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Wampler Brent Mason Overdrive Pedal
Built on the foundations of v1, the Wampler Brent Mason Hot Wired Overdrive Distortion Pedal v2 stands alone in terms of versatility. The studio scene in Nashville has changed over the last few years, so Wampler had to change the Hot Wired to mirror the industry Brent works in. >More
Bogner Ecstasy Red Overdrive Pedal
The Bogner Ecstasy amplifier was born in 1992 and decades later Bogner is still hand building each amp, one at a time, right here in Los Angeles, California. The Ecstasy Red pedal captures the mystical red channel tone of this legendary amplifier, famous for its incendiary higher gain crunch and lead tones. >More
Wampler Paisley Drive Overdrive Pedal
The Paisley DriveSince late 2009, Wampler Pedals discovered that Brad Paisley was using their pedals. He started with the AnalogEcho, then got an Ego Compressor and then had the Underdog overdrive. >More
Bogner Ecstasy Blue Overdrive Pedal
The Bogner Ecstasy amplifier was born in 1992, and decades later, Bogner is still hand building each amp, one at a time, right in Los Angeles, California. The Ecstasy blue pedal captures the classic blue channel tone of this legendary amplifier, acclaimed for its ability to deliver iconic and classic rock-n-roll crunch. Everyone knows that blue delivers stunning Plexi tones, but when the going gets rough, make no mistake -- blue can crush on demand. >More
Bogner Uberschall Overdrive Pedal
In 2001 Bogner launched the Uberschall amplifier. More than a decade later, Bogner still hand builds each one, right here in Los Angeles, California. Dubbed "Armageddon in a Box", the ferocious Uberschall pedal derives its thunderous hi-gain tones from the notoriously brutal Bogner Uberschall amplifier. >More
Wampler Euphoria Natural Overdrive Pedal
When Brian Wampler created the circuit that would eventually become the Euphoria, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. >More
Ibanez TS9 Tube Screamer Overdrive Pedal
There is no single stomp box more famous than the Ibanez Tube Screamer. Thanks to tubelike distortion, smooth sustain, fat tone, and acclaim by artists too numerous to mention, the Tube Screamer has been and continues to be the world's most popular solid-state overdrive. So much so that after production of the TS9 ended in 1984, used TS9s were going for as much as 4 times their original price at vintage shows a few years later. >More
The quintessential overdrive pedal--often imitated but never matched. Identical to the original circuit and featuring the JRC4558 IC chip, the OD808 reissue offers smooth, natural overdrive similar to a full-up tube amplifier. Incredibly transparent, the OD808 responds to individual playing dynamics and lets the true tone of your instrument shine through. >More
Wampler Triple Wreck Distortion Pedal
The Wampler Triple Wreck high gain distortion pedal... When Wampler thought of this pedal, it was decided that they would take no prisoners, they would produce a pedal with so much gain it would wipe the floor of anything else. >More
EHX NYC Big Muff Pi Distortion Pedal
Like the legendary Big Muff Pi of the 70's, the reissue has 3 controls that let the player dial in the finest harmonic distortion/sustain ever produced. The Volume control adjusts the output level. The Big Muff's Sustain control optimizes the long sustain with just the right amount of harmonic distortion. The Tone control provides a range of sounds, from warm bass to crisp treble. This Big Muff Pi is a made in NYC original. >More
Ibanez TS808 Original Tube Screamer OD
The TS808 reissue features the same famous large square footswitch and the even more famous warm tones of the JRC4558 chip used in most of the original TS808's. >More
Wampler Pinnacle Deluxe Distortion Pedal
Sometimes you need extreme gain, sometimes you need mild overdrive... the Wampler Pinnacle Deluxe Distortion pedal does that with an awesome "Brown Sound"! It has an extremely tweakable eq - from scooped mids to tons of warm mids, all with the turn of 2 knobs. >More
Blackstar HT DUAL High-Voltage Tube Distortion Pedal
The Blackstar HT-DUAL offers the ultimate in high voltage valve distortion flexibility. Channel 1 has either Clean or Crunch modes so it can be used clean, as a boost or overdrive. Channel 2 gives distortion tones from super crunch right up to screaming lead. The unique switching operation will transform a single channel vintage amp into a three channel tone machine. The ISF control takes you from 'British Valve' to 'Modern American' and anywhere in between and the no compromise speaker emulated output lets you get it all down to tape or disk. >More
Carl Martin PlexiTone Distortion Pedal
An unusually high gain three step rocket of an overdrive, Carl Martin's PlexiTone offers a two step overdrive easily footswitchable between Crunch and High Gain channels. An additional Boost function adds up to 20dB of crystal clean boost to your output. >More
Boss SD-1 Super Overdrive Pedal
The SD1 produces the warm, smooth distortion of an overdriven tube amplifier while maintaining the subtle nuances of your picking technique. Boss's unique asymmetric overdrive circuitry delivers a genuine overdrive effect for a classic guitar sound. A tone control is also provided for precise tonal adjustment. >More
Wampler Plextortion Distortion Pedal
The Wampler Plextortion Distortion Guitar Effects Pedal is designed to emulate a 'JCM800' with Celestion Greenbacks think Back in Black era AC/DC, all the way through to Van Halen, Dokken, Ratt, and Guns'N'Roses. The Plextortion has a very brown sounding distortion, in a way, quite similar to Wampler's Pinnacle pedal. >More
Boss BD-2 Blues Driver Distortion Pedal
The BD-2 delivers the creamy, yet crunchy sound associated with great blues guitar. Instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps. >More
MXR M104 Distortion+ Distortion Pedal
Controls can be set to produce low-volume, controllable distortion or increased to achieve a warm, tube overdrive sound. Set to maximum, its pronounced fuzztone combines with long sustain. Within the central areas of the Output and Distortion controls of the M104 are some soft, clipped distortions that sound truly authentic, especially with a splash of reverb. >More
The DS1 provides a harder distortion effect for guitar and keyboard sounds. Instead of toneless, fuzzy distortion, the DS1 faithfully reproduces all the subtle nuances of your playing dynamics, from whisper-quiet to screaming loud. The onboard Tone control allows you to tailor the overall sound to your liking. >More
MXR M103 Blue Box Fuzz/Octave Pedal
This unassuming little box shovels out enough low frequencies to scare a blue whale. It takes your guitar signal, fuzzes it up, then duplicates it two octaves down. >More
Wampler Tweed '57 Overdrive Pedal
Enter the Tweed '57, a pedal inspired by historic Fender amps and their magic tone, a pedal which offers a wide palette of sounds and includes several features that you've come to expect from Wampler Pedals as well as some surprises Brian has cooked up just for this pedal! >More
Ibanez TS808HW Hand Wired Tube Screamer
The TS808HW pedal delivers that warm natural overdrive sound previously unattainable by conventional units. The TS808HW is limited in production and is completely hand-wired on turret boards with true bypass switching. The zinc die cast construction and rugged rubber stopper assure durability and includes an LED indicator to show the status of the effect and the condition of the battery, which when necessary, can be changed without tools. Operates on a 9V battery or optional power supply. >More
Boss FB-2 Feedbacker Booster Pedal
The unique Boss FB-2 Feedbacker/Booster packs a world of expressive, versatile boost into a single stompbox. Seamlessly morph from flat, clean boost that doesn't spoil the nuance of the original tone to an amazing mid boost for high-gain solos, or dial up a bright and clear treble boost to lighten the tone. >More
MXR ZW44 Zakk Wylde Overdrive Pedal
Zakk's take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further than Dunlop. The result is the new Wylde Berzerker Overdrive. >More
Wampler Plexi-Drive Overdrive Pedal
Wampler Pedals, being the electronics tinkerers that they are, set off to design a pedal that would get "Marshall" tones out of any run of the mill amp. After many long nights of bread-boarding, tweaking, and tweaking some more, He finally came up with it: The Wampler Plexi-Drive Pedal that absolutely nails that "JTM45" tone like none other. >More
Boss MT-2 Metal Zone Distortion
Equipped with a dual gain circuit, the MT2 provides super-long sustain and heavy mids and lows like a stack of overdriven amps. With 3-band EQ, a wide range of distortion textures is at your command. >More
Wampler Brent Mason Hot Wired Overdrive
Most people think they've never heard of Brent Mason. You may not recognize the name but chances are huge that you have heard him. Brent is, without doubt, the number 1 session musician working out of Nashville and has been since the early 1990's. >More
Behringer SF300 Super Fuzz Pedal
The SF300 effects pedal re-creates the whole variety of famous fuzz tones from the '60s and '70s, keeping the hippie spirit alive and vibrating in your guitar sound. >More
Vox Joe Satriani Satchurator Distortion
VOX is pleased to introduce the first pedal in an ongoing collaboration with guitar icon Joe Satriani. Drawing on Joe Satriani's knowledge accumulated from decades of groundbreaking performances, both live and in the studio, VOX unveils a breakthrough in guitar tone - The Satchurator distortion pedal. Designed to Satriani's exact specifications. The Satchurator produces Satriani's signature tone and adds features and improvements never before combined in a distortion pedal. >More
Electro-Harmonix Metal Muff Distortion
Electro-Harmonix spent many months creating what we believe to be the best heavy metal pedal ever built. The Metal Muff utilizes 3 powerful EQ bands, including a midrange control designed for perfect contouring. Along with beautifully sculpted mids, the Metal Muff offers commanding bass and defined top end, coupled with user-controlled distortion from pinched-edge to totally crushing, making it a heavy metal gold mine. >More
Red Witch Seven Sisters Ivy Distortion
There are hundreds of distortion pedals out there, but the Red Witch Ivy is the ONE. Ripping distortion with well-defined pick attack, and effortless harmonics that just leap out of your amp. >More
Electro-Harmonix Nano LPB1 Power Booster
An exact recreation of the original LPB1 circuit, which ushered in the age of overdrive in 1968. Put the LPB1 in front of any effect to dramatically increase definition from its cleaner and heavier input drive. Control the gain and saturation of any amp. Put impact into your tone. >More
Ibanez TS9DX Turbo Tube Screamer OD
From the same factory as the original TS9. The same hand wired analog circuitry. The same warm Tube Screamer overdrive and sustain. The TS9DX also offers three settings for increased low-end crunch: +, Hot, and Turbo, all of which maintain the original TS9 tonal integrity. >More
Behringer VT999 Vintage Tube Pedal
The Vintage Tube Monster VT999 effects pedal has that full-tone roar of a tube engine under its hood, letting you take off with anything from warm blues overdrive to heavy distortion. >More
Behringer BO300 Classic Blues Overdrive
Get the tone of a vintage and bluesy tube amp in an effects pedal-anything from warm overdriven sounds to full-blast distortion with the Behringer BO300 Classic Blues Overdrive Pedal. >More
Line 6 MS2 Uber Metal ToneCore Pedal
Uber Metal brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones from HD147 and Vetta II including Metal, Pulverize, and Insane. Also included with the Uber Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring. >More
The CastleRock Overdrive pedal delivers classic overdrive sounds from bluesy grit to full blown grind. Very intuitive controls let you fine tune the drive/distortion levels, tone, and volume that the effect will deliver to other pedals in line or to the front end of your amp. >More
Dunlop Arbiter Fuzz Face Fuzz Pedal
Built to the exact specifications of the Original Dallas-Arbiter Fuzz Face. Ruggedly constructed to the original Germanium PNP transistor design and vintage specs, it was the classic fuzz box used by Jimi Hendrix and other legendary rockers of the 60's and 70's. >More
Researched and designed to produce a sound that is radically different from any "distortion" you've ever heard before - a sound as mellow as a vintage "twin," or as bone-crushingly powerful as a battery of those famous English stacks - instantly, at any volume. >More
TC Electronic NDR1 Nova Drive Overdrive
Guitarists everywhere, start your engines, because your tone is about to take a new turn! Introducing Nova Drive, TC Electronic's new dual engine, digitally controllable, true bypass overdrive/distortion pedal, that features the awesome analogue drive circuit ported from the acclaimed Nova System. >More
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