Universal Audio LA610 MKII Mic Preamp

The LA-610 defined the affordable, ultimate vintage tone channel strip. So how can UA improve on tonal perfection in what was already a hit product? Enter the sequel... LA-610 Mk II, a second-generation revamp of the original 2005 LA-610 design. While the preamp and compressor are identical to the original LA-610 that users have come to know and love, user-requested features such as true compressor bypass, larger metering, improved output signal, an auto-sensing power supply have been added bringing the end user an enhanced user experience. The LA-610 Mk II also features the highly popular "black on black" cosmetics of the LA-610 Signature Edition. >More

Golden Age Pre-73 MKII Microphone Preamp

The Golden Age Pre-73 MKII is new and improved with a lower noise floor, and greater dynamic range. New features include an added rear-panel insert for EQ and dynamics processing. The Golden Age Pre-73 MKII provides a low cost alternative to microphone pre-amplification featuring a fully discrete signal path by utilizing separate transformers for the balanced mic input, the line input and the output. Similar to the circuit you would find in the Neve 1073 preamp/EQ with a remarkably similar output. >More

ART Pro MPAII Microphone Preamplifier

The new ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The ProMPA II can be configured for dual mono or stereo operation with selectable mid/side mic support, summing the adjacent channel, to decode left/right signals. >More

Universal Audio Solo/610 Microphone Pre

The SOLO/610 delivers the classic Putnam 610 console sound to the single channel format in a rugged, highly versatile form factor, at a price every project studio can afford. The all-tube SOLO/610 provides the silky vintage warmth of the original UA 610 console used by artists ranging from Sinatra to Van Halen. >More

ART Pro Channel Preamp and Compressor

The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product - creating the world's best-sounding and most affordable professional recording channel. >More

PreSonus Studio Channel Tube Mic Preamp

The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of - luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more. >More

Universal Audio 710 Twin-Finity Mic Pre

The 710 Twin-Finity is a radically new UA pre-amp design which uniquely combines both the classic retro warmth of UA tube design and the transient bite of solid-state in a 2U, half-rack, all-metal chassis. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps. >More

PreSonus DigiMax D8 8-Channel Mic Preamp

The DigiMax D8 is an 8 channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization. >More

Cloud Microphones Cloudlifter Mic Preamp

Elevate your sound with the Cloudlifter. Recording with ribbon mics has never been easier. Designed by Stephen Sank to interface passive low output ribbon microphones with any phantom powered input device, it is completely safe for all passive microphones. The Cloudlifter takes the level of your low output ribbon microphone and lifts it over 20db. They work well with dynamics and ribbons alike, offering two channels of world class initial pre-amplification for any passive signal. >More

Focusrite OctoPre MkII Microphone Preamp

With eight channels of Focusrite pre-amplification and a built-in 24-bit / 96 kHz ADAT output, OctoPre MkII is Focusrite's powerful input upgrade for your Pro Tools system, or any digital audio workstation. It's also a great expansion for any analogue or digital console, or hard disk recorder. >More

JoeMeek SixQ Preamp

The Joemeek compressor is the first device commercially available to have been designed purely as an effects compressor. Its purpose is to change the way the ear perceives the sound; its action changes the clarity, balance and even rhythmic feel of music. >More

Studio Projects VTB1 Tube Mic Pre

The new Studio Projects VTB-1 is the ultimate in low cost mic preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 is the "Tube Drive." The Tube Drive is a variable drive to a 12AX7, that allows the user to blend as little, or as much of the Tube Drive they want. This VTB-1 allows the user the most flexibility of any mic preamplifier in it's price class. >More

UA 2-610S Silverface Microphone Preamp

The Universal Audio 2-610 is based on the legendary Universal Audio 610 modular console. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United/Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. The 610 was particularly well noted for its preamplifier, and has left its mark on countless classic recordings from Frank Sinatra to Van Halen, to the seminal Brian Wilson recording, Pet Sounds. >More

ART DPSII Digital Preamplifier System

Twin high performance discrete preamplifiers with local feedback are coupled with flexible V3(Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) and choice of analog and digital outputs. >More

DBX 386 Dual Tube Mic Preamp

The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into 1 affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx Type IV conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats. >More

M-Audio Octane Preamplifier

The perfect match for the FireWire 18/14 is the new Octane 8-channel preamp with ADAT Lightpipe output. At this aggressive price, Octane is perfect for enhancing the front end of any multitrack digital recording system. >More

ART Tube MP Preamplifier

The Tube MP is the world's most popular external tube microphone preamp. Whether you're working with a 4-track, hard-disk, or digital multi-track recorder, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low-noise and high quality. >More

ART TubeMP USB Microphone Preamp

The Tube MP Project Series is a professional quality audio interface that lets you connect microphone, instrument, and line level signals to audio inputs to digital audio workstations as well as standard analog devices. We took our legendary Tube MP series and updated every aspect of the design, inside and out, while still maintaining a compact, reliable, cost effective product, and added a USB output. >More

Rolls CL151 GLC Mic Preamp

The Rolls CL151 is a very versatile processor and can be used in any application where you need single channel mic or line level input processing. It is primarily designed for connecting studio mics to the inputs of hard disc recorders and has all the input stage processing power you need and an unbalanced 1/4 in. line level output. >More

Aphex Channel Master Microphone Preamp

With more and more studios foregoing consoles in favor of recording and mixing in the computer, a clean and versatile front end input stage is indispensable. There are dozens and dozens of channel strips and similar devices to choose from, but none that come close to the Aphex Channel by way of sound, features or performance. >More