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Ernie Ball 6180 Mono Volume Pedal Junior
For the performer who prefers a smaller more straight forward volume pedal the Ernie Ball 6180 is the right choice. The Junior takes passive electronics and provides you with two different volume swell options. A micro taper switch takes up less space than a full sized switch, perfect for those over crowded pedalboards. >More
Control your volume levels with exacting precision with the new Dunlop Volume Pedal. The Dunlop Volume Pedal features a patent pending Steel Band Drive that creates a low-friction environment with no strings or ratchet gears attached - allowing you to achieve thick, luscious volume swells in one smooth motion without the fear of breaking. With fully adjustable tension and high-quality low-noise electronic components, the sound is as clean and transparent as the feel is smooth. >More
Ernie Ball 6165 Stereo/Pan Volume Pedal
The Ernie Ball 6165 pedal is perfect for the occasions you need to have full control over the panning signal or the volume of your guitar or any other passive instrument. It can be used either in stereo or mono mode. >More
Morley PVOPLUS Volume Plus Pedal
The Volume Plus was developed from many of the user requests Morley received for a switchable Minimum Volume control. The Minimum Volume control allows users to use the volume pedals for either a Lead/Rhythm pedal or a standard Volume control pedals. Some found it inconvenient to have to turn down the Min Vol knob and then have to reset it when using either function. Now, the Minimum Volume feature is foot switchable so it can easily be used as Lead/Rhythm pedal or Volume pedal. >More
Dunlop GCB80 High Gain Volume Pedal
This passive volume pedal allows for dynamic control. It is ideal for pedal steel players and other volume-control applications. >More
The Morley Mini Wah/Volume pedal features a traditional wah tone and smooth audio taper for volume control. With it's versatility (can be used with guitar, bass or keyboards) and tour-worthy strength (cold rolled steel housing), this pedal will make a perfect addition to your studio, practice space and stage. >More
Boss FV-500H Mono Volume Pedal
This tank-tough diecast pedal is designed to meet the needs of the most demanding performers! The FV-500H is a mono, high-impedance, instrument-level volume pedal. It offers a new stylish design, a road-tough build, a tuner output, and a comfortable, smooth action. It also provides an expression output for use with expression-compatible amps, effects, and even synthesizers. The pedal's feel (torque) can be easily adjusted to suit each player's pedaling preference. >More
Morley Steve Vai Little Alligator Volume
Steve Vai and Morley have done it again! After the unprecedented success of the world's #1 switchless wah pedal, the Bad Horsie, Steve and Morley decided it was time once again to make a better pedal, this time setting their sights on making a better volume pedal. >More
Rocktron Hex Volume/Expression Pedal
For years, guitar players have asked Rocktron to recommend volume pedals and expression pedals. Now, Rocktron answers with our own, very affordable, yet professional pedal! Rocktron's HEX is a multi-function pedal that can be used both as a volume pedal and as an expression pedal with a large variety of processors and MIDI controllable equipment. The design of the pedal allows you to use a simple stereo to stereo cable for expression connection, minimizing cable use on stage. >More
Ernie Ball 6166 Mono Volume Pedal
NON-NEW $110
Great for any setting where a Volume pedal is required... even as an added bonus not-so secret feature, a footswitch is required, the Ernie Ball 6166 fits the bill. >More
Fender Classics Series Volume Pedal
A timeless classic. The Fender Volume pedal is a simple, streamlined, silvery sensation that puts sensitive tilt-action volume control at your feet-'cause your hands are too busy! Built-in tuner output comes in handy, too... >More
Fender Classics Series Volume Tone Pedal
Like its elegantly unruly sibling, the Fender Volume pedal, the sleek Fender Volume Tone pedal gives you masterful, Zen-like control over both volume and, um, tone. Tilt this bad boy back and forth to reign supreme o'er the kingdom of volume; swivel it left to right like you mean it to hold infinite sway over the infinite subtleties of tone. >More
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