its all-metal die-cast body, you won't have to play nice with this microphone; it is well-suited to withstand the rigors of abrasive studio and live use. Its well-designed circuitry ensures that it is accurate at all frequencies, boasting a transparent and smooth sound with the slightest boost at 15 kHz, allowing it to cut through any mix without being too harsh.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn Stage\u003c\/strong\u003e\u003cbr\u003eThe AKG C214's capsule is capable of handling an incredible 136 dB of sound pressure. The edge-terminated capsule rejects off-axis sound and ensures that the instrument being miked is upfront and detailed. For applications that require a complete attenuation of the low frequencies, the C214 offers a 150 Hz low cut filter. This filter is ideal when the C214 is being used for drum overheads, vocals, and ambient stage miking. When the low-cut filter and 20 dB attenuation pad are engaged together, the C214 can handle a blistering 156 dB SPL, allowing you to easily handle loud sources like drum overheads and close-miked guitar cabinets. Though the C214 is highly sensitive, it will not succumb to RF interference commonly associated with wireless systems, radio channels, and other communications devices. This means you can be confident anytime you put the C214 on stage -nothing is going to distract this performer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn The Studio\u003c\/strong\u003e\u003cbr\u003eIf you're recording in a less-than-perfect environment, such as the typical home project studio, the C214's integrated capsule suspension system helps you capture accurate recordings by reducing mechanical noise and resonances. The C214's capsule has been designed with the input of professional sound engineers who were intimately familiar with the entire C 414 series. The C214's huge dynamic range makes it ideal for close-miking aggressive vocals or loud sources like guitar amps and horns. Place the C214 close to a source to take advantage of the cardioid pattern's proximity effect, which boosts lower frequencies at close range. You can also choose to offset this natural occurrence with the C214's switchable low-cut filter, which rolls off frequencies below 150 Hz. Built using state-of-art manufacturing techniques and high-quality components, the C214 will stand the test of time in even the most abusive studio situations.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAKG C214 Features\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1\" cardioid capsule\u003c\/li\u003e\n\u003cli\u003eHigh maximum SPL handling: 136 dB \/ 156 dB (with 20 dB pad)\u003c\/li\u003e\n\u003cli\u003eSolid sonstruction\u003c\/li\u003e\n\u003cli\u003eLow self-noise\u003c\/li\u003e\n\u003cli\u003e20 dB attenuation pad and Low-Cut switch\u003c\/li\u003e\n\u003cli\u003eRugged metal grill protects the capsule and blocks RF interference\u003c\/li\u003e\n\u003cli\u003eShock mount included\u003c\/li\u003e\n\u003cli\u003eMetal carrying case included\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067742765121,"sku":"AKG C214","price":469.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_C214_Large-Diaphragm_Condenser_Microphone.jpg?v=1580687513"},{"product_id":"akg-c414-xls-9-pattern-condenser-microphone","title":"AKG C414 XLS 9-Pattern Condenser Microphone","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEvery Studio Needs an AKG C414 Microphone (or Two)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA recording studio staple since the 1970s, the AKG C 414 microphone hardly needs an introduction. This instantly-recognizable large-diaphragm condenser has seen a handful of revisions over the years, as AKG has responded to engineers' demands for ever-greater headroom, sensitivity, and linearity. As an update to the B-ULS, the longest-lived C 414 design, the C 414 XLS is AKG's most neutral-sounding 414 model. The cutting-edge XLS is intended for accurate and detailed sonic reproduction, but it also retains the classic C 414 signature of extended low frequencies, crisp top end, and a gentle low-mids dip that rounds off the harsh edges of voices or instruments. Holding up its predecessors' reputation as a go-to mic for piano, drum overheads, classical ensembles, vocals and much more, the C 414 XLS adds unmatched versatility with an impressive nine pickup patterns.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eIntroducing the Nine-Pattern C 414\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA multi-pattern microphone allows you to dial in a particular sound right at its source. If you're going for a natural character, choose a wider pattern; for a more direct, \"in-your-face\" quality, lean toward the hypercardioid pattern. The XLS' rocking switch rotates through omni, wide cardioid, cardioid, hypercardioid, bidirectional figure-8, and four intermediate settings for a total of nine patterns, for more flexibility than typical 3-to-5-pattern mics. With the C 414 XLS, you can always go a little narrower to add a heightened sense of reality or eliminate bleed from surrounding sources when recording an ensemble. Plus, the plethora of pickup patterns on the C 414 XLS makes it possible to place multiple mics in X-Y stereo, middle\/side setups, ORTF pairs, Blumlein pairs, or even a Decca Tree configuration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eLEDs Display Pickup Pattern and Switch Settings\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWhen you connect your C 414 XLS to phantom power, you'll see LEDs illuminate in green as you select your pickup pattern. If phantom power is interrupted, the C 414 XLS keeps its last pickup pattern in memory, so your mic will power on to the exact setting you left it -- which is especially useful if you have your XLS mics hanging in hard-to-reach spots over a choir or a large drum kit. Once you've made your pickup pattern selection, lock it in by holding the switch for three seconds to prevent bumping during handling. The LED lights provide quick visual confirmation for your settings. And with an eye toward visual confirmation, this update to the classic C 414 design has a distinctive silver grill on the front and a black grill on the back, so you can tell which way your 414 is facing from across the studio.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003ePads and Filters: Dynamic Range to Spare\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eFlip the mic around to find the LEDs and rocking switches for the -6\/-12\/-18 dB pad and 40, 80, or 160 Hz bass roll-off filter, two of the most useful features on the C 414 XLS. Padded down to -18 dB, this mic can now handle a sound pressure level of an incredible 158 dB. But since you probably won't be making location recordings of space shuttle launches anytime soon, you'll be glad to know that the C 414 XLS is well-equipped to record much quieter sources, thanks to its transformerless design and internal capsule suspension system resulting in extremely low self-noise of 6 dB-A. The XLS model also introduces a peak hold function: if the output level of the microphone approaches its overload limit, the polar pattern LEDs will light up in red for about three seconds -- alerting you to engage the mic's pre-attenuation pad (or to perhaps ask that overzealous trumpet player to step back from the mic a few inches.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e- The most neutral and accurate C 414 model available, well-suited to nearly any source\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Capsule design based on the time-honored C 414 B-ULS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 9 pickup patterns provide unmatched versatility\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 4-position bass roll-off filter\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 4-position pre-attenuation pad for handling up to 158 dB SPL\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Microphone \"remembers\" its pattern, filter and pad settings when phantom power is interrupted\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Lock mode disables switches to prevent bumping during handling\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Peak Hold LEDs illuminate red when the mic output is within 2 dB of overloading\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Transformerless design and suspended capsule for extremely low noise floor of 6 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Includes AKG pop filter, foam windscreen, spider-suspension shock mount, and foam-lined aluminum flight case\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eA Refinement to a Legend\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWith its legendary stature as one of the most universal, versatile large-diaphragm condensers of the past four decades, the C 414 adds formidable flexibility with nine pickup patterns in the C 414 XLS model. If you don't already own one or more of these classic microphones, now is the time to round out your collection with AKG's updated version of the legendary C 414.\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067743256641,"sku":"AKG C414XLS","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_C414_XLS_9-Pattern_Condenser_Microphone_Single.jpg?v=1580345684"},{"product_id":"akg-c414-xl-ii-9-pattern-condenser-microphone","title":"AKG C414 XL II 9-Pattern Condenser Microphone","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRecord Everything From Drums to Vocals With the Iconic AKG C414!\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSince the release of the legendary C 414 microphone in 1971, AKG has ushered in a wealth of technical performance improvements to maximize headroom, sensitivity, and linearity -- all while maintaining the classic \"414 sound\" best described as a flattering, gentle low-mids frequency dip that can tame an instrument or singer's harsh edges. With the release of the C 414 B-TL II in the early 1990s, AKG delivered a presence boost reminiscent of the CK-12 capsule, well-suited to lead vocal and solo instrument recording.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eToday, the C 414 XL II succeeds the TL II with improved detail between 4 kHz and 10 kHz. In plain English, this mic adds high-end presence and \"air\" to whatever it's capturing. The XL II also shines in distance mic applications, banishing muddy, boxy sound and bringing clarity and spatial reproduction to rooms and ensembles. Reaffirming the must-have status of this classic mic, the AKG C 414 XL II rises to any occasion with an incredible nine pickup patterns.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eYes, Nine Pickup Patterns\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSonically and physically, the C 414 XL II resembles its famous predecessor. But as soon as you plug in phantom power and touch the rocking switch to cycle through omni, wide cardioid, cardioid, hypercardioid, and bidirectional figure-8, you'll find that LEDs illuminate to reveal four intermediate settings between these five patterns for a grand total of nine polar patterns. Dial in an exact pattern to match any instrument or performer, and lock your choice of pickup pattern by holding the switch for 3 seconds. The XL II is so advanced, it \"remembers\" its pickup pattern setting. So if you've got an orchestral setup or a big drum kit with mics hanging everywhere and your phantom power is momentarily interrupted, your C 414 XL II mics will come right back to the settings where you left them when power is restored.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFour-Position High-Pass Filter\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eIf you're recording a vocalist who's also playing acoustic guitar, you may try using figure-8 mode to get a tighter sound on the vocal while rejecting the guitar in the null point of the figure-8 pattern. On the other side of the C 414 XL II, you'll find a four-position bass-cut filter, adjustable to 40 Hz, 80 Hz, or 160 Hz. Select 160 Hz to offset the bass-boost that goes along with the proximity effect inherent to a figure-8 pattern, and there you have it: a tight vocal sound with a minimum of cranking around on an EQ. LEDs illuminate your choice of high-pass frequency for quick visual confirmation from the rear of the mic. (And speaking of quick visual confirmation, the front grill of the XL II is bright gold, while the back is black. It's an unmistakable update to a classic design.)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eIncredible Dynamic Range\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eGo ahead and use it on screaming guitar amps, thrashing drums, a bagpipe ensemble, or a cathedral organ: the C 414 XL II's multi-position pad can attenuate its input down -6, -12, or -18 dB. When it's time to mic up the cannon that the United States Marine Corps Band uses on the 1812 Overture, the 414 can handle an earwax-melting 158 dB SPL with its -18 dB pad switched in. If even a millisecond of distortion occurs from clipping at the microphone, red LEDs will illuminate for about 2 seconds, so you'll know when it's time to engage the pad (or maybe back off the mic a bit from your source) But if you do happen to be recording a very quiet source, the XL II's electronics are even quieter, with an extremely low 6 dB-A self-noise. Long story short, with a dynamic range of 152 dB, there's not a lot you can't record with the C 414 XL II.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eModern version of the classic C 414 with a presence boost well-suited to vocals and lead instruments\u003c\/li\u003e\n\u003cli\u003eCapsule based on the legendary CK 12 delivers spatial detail useful for distance-mic applications like drum rooms or classical ensembles\u003c\/li\u003e\n\u003cli\u003eNine switchable pickup patterns, three bass-cut filters and three pad levels to suit any sound source\u003c\/li\u003e\n\u003cli\u003eLock mode disables controls for installations and live situations\u003c\/li\u003e\n\u003cli\u003ePeak Hold LEDs illuminate to display overload peaks\u003c\/li\u003e\n\u003cli\u003eLow noise floor and 152 dB dynamic range\u003c\/li\u003e\n\u003cli\u003eComes with AKG's PF 80 pop filter, foam windscreen, spider-suspension shock mount, and foam-lined aluminum flight case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":7067743322177,"sku":"AKG C414XLII","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.AKG_C414_XL_II_9-Pattern_Condenser_Microphone_Single.jpg?v=1580369873"},{"product_id":"aud-at2020","title":"Audio-Technica AT2020 Studio Microphone","description":"Audio-Technica's stringent consistency, reliability and quality standards bring professional performance to an extremely affordable price point in home\/project studio microphones.\u003ch3\u003eFeatures:\u003c\/h3\u003e- The AT2020 has the price\/performance standard in side-address studio condenser microphone technology.\u003cbr\u003e- It is ideal for project\/home-studio applications.\u003cbr\u003e- High SPL handling and wide dynamic range provide unmatched versatility.\u003cbr\u003e- Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response.\u003cbr\u003e- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.\u003cbr\u003e- Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone.d mount attaches securely for easy and precise placement of the microphone.","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067785396289,"sku":"AUD AT2020","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT2020_Studio_Microphone.jpg?v=1580522252"},{"product_id":"aud-at2035","title":"Audio-Technica AT2035 Studio Microphone","description":"Designed for critical home\/project\/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount. \u003ch3\u003eFeatures:\u003c\/h3\u003e- Large diaphragm for smooth, natural sound and low noise\u003cbr\u003e- High SPL handling and wide dynamic range provide unmatched versatility\u003cbr\u003e- Custom shock mount provides superior isolation\u003cbr\u003e- Switchable 80 Hz high-pass filter and 10 dB pad\u003cbr\u003e- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source\u003cbr\u003e- Includes custom shock mount \u0026amp; protective pouch\u003cb\u003eNOTE: Cable not included.\u003c\/b\u003e","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067789000769,"sku":"AUD AT2035","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT2035_Studio_Microphone.jpg?v=1580161528"},{"product_id":"aud-at2050","title":"Audio-Technica AT2050 Multi-Pattern Condenser Microphone","description":"The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. Its dual large diaphragms are gold-vaporized and aged to achieve optimum characteristics over years of use. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the microphone is ideal for studio and live sound use on vocals, piano, strings, drum overheads, guitar amps, and more.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Three switchable polar patterns: omni, cardioid, figure-8\u003cbr\u003e- Switchable 80 Hz high-pass filter and 10 dB pad\u003cbr\u003e- Large diaphragm for smooth, natural sound and low noise\u003cbr\u003e- State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards\u003cbr\u003e- Includes shock mount \u0026amp; protective pouch","brand":"Audio-Technica","offers":[{"title":"Default Title","offer_id":7067794178113,"sku":"AUD AT2050","price":269.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Audio-Technica_AT2050_Multi-Pattern_Condenser_Microphone.jpg?v=1580501858"},{"product_id":"avn-cv12","title":"Avantone CV-12 Large-Diaphragm Multi-Pattern Tube Microphone","description":"The versatile Avantone CV12 mic is able to produce professional results with a warm, pleasing sonic character. The Avantone Cabernet (C-series) mics from Avant Electronics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CV12 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to some of the very finest vintage tube vocal mics... but at a fraction of their cost! \u003ch3\u003eFeatures\u003c\/h3\u003e- The rugged CV12 microphone body and capsule assembly are precision machined of Brass.\u003cbr\u003e- Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.\u003cbr\u003e- The transformer coupled tube circuitry has its origins in famous European vintage designs.\u003cbr\u003e- The CV12 in its normal stock version uses high grade Metalized Polypropylene capacitors in the audio path. This represents Avantones commitment to quality as these normally are the type of components that are implemented by microphone modder\/hot-rodders!\u003cbr\u003e- Any studio can proudly offer the CV12 as a primary vocal mic... It exudes class visually as well as sonically.\u003cbr\u003e- Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.\u003cbr\u003e- The included Custom Retro Shock Mount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003cbr\u003e- 9-Pattern Tube Microphone with dual 32mm gold sputtered thin Mylar capsules\u003cbr\u003e- -10 dB pad \u0026amp; 80 Hz LF metal roll off toggle switches \u003cbr\u003e- Hand Selected Russian made 6072A Tube","brand":"Avantone Pro","offers":[{"title":"Default Title","offer_id":7067809710145,"sku":"AVN CV12","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/viyapy1d2p2kncd00lpv.jpg?v=1579120116"},{"product_id":"ele-nd66","title":"Electro-Voice ND66 Small-Diaphragm Condenser Cardioid Instrument Microphone","description":"The Electro-Voice ND66 is a robust, high-performance small diaphragm condenser instrument microphone. The ND66 contains a self-biased small diaphragm condenser element which is vividly responsive to the complex dynamic nature of percussive and stringed instruments, delivering a clean, crisp and detailed sound. With the ND66 exclusive locking rotating head, achieve ideal mic placement in virtually any situation by merely pushing a button, rotating the head into position, then releasing the button to lock the head's position. ND66 contains selectable -10 and -20dB pads which provide the necessary gain reduction to prevent the mic element from overloading when micing very loud or high-transient sound sources. ND66 contains selectable high pass filters which are strategically chosen at 75Hz and 150Hz to eliminate bothersome low frequencies from the signal path.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Premium small diaphragm condenser element\u003cbr\u003e- Clean, crisp, and detailed condenser sound\u003cbr\u003e- Easy mic placement with locking rotating head\u003cbr\u003e- Selectable -10dB and -20dB pads\u003cbr\u003e- Selectable 75Hz and 150Hz high pass filters","brand":"EV","offers":[{"title":"Default Title","offer_id":7068262203457,"sku":"ELE ND66","price":209.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/qniwn6wqcymowlvzjamy.jpg?v=1579131057"},{"product_id":"nem-tlm102","title":"Neumann TLM 102 Studio Microphone, Nickel, with Standmount","description":"The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.\u003ch3\u003eFeatures\u003c\/h3\u003e- Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)\u003cbr\u003e- Compact, characteristic but smaller-scale Neumann design\u003cbr\u003e- Very high maximum sound pressure level\u003cbr\u003e- Slight presence boost above 6 kHz\u003cbr\u003e- Transformerless circuitryThe TLM 102 is impressive in terms of sound: In the interior is a large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.The TLM 102 is available in black and nickel; a stand mount is included.*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068775612481,"sku":"NEM TLM102","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/zczw4pm0xpzvbl1zmzwv.jpg?v=1579115254"},{"product_id":"nem-tlm102mt","title":"Neumann TLM 102 Studio Microphone, Black, with Standmount","description":"The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention.\u003ch3\u003eFeatures\u003c\/h3\u003e- Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer)\u003cbr\u003e- Compact, characteristic but smaller-scale Neumann design\u003cbr\u003e- Very high maximum sound pressure level\u003cbr\u003e- Slight presence boost above 6 kHz\u003cbr\u003e- Transformerless circuitryThe TLM 102 is impressive in terms of sound: In the interior is a large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.The TLM 102 is available in black and nickel; a stand mount is included.*The design of the microphone is a registered design of the Georg Neumann GmbH in certain countries.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068775645249,"sku":"NEM TLM102MT","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Neumann_TLM_102_Studio_Microphone_Black_with_Standmount.jpg?v=1580483655"},{"product_id":"nem-km184-mt","title":"Neumann KM 184 Cardioid Small-Diaphragm Condenser Microphone, Black Matte","description":"The KM 184 is known as \"the\" acoustic guitar microphone, but don't pigeon-hole it. This microphone also works well for overheads, speech applications, and spot mics. The SKM 184 works well as a high-quality stereo pair for professional live and studio recording. An industry standard that began with the KM 84 is continued by the more modern, quiet, and affordable KM 184. The \"Series 180\" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications.Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the \"Series 180\" is predestined for economy-minded production and home recording studios.The tremendously successful KM 184 cardioid microphone has become a standard within the global studio community in just a very short time. All \"Series 180\" microphones are available with either matte black or nickel finish.It comes in a folding box with a windshield and two stand mounts that permit connection to the microphone body, or the XLR connector.\u003ch3\u003eApplications\u003c\/h3\u003eTheir slender shapes and the transmission characteristics described below make the \"Series 180\" especially suitable for a very wide range of tasks in the radio and television sector.\u003ch3\u003eAcoustic Features\u003c\/h3\u003eThe KM 184 microphone is the successor of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success.The pressure gradient transducer KM 184 features very smooth frequency responses not only for the 0-degree axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0-degree frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.\u003ch3\u003eElectrical Features\u003c\/h3\u003eThe \"Series 180\" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications.Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB.The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.The output of the \"Series 180\", as in all Neumann microphones, is balanced and phantom (48V) powered.\u003ch3\u003eEconomy\u003c\/h3\u003eThe \"Series 180\" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the \"Series 180\" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003ch3\u003eFeatures\u003c\/h3\u003e- Three different miniature microphones for all typical studio applications\u003cbr\u003e- Successor of the worldwide successful KM 83\/84\u003cbr\u003e- Transformerless circuitry\u003cbr\u003e- Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)\u003cbr\u003e- Set includes windshield and two different microphone clamps\u003ch3\u003eApplication hints\u003c\/h3\u003eFor universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.\u003cbr\u003e- As XY and ORTF stereo pair\u003cbr\u003e- Announcer's mic for broadcasting\u003cbr\u003e- Spot mic, overhead\u003cbr\u003e- Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps and more.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068775907393,"sku":"NEM KM184 MT","price":899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/c2sv3msslm9wwkbb6jeg.jpg?v=1579133466"},{"product_id":"nem-tlm103","title":"Neumann TLM 103 Studio Microphone, Nickel","description":"The TLM 103 is the ideal large-diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. An SG 103 swivel mount and a wooden jeweler's box are included\u003ch3\u003eFeatures:\u003c\/h3\u003e- Large-diaphragm cardioid microphone \u003cbr\u003e- Pressure gradient transducer with one-diaphragm capsule \u003cbr\u003e- Transformerless circuitry \u003cbr\u003e- Extremely low noise: 7 dB-A \u003cbr\u003e- Straightforward handling for home recording and professional studios \u003cbr\u003e- High-quality professional equipment for limited budgets \u003cbr\u003e- Wooden box and SG 103 swivel mount included\u003ch3\u003eMust-Have Mic for Many Applications\u003c\/h3\u003eDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.\u003ch3\u003eCardioid Polar Pattern\u003c\/h3\u003eThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. \u003ch3\u003eK 103 Capsule Based on the K 87 Capsule\u003c\/h3\u003eThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.\u003ch3\u003eExtremely Low Noise\u003c\/h3\u003eWith just 7 dB-A \/ 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN\/IEC 651. The letters TLM stand for \"transformerless microphone.\" With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. \u003ch3\u003eSensitive to Low Bass Signals\u003c\/h3\u003eThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz; thus, even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the WS 87 windscreen is available as an accessory. For close vocal use, the PS 10 or PS 20 pop screens are recommended.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776005697,"sku":"NEM TLM103","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/ietgzkzjb5fpq0eceody.jpg?v=1579113044"},{"product_id":"nem-tlm103mt","title":"Neumann TLM 103 Studio Microphone, Black","description":"The TLM 103 is the ideal large-diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. An SG 103 swivel mount and a wooden jeweler's box are included\u003ch3\u003eFeatures:\u003c\/h3\u003e- Large-diaphragm cardioid microphone \u003cbr\u003e- Pressure gradient transducer with one-diaphragm capsule \u003cbr\u003e- Transformerless circuitry \u003cbr\u003e- Extremely low noise: 7 dB-A \u003cbr\u003e- Straightforward handling for home recording and professional studios \u003cbr\u003e- High-quality professional equipment for limited budgets \u003cbr\u003e- Wooden box and SG 103 swivel mount included\u003ch3\u003eMust-Have Mic for Many Applications\u003c\/h3\u003eDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.\u003ch3\u003eCardioid Polar Pattern\u003c\/h3\u003eThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. \u003ch3\u003eK 103 Capsule Based on the K 87 Capsule\u003c\/h3\u003eThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.\u003ch3\u003eExtremely Low Noise\u003c\/h3\u003eWith just 7 dB-A \/ 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN\/IEC 651. The letters TLM stand for \"transformerless microphone.\" With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. \u003ch3\u003eSensitive to Low Bass Signals\u003c\/h3\u003eThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz; thus, even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the WS 87 windscreen is available as an accessory. For close vocal use, the PS 10 or PS 20 pop screens are recommended.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776104001,"sku":"NEM TLM103MT","price":1295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/v0kqh6gdizohlalpggda.jpg?v=1579113375"},{"product_id":"nem-tlm103ann","title":"Neumann TLM 103 Anniversary Large-Diaphragm Condenser Microphone with Shockmount and Case, Nickel","description":"The TLM 103 is the ideal large-diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. It's the mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound.This special Anniversary Set includes the Neumann EA1 shock mount and a deluxe aluminum case.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Large diaphragm cardioid microphone \u003cbr\u003e- Pressure gradient transducer with one-diaphragm capsule \u003cbr\u003e- Transformerless circuitry \u003cbr\u003e- Extremely low noise: 7 dB-A \u003cbr\u003e- Includes swivel mount \u003cbr\u003e- Straightforward handling for home recording and professional studios \u003cbr\u003e- High-quality professional equipment for limited budgets \u003cbr\u003e- Includes Neumann EA1 shock mount and aluminum case\u003ch3\u003eMust-Have Mic for Many Applications\u003c\/h3\u003eDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.\u003ch3\u003eCardioid Polar Pattern\u003c\/h3\u003eThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. \u003ch3\u003eK 103 Capsule Based on the K 87 Capsule\u003c\/h3\u003eThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones. The capsule has a flat frequency response up to about 4 kHz, and above that, a wide 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.\u003ch3\u003eExtremely Low Noise\u003c\/h3\u003eWith just 7 dB-A \/ 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN\/IEC 651. The letters TLM stand for \"transformerless microphone.\" With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. \u003ch3\u003eSensitive to Low Bass Signals\u003c\/h3\u003eThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz; thus, even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the WS 87 windscreen is available as an accessory. For close vocal use, the PS 10 or PS 20 pop screens are recommended.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776136769,"sku":"NEM TLM103ANN","price":1595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/ekjjz0yi6dxc059ukxq1.jpg?v=1579117940"},{"product_id":"nem-tlm103mtann","title":"Neumann TLM 103 Anniversary Large-Diaphragm Condenser Microphone with Shockmount and Case, Black","description":"The TLM 103 is the ideal large-diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. It's the mic for everyone who, despite budget limitations, does not want to do without the uncompromising Neumann sound.This special Anniversary Set includes the Neumann EA1 shock mount and a deluxe aluminum case.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Large diaphragm cardioid microphone \u003cbr\u003e- Pressure gradient transducer with one-diaphragm capsule \u003cbr\u003e- Transformerless circuitry \u003cbr\u003e- Extremely low noise: 7 dB-A \u003cbr\u003e- Includes swivel mount \u003cbr\u003e- Straightforward handling for home recording and professional studios \u003cbr\u003e- High-quality professional equipment for limited budgets \u003cbr\u003e- Includes Neumann EA1 shock mount and aluminum case\u003ch3\u003eMust-Have Mic for Many Applications\u003c\/h3\u003eDue to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.\u003ch3\u003eCardioid Polar Pattern\u003c\/h3\u003eThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor. \u003ch3\u003eK 103 Capsule Based on the K 87 Capsule\u003c\/h3\u003eThe TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 \/ U 87 microphones. The capsule has a flat frequency response up to about 4 kHz, and above that, a wide 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.\u003ch3\u003eExtremely Low Noise\u003c\/h3\u003eWith just 7 dB-A \/ 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN\/IEC 651. The letters TLM stand for \"transformerless microphone.\" With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. \u003ch3\u003eSensitive to Low Bass Signals\u003c\/h3\u003eThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz; thus, even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For such cases, the WS 87 windscreen is available as an accessory. For close vocal use, the PS 10 or PS 20 pop screens are recommended.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776169537,"sku":"NEM TLM103MTANN","price":1595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/qih4ulxvzmft0fmihdos.jpg?v=1579116890"},{"product_id":"nem-tlm107","title":"Neumann TLM 107 Multi-Pattern Condenser Microphone, Silver","description":"Multi-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, the Neumann TLM 107 provides sound without any coloration. Featuring equally impressive level handling and low self-noise, it captures everything from the softest whisper to thundering drums.Classic proportions combined with attractive styling and fresh ideas -\u003cbr\u003e- the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.\u003ch3\u003eNeumann Engineering\u003c\/h3\u003eThe innovative sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical 's' sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.\u003ch3\u003eNo-Compromise Sound Design\u003c\/h3\u003eTransformer-less circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level handling. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).\u003ch3\u003eInnovative Operating Concept\u003c\/h3\u003eFor the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After ten seconds, the displays are turned off automatically.\u003ch3\u003eDelivery Package\u003c\/h3\u003eThe TLM 107 is available in the colors matte nickel and black. A stand mount (SG 2) is included.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776202305,"sku":"NEM TLM107","price":1595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/cxizw1wy6ds2cklcx7py.jpg?v=1579120316"},{"product_id":"nem-tlm107bk","title":"Neumann TLM 107 Multi-Pattern Condenser Microphone, Black","description":"Multi-faceted versatility, no-compromise sound and innovative operation: With five directional characteristics and a novel operating concept, the Neumann TLM 107 provides sound without any coloration. Featuring equally impressive level handling and low self-noise, it captures everything from the softest whisper to thundering drums.Classic proportions combined with attractive styling and fresh ideas -\u003cbr\u003e- the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.\u003ch3\u003eNeumann Engineering\u003c\/h3\u003eThe innovative sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical 's' sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.\u003ch3\u003eNo-Compromise Sound Design\u003c\/h3\u003eTransformer-less circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level handling. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).\u003ch3\u003eInnovative Operating Concept\u003c\/h3\u003eFor the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After ten seconds, the displays are turned off automatically.\u003ch3\u003eDelivery Package\u003c\/h3\u003eThe TLM 107 is available in the colors matte nickel and black. A stand mount (SG 2) is included.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776300609,"sku":"NEM TLM107BK","price":1595.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/vxxfqupzbowqaeet5bqb.jpg?v=1579116530"},{"product_id":"nem-skm184-mt","title":"Neumann KM 184 Cardioid Small-Diaphragm Condenser Microphone, Black Matte, Matched Pair","description":"The KM 184 is known as \"the\" acoustic guitar microphone, but don't pigeon-hole it. This microphone also works well for overheads, speech applications, and spot mics. The SKM 184 works well as a high-quality stereo pair for professional live and studio recording. An industry standard that began with the KM 84 is continued by the more modern, quiet, and affordable KM 184. The \"Series 180\" consists of three compact miniature microphones with patterns that satisfy the demands of all common studio applications.Because of its optimized mechanical construction and conscious omission of modularity, which is unnecessary in many cases, the \"Series 180\" is predestined for economy-minded production and home recording studios.The tremendously successful KM 184 cardioid microphone has become a standard within the global studio community in just a very short time. All \"Series 180\" microphones are available with either matte black or nickel finish.It comes in a folding box with a windshield and two stand mounts that permit connection to the microphone body, or the XLR connector.\u003ch3\u003eApplications\u003c\/h3\u003eTheir slender shapes and the transmission characteristics described below make the \"Series 180\" especially suitable for a very wide range of tasks in the radio and television sector.\u003ch3\u003eAcoustic Features\u003c\/h3\u003eThe KM 184 microphone is the successor of the well proven KM 83 and KM 84, which have been used since the seventies worldwide with great success.The pressure gradient transducer KM 184 features very smooth frequency responses not only for the 0-degree axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle.Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0-degree frequency response: The KM 184 has a gentle rise at about 9 kHz, a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band.This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.\u003ch3\u003eElectrical Features\u003c\/h3\u003eThe \"Series 180\" microphones have the same transformerless circuitry as is used in the KM 100 system, resulting in excellent technical specifications.Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB.The microphones operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders.The output of the \"Series 180\", as in all Neumann microphones, is balanced and phantom (48V) powered.\u003ch3\u003eEconomy\u003c\/h3\u003eThe \"Series 180\" is a good choice for all users who look for a high-quality miniature microphone, but do not need the complex, modular KM 100 system, which continues to be part of the Neumann product range.The mechanical construction was simplified, for example, capsule and output stage cannot be separated from each other. For this reason the \"Series 180\" is an economical alternative without giving up the electroacoustic features the users expect from Neumann microphones.\u003ch3\u003eFeatures\u003c\/h3\u003e- Three different miniature microphones for all typical studio applications\u003cbr\u003e- Successor of the worldwide successful KM 83\/84\u003cbr\u003e- Transformerless circuitry\u003cbr\u003e- Trouble-free operation also with unbalanced equipment (e.g., DAT recorders)\u003cbr\u003e- Set includes windshield and two different microphone clamps\u003ch3\u003eApplication hints\u003c\/h3\u003eFor universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments.\u003cbr\u003e- As XY and ORTF stereo pair\u003cbr\u003e- Announcer's mic for broadcasting\u003cbr\u003e- Spot mic, overhead\u003cbr\u003e- Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps and more.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776366145,"sku":"NEM SKM184 MT","price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/ktjhqmtssh4yk4ybzgxh.jpg?v=1579123385"},{"product_id":"nem-tlm49","title":"Neumann TLM 49 Cardioid Condenser Microphone, with EA3 Shockmount","description":"The Neumann TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally, the TLM 49 has the typical Neumann fine matte nickel finish. The \"sound design\" is also oriented toward that of the M 49 and the U 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.\u003ch3\u003eIdeal for Vocals and Voiceover\u003c\/h3\u003eDuring the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.\u003ch3\u003eCardioid Polar Pattern\u003c\/h3\u003eThe large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm. The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.\u003ch3\u003eFamous K 47 Capsule\u003c\/h3\u003eThe TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3 dB. The capsule is enclosed by a large microphone headgrille, which is acoustically very open and is hence neutral with regard to the sound.\u003ch3\u003eTLM: Transformerless Microphone\u003c\/h3\u003eThe letters TLM stand for \"transformerless microphone.\" With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 114 dB without distortion, and provides a dynamic range of 102 dB (A-weighted).\u003ch3\u003eEA 3 Shock Mount Included\u003c\/h3\u003eDue to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course, this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in front of the microphone to provide protection against plosive sounds.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Studio microphone with retro look and warm sound optimized for vocal recordings\u003cbr\u003e- Cardioid polar pattern\u003cbr\u003e- Pressure gradient transducer with the large-diaphragm capsule of the legendary U47 and M49\u003cbr\u003e- Transformerless output circuitry\u003cbr\u003e- Acoustically very open wire mesh headgrille\u003cbr\u003e- Complete set with elastic suspension\u003ch3\u003eApplications:\u003c\/h3\u003e- Vocal microphone: Lends richness, power and brilliance to the voice, while remaining balanced and transparent\u003cbr\u003e- Announcer's microphone for broadcasting, dubbing and voiceovers\u003cbr\u003e- Spot microphone for recording strings, piano and guitarThese are just some of the most common applications. Neumann recommends additional experimentation to gain maximum use from this microphone.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776398913,"sku":"NEM TLM49","price":1995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/o42pohxtp4qolgarj4yu.jpg?v=1579133088"},{"product_id":"nem-u87aisetzmt","title":"Neumann U 87 Ai Large-Diaphragm Condenser Microphone with Shock Mount, Case and Cable, Black","description":"Over 50,000 U 87 users can't be wrong -\u003cbr\u003e- this microphone is the professional standard and sets the mark by which all others are measured. The U 87 celebrated its 40th birthday in 2007 and is still going strong. The U 87 is probably the best-known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with 3 directional patterns: omnidirectional, cardioid, and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch, located on the rear, enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Variable large-diaphragm microphone \u003cbr\u003e- Pressure-gradient transducer with double membrane capsule \u003cbr\u003e- The studio microphone classic \u003cbr\u003e- 3 directional characteristics: omni, cardioid, figure-8 \u003cbr\u003e- Switchable low frequency roll-off \u003cbr\u003e- Switchable 10 dB pre-attenuation \u003cbr\u003e- Ideal as main and as support microphone in the most differing recording situations \u003cb\u003eApplications\u003c\/b\u003eThe U 87 Ai condenser microphone is a large-diaphragm microphone with 3 polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general-purpose applications in studios, for broadcasting, film, and television. The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech. \u003cb\u003eAcoustic\u003c\/b\u003eThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably. \u003cb\u003ePolar Patterns\u003c\/b\u003eThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid, and figure-8. A window above this switch shows the symbol of the selected characteristic.\u003cb\u003eElectrical\u003c\/b\u003eThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged. The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S\/N ratio of 3 dB.\u003cb\u003eFilter and Attenuation\u003c\/b\u003eA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion. An additional switch at the rear allows you to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776628289,"sku":"NEM U87AISETZMT","price":3995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/iqbfmavrx6cbsuurg3hc.jpg?v=1579131022"},{"product_id":"nem-u87aisetzni","title":"Neumann U 87 Ai Large-Diaphragm Condenser Microphone with Shock Mount, Case and Cable, Nickel","description":"Over 50,000 U 87 users can't be wrong -\u003cbr\u003e- this microphone is the professional standard and sets the mark by which all others are measured. The U 87 celebrated its 40th birthday in 2007 and is still going strong. The U 87 is probably the best-known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with 3 directional patterns: omnidirectional, cardioid, and figure-8. These are selectable with a switch below the headgrille. A 10 dB attenuation switch, located on the rear, enables the microphone to handle sound pressure levels up to 127 dB without distortion. Furthermore, the low frequency response can be reduced to compensate for proximity effect.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Variable large-diaphragm microphone \u003cbr\u003e- Pressure-gradient transducer with double membrane capsule \u003cbr\u003e- The studio microphone classic \u003cbr\u003e- 3 directional characteristics: omni, cardioid, figure-8 \u003cbr\u003e- Switchable low frequency roll-off \u003cbr\u003e- Switchable 10 dB pre-attenuation \u003cbr\u003e- Ideal as main and as support microphone in the most differing recording situations \u003cb\u003eApplications\u003c\/b\u003eThe U 87 Ai condenser microphone is a large-diaphragm microphone with 3 polar patterns and a unique frequency and transient response characteristic. Users recognize the microphone immediately by its distinctive design. It is a good choice for most general-purpose applications in studios, for broadcasting, film, and television. The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech. \u003cb\u003eAcoustic\u003c\/b\u003eThe U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably. \u003cb\u003ePolar Patterns\u003c\/b\u003eThe dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid, and figure-8. A window above this switch shows the symbol of the selected characteristic.\u003cb\u003eElectrical\u003c\/b\u003eThe letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged. The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S\/N ratio of 3 dB.\u003cb\u003eFilter and Attenuation\u003c\/b\u003eA switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion. An additional switch at the rear allows you to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect). The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.","brand":"Neumann","offers":[{"title":"Default Title","offer_id":7068776661057,"sku":"NEM U87AISETZNI","price":3995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/taud2gnravxjiiw27yjc.jpg?v=1579133443"},{"product_id":"prs-prm1","title":"PreSonus PRM1 Precision Reference Measurement Microphone","description":"The PreSonus PRM1 delivers excellent quality in an amazingly affordable reference (measurement) mic. It has an omnidirectional polar pattern and exhibits linear frequency response (20 Hz \u003cbr\u003e- 20 kHz) and is especially recommended for use with PreSonus StudioLive mixers and VSL with Smaart Measurement Technology.The PRM1 is a special type of condenser microphone that provides an accurate reproduction of a room's sound characteristics for use with audio-analysis tools such as real-time analyzers (RTAs) and spectrographs. It has an omnidirectional polar pattern and exhibits linear frequency response between 20 Hz and 20 kHz, so it won't color the sound. With this mic and PreSonus VSL software with Smaart Measurement Technology, PreSonus StudioLive digital mixer owners can have a powerful and affordable audio-analysis and correction system.","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":7068862382145,"sku":"PRS PRM1","price":79.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/ijvhirm7jminug0ovjoy.jpg?v=1579121363"},{"product_id":"rod-m3","title":"Rode M3 Small Diaphragm Condenser Microphone","description":"\u003cp\u003eThe M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded.An end address condenser microphone, the M3 features a heavy-duty metal body, category leading low self-noise, three stage PAD (O, -10db, -20db), a battery status LED and a High Pass Filter.The M3 also comes complete with windshield and a stand mount, and can be powered via a 9V battery or 24-48V Phantom.\u003c\/p\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068940664897,"sku":"ROD M3","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/kyghvr3y9djvmlh19lfs.jpg?v=1579115119"},{"product_id":"rod-m5mp","title":"Rode M5-MP Matched Pair Cardioid Condenser Microphones","description":"\u003cp\u003eDesigned and made in Australia, the Rode M5 is a compact 1\/2\" cardioid condenser microphone with low noise and a full frequency response. A result of many years' experience building the award-winning NT5 microphone, RODE has succeeded in making a high-quality 'pencil' style permanently polarized condenser that will impress even the most demanding of artists and engineers.Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array.This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair.The M5 is finished with RODE's proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts\u003c\/p\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068941090881,"sku":"ROD M5MP","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/thnhjcpcsjnbnwwmtzxc.jpg?v=1579122773"},{"product_id":"rod-nt5s","title":"Rode NT5 Condenser Microphone, Single Microphone","description":"The Rode NT5 is a condenser microphone specifically designed for instruments including guitar, saxophone, drums, violin, and many others. Its design allows for tight positioning where small mics are most useful.Finished in durable satin nickel, the NT5 is intended for either single or stereo X\/Y mic set-ups. The NT5 matched pairs come supplied in a custom carry case with windshields and mounts.\u003ch3\u003eApplications\u003c\/h3\u003eIntended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1\/2\" capsule, an active J-FET impedance converter with bipolar output buffer.","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068941254721,"sku":"ROD NT5S","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/kshb4g2nosgonxhka3dw.jpg?v=1579132061"},{"product_id":"rod-nt1000","title":"Rode NT1000 Studio Condenser Microphone","description":"When today's musicians and recording engineers demand clarity and dynamic range, they demand large capsule performance. Made from high-quality components, including internal capsule shock-mounting the NT1000 provides unmatched quality and sound. \u003ch3\u003eFeatures:\u003c\/h3\u003e- Large capsule with gold-plated membrane \u003cbr\u003e- Ultra-low noise transformerless circuitry\u003cbr\u003e- Cardioid polar pattern \u003cbr\u003e- Heavy-duty cast metal satin Nickel body \u003cbr\u003e- High-strength welded and heat-treated mesh head\u003cbr\u003e- Internal capsule shock-mounting \u003cbr\u003e- True condenser (externally biased)\u003cbr\u003e- Full frequency response","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068942729281,"sku":"ROD NT1000","price":339.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/eozihd8xgxrhfptxn4gv.jpg?v=1579113537"},{"product_id":"rod-nt55","title":"Rode NT55 Omni\/Cardioid Condenser Pencil Microphone","description":"The Rode NT55 utilizes the 1\/2\" gold sputtered true condenser transducer used in the internationally renowned Rode NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response.The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a three position variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter.The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment.\"I really liked the fact that by changing the capsules and moving the microphones around, I was able to get noticeably different tones with just two NT55s. All the while, the midrange stayed constant and clear... RODE has another winner in its stable.\" \u003cbr\u003e- Electronic Musician\"I was very impressed with the NT55. With its additional pad and filtering options I can see this microphone being a popular choice for both studio and stage applications as well as doing the hard yards on location recordings and foley sessions. Altogether, a sweet package from the RODE crew.\" \u003cbr\u003e- Audio Technology\"The NT55 is currently my microphone of choice for acoustic guitar and small percussion and I'm looking forward to trying it on other projects. You can buy cheaper small diaphragm microphones but if you want true professional performance at a giveaway price, the NT55 offers an excellent performance to price ratio so why compromise? The NT55 is perhaps the most highly specified small diaphragm microphone in its price range and its subjective performance is every bit as good as its paper specification. Having a choice of capsules really adds to its flexibility.\" \u003cbr\u003e- Sound on Sound\"I was completely blown away by the performance of this microphone. I called Sweetwater and said I need a mic that will pick up a 13 piece big band while still maintaining the live feel of the room with clarity and equal distribution of instrumentation. By using the NT55's omni-directional capsule, I accomplished exactly what I wanted ! (I am very picky) This mic went beyond my expectations. It is a great tool for anyone who films large events where you want to capture live instead of a studio sound.\" \u003cbr\u003e- Ryan Sutton, USA (Customer Review)","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068943974465,"sku":"ROD NT55","price":389.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/gv7x5oqyians3uldl8li.jpg?v=1579129991"},{"product_id":"rod-nt2aanniv","title":"Rode NT2A Variable Pattern Studio Condenser Microphone, Complete Vocal Recording Solution Package","description":"The NT2-A microphone is Rode's response to the evolving needs of the modern recording engineer. It was designed with an emphasis on versatility while maintaining a wide, natural sound. With a frequency response extending below 20 Hz and above 20 kHz, this microphone can capture the subtle harmonics of any instrument with an extremely high level of detail. Considering its wide frequency range and three switchable polar patterns, it's easy to see why the NT2-A is an increasingly popular choice in both home and professional studios for recording acoustic instruments like drums, voice and piano. The NT2-A is a perfect solution for the engineer who wants to constantly experiment with new and interesting sounds without sacrificing sonic quality. Because of its flexibility, the NT2-A has been the go-to microphone for a wide range of famous recording artists. From Lil' Wayne's iconic vocals to the distinct guitar tone of Queens of the Stone Age, this mic has been crucial in shaping distinctive sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eControl the Polar Pattern, Pad, and Filter\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eDial in the sound you need with the three-position switches on the front of the NT2-A's body. Change between cardioid, omni, or figure-8 polar patterns, switch between a flat, 40 Hz and 80 Hz cuts on the high-pass filter, and alter the\u003cbr data-mce-fragment=\"1\"\u003epad between 0, -5 dB and -10 dB to record louder sources without as much risk of distorting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ability to filter your sound while recording instead of during post gives you a truer idea of your sound, and ultimately how everything will fit within the mix. Instead of using your mixer's EQ section, which could add noise to the signal by passing it through unnecessary electronics, capture the sound you want up front with the NT2-A's high-pass filter.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThanks to the NT2-A's adjustable pickup patterns, all you need is one pair to experiment with a wide range of different stereo miking techniques such as XY, Blumlein, OTRF, and Mid-Side. Typically, that level of creative control would take a locker full of diverse microphones, as well as a lot of complicated setup and teardown time. The NT2-A makes it easy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDesigned Around the HF1 Capsule\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe core of the Rode NT2-A is the internally shock-mounted 1-inch HF1 dual diaphragm capsule seated under a strong, steel mesh head. Made popular by the Rode K2 microphone, this capsule has long been well-regarded for its low noise floor, ability to handle high SPL, and wide dynamic range. Rode designed the NT2-A to augment the strengths of the HF1. With transformerless SMT circuitry, the NT2-A mic has an impressive 87 dB signal-to-noise ratio and the ability to handle up to 147 dB of SPL. This means you get an extremely natural and articulate sound that pairs well with most interfaces and preamps.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStudio Solution Pack Included\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eWield the full power of the Rode NT2-A right out of the box with the Studio Solution Pack, which includes what you need in order to fully integrate the NT2-A into your mic arsenal. To help you take advantage of the full power of the NT2-A, Rode has included an instructional DVD created by Grammy-nominated producer, John Merchant. See a detailed demonstration of trusted mic positions and stereo techniques in action on a wide range of instruments.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince handling noise and popping Ps are a common problem on otherwise great tracks, Rode has included a heavy-duty SM6 shockmount with an integrated pop shield. The Studio Solutions Pack even comes with a heavy-gauge 20-foot XLR cable and protective dust pouch for proper storage, which helps ensure a long life for your microphone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e- Australian designed and manufactured\u003cbr data-mce-fragment=\"1\"\u003e- HF1 1 edge terminated, gold sputtered, dual 5 um diaphragm capsule\u003cbr data-mce-fragment=\"1\"\u003e- Low-noise, transformerless SMT circuitry\u003cbr data-mce-fragment=\"1\"\u003e- Wide Frequency Range of 20 Hz - 20 000 Hz\u003cbr data-mce-fragment=\"1\"\u003e- Internal capsule shock mounting\u003cbr data-mce-fragment=\"1\"\u003e- 3-position variable polar pattern: Omni, Cardioid and Figure 8\u003cbr data-mce-fragment=\"1\"\u003e- 3-position variable high-pass filter: Flat, 80 Hz or 40 Hz\u003cbr data-mce-fragment=\"1\"\u003e- 3-position variable pad: 0 dB,-5 dB or -10 dB\u003cbr data-mce-fragment=\"1\"\u003e- Satin nickel finish\u003cbr data-mce-fragment=\"1\"\u003e- High strength heat-treated steel mesh head\u003cbr data-mce-fragment=\"1\"\u003e- Recording Techniques DVD with John Merchant\u003cbr data-mce-fragment=\"1\"\u003e- 20-foot XLR Cable\u003cbr data-mce-fragment=\"1\"\u003e- Microphone Dust Cover\u003cbr data-mce-fragment=\"1\"\u003e- SM6 shockmount\u003cbr data-mce-fragment=\"1\"\u003e- 10-year warranty","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068944269377,"sku":"ROD NT2AANNIV","price":335.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/NT2_A_kit_no_box.jpg?v=1636496641"},{"product_id":"rod-broadcaster","title":"Rode Broadcaster Condenser Microphone, with On-Air Indicator","description":"Like its name suggests, this RODE microphone was specifically designed for 'ON-AIR' applications where wide frequency response and low distortion are demanded.Winner of the Radio World\/US National Association of Broadcasters (NAB) 'What's Cool' award in 1998, the Broadcaster has become an industry standard when studio sound quality is required for on air applications.Utilizing an Australian designed and manufactured RODE 1-inch externally biased condenser transducers, the Broadcaster features a switchable high pass filter to remove low frequency rumble.A unique 'ON-AIR' LED indicator can be switched on or off by shorting contacts on the 5 pin audio connector. This feature allows console operators to warn the 'talent' that the mic is live.\u003ch3\u003eFeatures:\u003c\/h3\u003e- HF2 1-inch capsule with gold plated diaphragm\u003cbr\u003e- On-Air indicator LED\u003cbr\u003e- Ultra low noise\u003cbr\u003e- Voice tailored low-cut feature\u003cbr\u003e- Internal pop filter\u003cbr\u003e- Rugged stainless steel body","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068944367681,"sku":"ROD BROADCASTER","price":405.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/qxv5l1ppucyfeyfwkwew.jpg?v=1579122862"},{"product_id":"rod-nt5-mp","title":"Rode NT5 Condenser Microphone, Matched Pair (with Case)","description":"The Rode NT5 is a condenser microphone specifically designed for instruments including guitar, saxophone, drums, violin, and many others. Its design allows for tight positioning where small mics are most useful.Finished in durable satin nickel, the NT5 is intended for either single or stereo X\/Y mic set-ups. The NT5 matched pairs come supplied in a custom carry case with windshields and mounts.\u003ch3\u003eApplications\u003c\/h3\u003eIntended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1\/2\" capsule, an active J-FET impedance converter with bipolar output buffer.","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068944433217,"sku":"ROD NT5 MP","price":399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/ppfoedkj8imyh9rdlndr.jpg?v=1579124573"},{"product_id":"rod-ntk","title":"Rode NTK Tube Condenser Studio Microphone","description":"Rode's NTK has the quality and warmth demanded from a tube mic. With the large 1 in. capsule gold-plated membrane and twin triode tubes (hand graded and selected), Rode is again setting the standard for value. This is a tube mic designed exclusively for recording professionals who want what only the best can offer.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Dynamic range of 47 dB\u003cbr\u003e- Ultra-low self-noise of only 12 dB \u003cbr\u003e- Internal capsule shock mounting\u003cbr\u003e- Cardioid polar pattern\u003cbr\u003e- 20Hz \u003cbr\u003e- 20kHz frequency response\u003cbr\u003e- Includes a power supply, 30 ft. cable, and stand adapter","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068944597057,"sku":"ROD NTK","price":619.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/nkta39ym85lf3bxtoqdz.jpg?v=1579114606"},{"product_id":"rod-nt2000","title":"Rode NT2000 Variable Dual Diaphragm Condenser Microphone","description":"The RODE NT2000 is the brainchild from Australian master microphone designer Peter Freedman. Never before has this much control and versatility been available in a superlative class large capsule recording microphone.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Continuously variable polar response\u003cbr\u003e- Continuously variable filter\u003cbr\u003e- Continuously variable pad\u003cbr\u003e- Superlative class condenser microphone The heart of the NT2000 is the Australian designed and manufactured TYPE HF1 dual diaphragm capsule. The frequency and transient response of this transducer has been voiced to complement today's modern recording techniques, and yet still evoke the silky smooth character of the legendary microphones of the 50's and 60's. Everything RODE has learned over the years, every comment from industry leaders, has been taken into consideration when selecting the tonal character of this microphone. The NT2000 includes a hard case and a shock mount.","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068944695361,"sku":"ROD NT2000","price":619.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Rode_NT2000_Variable_Dual_Diaphragm_Condenser_Microphone.jpg?v=1580496712"},{"product_id":"rod-k2","title":"Rode K2 Tube Condenser Microphone","description":"The Rode K2 delivers the ultimate in pure rich tube sound and performance, super low self noise (10dBA), high max. SPL (162dBA), and mega wide dynamic range (150dB). Featuring totally variable polar pattern control for an unbeatable combination of flexibility and power, the K2's legendary sound quality literally inspires those magic takes. The TYPE HF1 dual diaphragm capsule represents Rode's finest transducer technology. Coupled with their most advanced high output tube circuitry, the K2 brings out every little detail, nuance \u0026amp; whisper, while handling even the loudest source material. The K2 is literally in a class by itself. Includes shock mount, case, power supply and 30 ft. cable.\u003ch3\u003eFeatures\u003c\/h3\u003e- Continuously variable polar pattern\u003cbr\u003e- Class A valve circuitry\u003cbr\u003e- Dedicated power supply\u003cbr\u003e- Superlative class condenser microphone","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068944793665,"sku":"ROD K2","price":829.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/btv7ns0mdzhxrr8kw6qr.jpg?v=1579120442"},{"product_id":"rod-nt55mp","title":"Rode NT55-MP Condenser Instrument Microphones Matched Pair, Matched Pair","description":"The Rode NT55-MP package includes an acoustically matched pair of Rode NT55 microphones. The NT55 utilizes the 1\/2\" gold sputtered true condenser transducer used in the internationally renowned RODE NT5. The NT55 is a low-noise, balanced output microphone, exhibiting a wide dynamic range and full frequency response.The NT55 circuit incorporates a three position variable PAD with 0dB, -10dB or 20dB attenuation, and a three position variable high-pass filter that enables you to step from a flat response to 75 or 150 Hz high pass filter.The NT55 comes with two different condenser microphone heads to provide a wide variety of polar patterns. The NT55 is complemented with a diverse range of accessories to better facilitate positioning and attachment. \"I really liked the fact that by changing the capsules and moving the microphones around, I was able to get noticeably different tones with just two NT55s. All the while, the midrange stayed constant and clear... RODE has another winner in its stable.\" \u003cbr\u003e- Electronic Musician\"I was very impressed with the NT55. With its additional pad and filtering options I can see this microphone being a popular choice for both studio and stage applications as well as doing the hard yards on location recordings and foley sessions. Altogether, a sweet package from the RODE crew.\" \u003cbr\u003e- Audio Technology\"The NT55 is currently my microphone of choice for acoustic guitar and small percussion and I'm looking forward to trying it on other projects. You can buy cheaper small diaphragm microphones but if you want true professional performance at a giveaway price, the NT55 offers an excellent performance to price ratio so why compromise? The NT55 is perhaps the most highly specified small diaphragm microphone in its price range and its subjective performance is every bit as good as its paper specification. Having a choice of capsules really adds to its flexibility.\" \u003cbr\u003e- Sound on Sound\"I was completely blown away by the performance of this microphone. I called Sweetwater and said I need a mic that will pick up a 13 piece big band while still maintaining the live feel of the room with clarity and equal distribution of instrumentation. By using the NT55's omni-directional capsule, I accomplished exactly what I wanted ! (I am very picky) This mic went beyond my expectations. It is a great tool for anyone who films large events where you want to capture live instead of a studio sound.\" \u003cbr\u003e- Ryan Sutton, USA (Customer Review)","brand":"RODE","offers":[{"title":"Default Title","offer_id":7068944924737,"sku":"ROD NT55MP","price":859.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/wrygd9eqa2e2m40bupdp.jpg?v=1579121195"},{"product_id":"sam-c01","title":"Samson C01 Large-Diaphragm Studio Condenser Microphone","description":"Great for recording vocals, acoustic instruments and for use as overhead drum mics, the Samson C01 large-diaphragm condenser microphone is accurate, detailed, smooth with warm bass and extended top end. This sturdy microphone has a large 19mm diaphragm that produces a smooth flat frequency response. It features a heavy gauge mesh grill screen, a gold plated XLR connecter and an LED indicating 48V phantom power. The unit includes a swivel stand mount and an optional SP01 shock mount is available.  \u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- Hypercardioid Pickup Pattern\u003cbr\u003e- Large 19mm Diaphragm\u003cbr\u003e- Heavy Gauge Mesh Grill\u003cbr\u003e- Gold Plated XLR Connector\u003cbr\u003e- Swivel Stand Mount (Included)\u003cbr\u003e- Optional SP01 Shock Mount (Sold Separately)\u003cbr\u003e- LED Indicates 48V Phantom Power\u003cbr\u003e- Smooth, Flat Frequency Response","brand":"Samson","offers":[{"title":"Default Title","offer_id":7069013901377,"sku":"SAM C01","price":79.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/hq5ayufctlay1wjuvywk.jpg?v=1579128540"},{"product_id":"sam-c02pr","title":"Samson C02 Condenser Microphone Pair, Stereo Pair","description":"The C02 is a pencil style condenser microphone that excels in both live performance and recording applications. Equipped with a liner frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. Extremely sensitive, it employs a tight cardioid pattern to reduce feedback. A special shock-mounted mic holder is included to minimize noise and provide additional protection.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Extended range frequency response for optimum reproduction and exceptionally clear, crisp sound with great transient response\u003cbr\u003e- Ultra-sensitive, low mass element picks up all of the nuances of any performance\u003cbr\u003e- Tight cardioid polar pattern minimizes feedback problems and effectively rejects signals not originating directly in front of the mic capsule\u003cbr\u003e- Withstands high SPLs, lending itself to a wide range of miking situations\u003cbr\u003e- Special shock-mounted mic holder is included to minimize noise and provide additional protection\u003cbr\u003e- Rugged brass case ensures reliable performance in even the most demanding environments\u003cbr\u003e- The included foam wind screen can be fitted to greatly reduce wind noise when used in an outdoor environment, for reducing 'P Popping in vocal applications\u003cbr\u003e- Lightweight and compact, the C02 can be mounted on any standard microphone stand using the included shock-mount mic clip\u003cbr\u003e- Included foam-lined impact resistant carrying case for convince when transporting three C02 microphones from venue to venue\u003cbr\u003e- Gold plated XLR connector","brand":"Samson","offers":[{"title":"Default Title","offer_id":7069018947649,"sku":"SAM C02PR","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/cwqzpwaz3myajeiz4ued.jpg?v=1579124513"},{"product_id":"see-x1svocalpack","title":"SE Electronics X1 S Vocal Microphone with Isolation Pack: Shock Mount, Pop Filter, and Cable","description":"A refined version of SE Electronics' best-selling X1 condenser microphone, the X1 S is tuned for advanced performance, with switchable -10 and -20 dB pads and 80 Hz and 160 Hz low-cut filters.This Isolation Pack bundle includes a quick-release shock mount with integrated, adjustable pop filter -\u003cbr\u003e- a great add-on for anyone looking to increase the versatility of their X1 Series or 2200a II Series mic.The integrated quick-release mechanism at the base of the shock mount makes it easy to insert or remove a mic. No screws, no hassle, just one twist to secure or release.Made from metal (rather than delicate fabric), the pop filter can be vertically positioned to accommodate any of the above mics, or completely removed from the shock mount if desired.\u003cb\u003eIncludes:\u003c\/b\u003e\u003cbr\u003e- X1 S microphone\u003cbr\u003e- sE Isolation Pack (shock mount with pop shield)\u003cbr\u003e- 3-meter mic cable","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":7069062955073,"sku":"SEE X1SVOCALPACK","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.SE_Electronics_X1_S_Vocal_Microphone_with_Isolation_Pack_Shock_Mount_Pop_Filter_and_Cable.jpg?v=1580524275"},{"product_id":"see-x1sstudbun","title":"SE Electronics X1 S Microphone Studio Bundle with RFX","description":"If you're recording in a non-acoustically-treated space (bedrooms, closets, etc.), a Reflexion Filter helps keep your signal clean without the sound of your room around it. The X1 S Studio Bundle has everything from the Vocal Pack, plus SE Electronics' simple and effective RF-X Reflexion Filter so you can record anywhere you want.With a hand-crafted and individually tuned custom 1\" capsule, high-performance electronics, an all-metal chassis, -10dB and -20dB pads and two low-cut filters, the X1 S has the sound and features you'd expect from a serious high-end studio mic, at only a fraction of the cost.\u003ch3\u003eIsolation Pack\u003c\/h3\u003eQuick-release shock mount with integrated, adjustable pop filter. The Isolation Pack is a great add-on for anyone looking to increase the versatility of their X1 Series or 2200a II Series mic. The integrated quick-release mechanism at the base of the shock mount makes it easy to insert or remove a mic. No screws, no hassle, just one twist to secure or release.Made from metal (rather than delicate fabric), the pop filter can be vertically positioned to accommodate any of the above mics, or completely removed from the shock mount if desired. The Isolation Pack comes included with the X1 S Vocal Pack and X1 S Studio Bundle. Also includes a 3 meter microphone cable.\u003cb\u003e-Includes:\u003c\/b\u003e\u003cbr\u003e- X1 S microphone\u003cbr\u003e- RF-X Reflexion Filter\u003cbr\u003e- sE Isolation Pack (with pop shield)\u003cbr\u003e- 3-meter mic cable","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":7069063381057,"sku":"SEE X1SSTUDBUN","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/epmj8wrpwmxsbkr39vpi.jpg?v=1579134106"},{"product_id":"sen-mk4","title":"Sennheiser MK4 Large-Diaphragm Condenser Microphone","description":"In a world where low-quality side address condenser microphones are all too common, Sennheiser is proud to introduce the Sennheiser MK 4 studio condenser microphone. MK4 is Sennheiser's first large-diaphragm studio condenser microphone. The Sennheiser MK4 features a 1-inch true condenser capsule, optimized for project studio and home studio applications. Sennheiser designed the MK 4 to provide maximum sound quality at a very competitive price point, focusing on exactly what it takes to make an excellent studio microphone. The Sennheiser MK 4 is made in Germany, which is also unique at this price point. While the Sennheiser MK 4 is chiefly designed for professional use in project studios, it is also a versatile tool for all recording environments and even on stage. Due to its affordable price the Sennheiser MK4 is also an ideal choice for home recorders and musicians on a budget.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Large-diaphragm capsule (1 in.) in true condenser design\u003cbr\u003e- 24-carat gold-plated diaphragm\u003cbr\u003e- Full metal housing\u003cbr\u003e- Capsule shock-mounted internally to minimize structure-borne noise\u003cbr\u003e- Designed for project studios and stage use\u003cbr\u003e- Low inherent self-noise and high maximum SPL\u003cbr\u003e- Made in Germany\u003ch3\u003eApplications: \u003c\/h3\u003e- Vocals and speech\u003cbr\u003e- Acoustic guitars\u003cbr\u003e- Guitar amplifiers\u003cbr\u003e- Grand pianos\u003cbr\u003e- Strings\u003cbr\u003e- Brass and woodwind instruments\u003cbr\u003e- Drums and percussion instruments\u003ch3\u003eIncludes:\u003c\/h3\u003e- MK 4 microphone\u003cbr\u003e- MZQ 4 microphone clamp\u003cbr\u003e- Protective pouch\u003cbr\u003e- Instruction manual\u003cb\u003eNOTE: MKS4 Shock Mount NOT included.\u003c\/b\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":7069074030657,"sku":"SEN MK4","price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/gdbsahs86w5j6znnabpv.jpg?v=1579128841"},{"product_id":"shu-pga81lc","title":"Shure PGA81 Cardioid Condenser Microphone, PGA81-LC","description":"The Shure PGA81 cardioid condenser instrument microphone is a professional quality flat-response microphone featuring highly durable design and construction that delivers excellent sound. Ideal for use in sensitive acoustic instrument performance and recording, the PGA81 comes with a swivel adapter and carrying pouch. Phantom power required.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Flat-response microphone cartridge design for clear reproduction of acoustic instrument sound sources in more sensitive environments. \u003cbr\u003e- Cardioid polar pattern picks up audio from the source while rejecting unwanted noise\u003cbr\u003e- Updated industrial design with black metallic finish and grille for unobtrusive visual presence\u003cbr\u003e- Stand adapter for mounting to a microphone stand\u003cbr\u003e- Zipper pouch included for additional protection during storage or transport\u003cbr\u003e- Legendary Shure quality design and construction for exceptional performance in rigorous environments","brand":"Shure","offers":[{"title":"Default Title","offer_id":7069114368065,"sku":"SHU PGA81LC","price":155.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/vfxeaninimb1uk0uz0zl.jpg?v=1579121340"},{"product_id":"shu-sm137lc","title":"Shure SM137 Instrument Condenser Microphone","description":"The SM137 has a frequency response that combines the best of both worlds -\u003cbr\u003e- a smooth high-end and a tightly controlled low-end. Made using an ultra-thin diaphragm, this mic is what is needed when picking up the subtle nuances of an instrument. Providing a 15 dB pad, Shure's SM137 has natural sound reproduction for quiet acoustic and high volume applications.Road worthy, don't forget to take this mike on tour. Made with rugged nearly indestructable chassis, Shure's SM series of mics were built to take the punishment of night-after-night gigging.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Ultra-thin diaphragm for smooth high end and tight, controlled low end\u003cbr\u003e- 15dB pad for performance consistency across a wider range of high SPL sources\u003cbr\u003e- Low self-noise and transformerless preamplifier circuitry\u003cbr\u003e- Cardioid polar pattern","brand":"Shure","offers":[{"title":"Default Title","offer_id":7069122101313,"sku":"SHU SM137LC","price":209.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/zm9dheddr0ffapwkfhyi.jpg?v=1579134714"},{"product_id":"shu-pga27lc","title":"Shure PGA27 Large-Diaphragm Cardioid Condenser Microphone","description":"Designed with a tailored frequency response for superior reproduction, the Shure PGA27 side-address condenser microphone features a large cardioid diaphragm, highly durable design and construction and a high SPL threshold for clearly capturing a wide variety of vocal, acoustic, and amplified sources. Versatile for use in both recording and live performance. Phantom power required.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Large-diaphragm cartridge provides wider dynamic range for clear highs and strong lows\u003cbr\u003e- Cardioid polar pattern picks up audio from the source while rejecting unwanted noise\u003cbr\u003e- Updated industrial design with black metallic finish and grille for unobtrusive visual presence\u003cbr\u003e- High-pass filter for additional control of unwanted low-end signal\u003cbr\u003e- -15dB switchable attenuator for additional SPL versatility\u003cbr\u003e- Shock mount included for additional set-up stability and minimization of unwanted mechanical noise\u003cbr\u003e- Padded zipper case included for additional protection during storage or transport\u003cbr\u003e- Legendary Shure quality design and construction for exceptional performance in rigorous environments","brand":"Shure","offers":[{"title":"Default Title","offer_id":7069123379265,"sku":"SHU PGA27LC","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/e6lbcntl7u0a01cwzf21.jpg?v=1579128053"},{"product_id":"shu-sm81lc","title":"Shure SM81 Cardioid Condenser Microphone","description":"The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.\u003ch3\u003eFeatures:\u003c\/h3\u003e- 20 Hz to 20 kHz frequency response \u003cbr\u003e- Flat response curve for accurate reproduction of sound sources \u003cbr\u003e- Low noise and high output clipping level \u003cbr\u003e- Low distortion over a wide range of load \u003cbr\u003e- Cardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds \u003cbr\u003e- Low RF susceptibility \u003cbr\u003e- Selectable low-frequency response: flat, 6, or 18 dB\/octave rolloff \u003cbr\u003e- 0 dB\/10 dB lockable attenuator switch \u003cbr\u003e- Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc) \u003cbr\u003e- Rugged steel construction for durability \u003cbr\u003e- Field-usable over wide range of temperature and humidity conditions \u003ch3\u003eAbout Shure\u003c\/h3\u003eS.N. Shure began his company's relationship with the products of personal sound by launching a one-man operation in 1925 that sold radio parts kits. Since then, Shure microphones and audio electronics have been the tools of choice for politicians, musicians, corporations, churches, and broadcasters across the world. Anyone who considers sound to be an important part of his or her self-expression has probably used one of Shure's microphones, phonograph needles, or other professional audio products.","brand":"Shure","offers":[{"title":"Default Title","offer_id":7069130620993,"sku":"SHU SM81LC","price":439.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/yd9a0jbk4l9v8dkjqhsm.jpg?v=1579119581"},{"product_id":"shu-ksm141sl","title":"Shure KSM141 Multi-Pattern Microphone, KSM141\/SL","description":"The Shure KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omni-directional polar pattern for smooth and extremely focused sound reproduction. The KSM141 includes two KSM141, two windscreens, carry case and a champagne finish.\u003ch3\u003eFeatures\u003c\/h3\u003e- A mechanical polar pattern switch for highly consistent cardioid and true omni-directional polar patterns. Provides flexibility in a wide variety of recording applications\u003cbr\u003e- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar(R) diaphragm for superior transient response\u003cbr\u003e- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion\u003cbr\u003e- Premium electronic components, including gold-plated internal and external connectors\u003cbr\u003e- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration\u003cbr\u003e- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)\u003cbr\u003e- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effectDesigned for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.\u003ch3\u003eShure KSM141 Performance Characteristics\u003c\/h3\u003e- Extended frequency response\u003cbr\u003e- Low self-noise\u003cbr\u003e- Exceptional reproduction of low-frequency sounds\u003cbr\u003e- Can withstand high sound pressure levels (SPL)\u003cbr\u003e- High output level\u003cbr\u003e- No crossover distortion\u003cbr\u003e- Uniform polar response\u003cbr\u003e- Superior common mode rejection and suppression of radio frequency interference\u003ch3\u003eSensitivity and Toughness\u003c\/h3\u003eMeticulously crafted from premium components, KSM microphones are exquisitely engineered to capture the detailed sonic nuance of critical studio performances, while withstanding the rigors of the most demanding stage environments. Delivering a level of clarity, control, and durability that is simply unprecedented, KSM microphones represent the pinnacle of Shure audio innovation-\u003cbr\u003e- defining greater standards in audio performance.\u003ch3\u003eShure KSM141 Applications\u003c\/h3\u003eSome typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.\u003cbr\u003e- Acoustic instruments -\u003cbr\u003e- such as piano, guitar, drums, percussion, strings\u003cbr\u003e- Wind instruments -\u003cbr\u003e- brass and woodwind\u003cbr\u003e- Low frequency instruments -\u003cbr\u003e- such as double bass, electric bass, kick drum\u003cbr\u003e- Overhead miking -\u003cbr\u003e- drums or percussion\u003cbr\u003e- Ensembles -\u003cbr\u003e- choral or orchestral\u003cbr\u003e- Room ambiance -\u003cbr\u003e- guitar amplifier or drumsBoth the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.","brand":"Shure","offers":[{"title":"Default Title","offer_id":7069133504577,"sku":"SHU KSM141SL","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Shure_KSM141_Multi-Pattern_Microphone_KSM141SL.jpg?v=1580635459"},{"product_id":"shu-ksm137slst","title":"Shure KSM137 Small-Diaphragm Condenser Microphones, Stereo Matched Pair, KSM137\/SL ST, Matched Pair","description":"The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording acoustic instruments, including low-frequency-range instruments.Shure's KSM-series studio condenser microphones balance exceptional sensitivity and flexibility with unmatched durability to accurately capture the widest variety of sound sources. Finely tuned condenser cartridges give voice to each of these elegant recording microphones.\u003ch3\u003eFeatures:\u003c\/h3\u003e- Highly consistent cardioid polar pattern\u003cbr\u003e- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar(TM) diaphragm for superior transient response \u003cbr\u003e- Superior common mode rejection and suppression of radio frequency interference\u003cbr\u003e- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion\u003cbr\u003e- Premium electronic components, including gold-plated internal and external connectors\u003cbr\u003e- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration \u003cbr\u003e- 3-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)\u003cbr\u003e- 3-position switchable low-frequency filter reduces background noise and counteracts proximity effect\u003cbr\u003e- Wide 20Hz-20kHz frequency response is superb for vocals and instruments\u003ch3\u003eApplications: Acoustic instruments, overheads, and more\u003c\/h3\u003eSome typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed. Both the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.\u003cbr\u003e- Acoustic instruments -\u003cbr\u003e- such as piano, guitar, drums, percussion, strings \u003cbr\u003e- Wind instruments -\u003cbr\u003e- brass and woodwind \u003cbr\u003e- Low frequency instruments -\u003cbr\u003e- such as double bass, electric bass, kick drum \u003cbr\u003e- Overhead miking -\u003cbr\u003e- drums or percussion \u003cbr\u003e- Ensembles -\u003cbr\u003e- choral or orchestral \u003cbr\u003e- Room ambiance -\u003cbr\u003e- guitar amplifier or drums \u003cb\u003eAccessories Included with Stereo Matched Pair:\u003c\/b\u003e\u003cbr\u003e- Champagne finish\u003cbr\u003e- Break resistant mic clip\u003cbr\u003e- 2 x A100WS windscreens\u003cbr\u003e- Carrying case","brand":"Shure","offers":[{"title":"Default Title","offer_id":7069142188097,"sku":"SHU KSM137SLST","price":769.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Shure_KSM137_Small-Diaphragm_Condenser_Microphones_Stereo_Matched_Pair_KSM137SL_ST_Matched_Pair.jpg?v=1580625446"},{"product_id":"shu-ksm141slst","title":"Shure KSM141 Multi-Pattern Microphone, KSM141\/SL ST, Matched Pair","description":"The Shure KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omni-directional polar pattern for smooth and extremely focused sound reproduction. The KSM141 includes two KSM141, two windscreens, carry case and a champagne finish.\u003ch3\u003eFeatures\u003c\/h3\u003e- A mechanical polar pattern switch for highly consistent cardioid and true omni-directional polar patterns. Provides flexibility in a wide variety of recording applications\u003cbr\u003e- Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar(R) diaphragm for superior transient response\u003cbr\u003e- Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion\u003cbr\u003e- Premium electronic components, including gold-plated internal and external connectors\u003cbr\u003e- Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration\u003cbr\u003e- Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)\u003cbr\u003e- Three-position switchable low-frequency filter to reduce background noise and counteract proximity effectDesigned for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.\u003ch3\u003eShure KSM141 Performance Characteristics\u003c\/h3\u003e- Extended frequency response\u003cbr\u003e- Low self-noise\u003cbr\u003e- Exceptional reproduction of low-frequency sounds\u003cbr\u003e- Can withstand high sound pressure levels (SPL)\u003cbr\u003e- High output level\u003cbr\u003e- No crossover distortion\u003cbr\u003e- Uniform polar response\u003cbr\u003e- Superior common mode rejection and suppression of radio frequency interference\u003ch3\u003eSensitivity and Toughness\u003c\/h3\u003eMeticulously crafted from premium components, KSM microphones are exquisitely engineered to capture the detailed sonic nuance of critical studio performances, while withstanding the rigors of the most demanding stage environments. Delivering a level of clarity, control, and durability that is simply unprecedented, KSM microphones represent the pinnacle of Shure audio innovation-\u003cbr\u003e- defining greater standards in audio performance.\u003ch3\u003eShure KSM141 Applications\u003c\/h3\u003eSome typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.\u003cbr\u003e- Acoustic instruments -\u003cbr\u003e- such as piano, guitar, drums, percussion, strings\u003cbr\u003e- Wind instruments -\u003cbr\u003e- brass and woodwind\u003cbr\u003e- Low frequency instruments -\u003cbr\u003e- such as double bass, electric bass, kick drum\u003cbr\u003e- Overhead miking -\u003cbr\u003e- drums or percussion\u003cbr\u003e- Ensembles -\u003cbr\u003e- choral or orchestral\u003cbr\u003e- Room ambiance -\u003cbr\u003e- guitar amplifier or drumsBoth the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.","brand":"Shure","offers":[{"title":"Default Title","offer_id":7069147201601,"sku":"SHU KSM141SLST","price":989.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/01.Shure_KSM141_Multi-Pattern_Microphone_KSM141SL_ST_Matched_Pair.jpg?v=1580537078"},{"product_id":"wau-wa47jr","title":"Warm Audio WA47JR Large-Diaphragm Condenser Microphone","description":"Delivering a classic tone that is great for recording, the WA-47jr utilizes the same k47 style capsule found in Warm Audio's flagship WA-47 tube condenser microphone. For over 50 years the '47 microphone has been used on hit records -\u003cbr\u003e- now you can experience that natural sound with the WA-47jr. The WA-47jr is fully discrete, has 3 polar patterns and is designed for pro studio, home studio, live, and broadcast applications. The WA-47jr sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources.The WA-47jr utilizes a custom k47 style capsule reproduction, designed with the same hole pattern and frequency response as the vintage design. Warm Audio's version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer with careful precision and repeat-ability that allows the most important sonic piece of the classic mic to be heard and influence the tone and signature of the WA-47jr. The WA47jr's low-noise and discrete signal path, when paired with this excellent true '47-style capsule, allows it to obtain a very similar tone to the classic '47 microphone, but at a much lower price tag. The WA-47jr utilizes the same k47 style capsule found in Warm Audio's flagship WA-47 tube condenser microphone. The WA-47jr circuit uses high quality Toshiba FET's, Wima film capacitors and Panasonic electrolytic capacitors. The circuit is modernized and more simple than the classic '47 tube microphone, but the components and circuitry are top-notch.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- FET transformerless '47 style condenser microphone.\u003cbr\u003e- Custom true '47 capsule reproduction (k47 style) \u003cbr\u003e- Model# WA-47-B-80v. \u003cbr\u003e- Fully discrete signal path, Toshiba FET's, Wima film capacitors, Panasonic electrolytic capacitors\u003cbr\u003e- 48v phantom powered\u003cbr\u003e- 3-Pin Gold-Plated XLR\u003cbr\u003e- Nickel Plated","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":7069312122945,"sku":"WAU WA47JR","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/unncpbdfqpot9w8crlqk.jpg?v=1579113657"},{"product_id":"wau-wa14","title":"Warm Audio WA-14 Large-Diaphragm Condenser Microphone","description":"Based on the classic condenser microphone that has been used on countless hit records. The WA-14 utilizes classic circuit topology, including the coveted all-brass CK12 capsule design and a custom premium CineMag USA transformer. The WA-14 can be used on an array of sources, which includes: punchy warm and intimate lead vocals, aggressive guitars and heavy percussion. The WA-14 provides a realism and thickness that is true to the vintage sonics, but now at an affordable price. Featuring a custom wound transformer by boutique CineMag USA transformers and an all discrete signal path featuring polystyrene, tantalum and WIMA capacitors. The WA-14 also features Warm Audio's high quality \"Lens Kondensator\" LK-12-B-60V capsule, which is a reproduction of the vintage, all-brass, edge-terminated CK12 dual backplate\/dual membrane capsule.\u003ch3\u003eFeatures:\u003c\/h3\u003e\u003cbr\u003e- Large diaphragm condenser microphone with variable pad and three polar patterns\u003cbr\u003e- Features our own \"Lens Kondensator\" LK-12-B-60V reproduction of the edge-terminated, dual backplate, all-brass vintage CK12 capsule\u003cbr\u003e- Custom CineMag USA transformer\u003cbr\u003e- Includes shock mount\u003cbr\u003e- Frequency range: 20Hz to 20kHz \u003cbr\u003e- Output pad: 0dB, -10dB, -20dB\u003cbr\u003e- Cardioid, figure of eight and omnidirectional patterns\u003cbr\u003e- Impedance: 150 ohms\u003cbr\u003e- Connector: 3-pin XLR\u003cbr\u003e- Requires +48V phantom power\u003cbr\u003e- Color: black (painted)","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":7069313007681,"sku":"WAU WA14","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/ys1yhuuanxp74yspn6jv.jpg?v=1579133725"},{"product_id":"wau-wa47","title":"Warm Audio WA47 Large-Diaphragm Studio Tube Condenser Microphone","description":"The Warm Audio WA-47 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern (9), large condenser microphone, based on the classic '47 that has been used on countless hit records for the last 50+ years. The WA-47 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic\/electric guitars, acoustic\/electric bass, drums, piano, strings, brass\/woodwind instruments, and an array of other sources. The classic '47 became extremely popular in the 1960's and is now considered one of the greatest microphones ever made.  The classic '47 is still widely used today in professional recording studios but have become extremely rare and expensive to acquire.As with all Warm Audio products, a focus on quality components ensures the best sounding product possible.  The WA-47 is packed with top end components that are carefully sourced from many of the top pro audio component suppliers in the world.\u003ch3\u003eTrue '47 Style Capsule\u003c\/h3\u003eThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic '47 microphone \u003cbr\u003e- designed with the same hole pattern and frequency response.  Every Warm Audio capsule is made in the same small assembly house in a clean-room environment,  and packaged in its own protective jewel case until the moment it is loaded into the microphone.  Each capsule is visually inspected and electrically tested for imperfections.A large part of any microphone's tone comes from its capsule, and the true k47 style capsule used in the WA-47 is not easily manufactured or typically found in affordable condenser microphones. \u003ch3\u003eThe Capsule\u003c\/h3\u003eThe WA-47 utilizes a custom reproduction of the vintage k47 style capsule that was used in the classic '47 microphone \u003cbr\u003e- designed with the same hole pattern and frequency response.  The Warm Audio version of this capsule (model# WA-47-B-80v) is carefully manufactured by an Australian capsule manufacturer whose precision and repeatability allows Warm Audio to nail the vintage sonics of the most important sonic piece of this classic style of microphone.\u003ch3\u003eThe Tube\u003c\/h3\u003eA Slovak Republic JJ 5751 vacuum tube is a lower gain, low noise tube that forces much of the sonics of the capsule and transformer to be heard more significantly than some higher gain tubes might allow. The frequency response of the JJ 5751 and the way it contributes to the circuit is tonally smooth and vintage in nature.\u003ch3\u003eThe Transformer\u003c\/h3\u003eThe WA-47 utilizes an American made TAB-Funkenwerk (AMI) USA transformer with large core imported German laminations.  This transformer helps provide the creamy smooth top end, and the LARGER THAN LIFE bottom end one would expect from a '47 style condenser microphone.\u003ch3\u003eThe Cable\u003c\/h3\u003eOne component of a tube microphone often overlooked is the 7 pin cable that connects the microphone to its power supply.  When auditioning the WA-47 and other tube microphones Warm Audio learned quite a bit about 7 pin cables and how the shielding and wire gauge size can drastically change the sonics of a tube microphone.  Warm Audio has partnered with Gotham Audio in Switzerland to use their very carefully built top-end 7 pin GAC-7 cable. Using this cable increases top end presence and the overall size of the recorded image in the stereo field, by reducing phase shift and the parasitic effect often found in poorly built cables. Gotham Audio is very expensive and boutique in nature and should not be considered a small addition to the WA-47 package.\u003ch3\u003eThe Capacitors\u003c\/h3\u003eThe WA-47 uses a polystyrene coupling capacitor for uncompressed top-end response from the capsule, wima film capacitors throughout, and an imported Solen French capacitor on its output driving the TAB-Funkenwerk (AMI) USA output transformer.","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":7069315137601,"sku":"WAU WA47","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0006\/2550\/8417\/products\/pidkftc6lgve91jmjg2a.jpg?v=1579122244"}],"url":"https:\/\/www.samedaymusic.com\/collections\/stand-mount-condenser-microphones.oembed?page=4","provider":"Same Day Music","version":"1.0","type":"link"}