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Wampler Pinnacle Distortion Pedal
Sometimes you need extreme gain, sometimes you need mild overdrive... this pedal does that with an awesome "Brown Sound"! It has an extremely tweakable eq - from scooped mids to tons of warm mids, all with the turn of 2 knobs. >More
The Wample Ego Compressor is unlike any other compression pedal out there. Like many guitarists, Brian (from Wampler) has always been looking for a compressor that was transparent while still giving the sound a very pleasant thickening quality. >More
Wampler Paisley Drive Overdrive Pedal
The Paisley DriveSince late 2009, Wampler Pedals discovered that Brad Paisley was using their pedals. He started with the AnalogEcho, then got an Ego Compressor and then had the Underdog overdrive. >More
Wampler Pinnacle Deluxe Distortion Pedal
Sometimes you need extreme gain, sometimes you need mild overdrive... the Wampler Pinnacle Deluxe Distortion pedal does that with an awesome "Brown Sound"! It has an extremely tweakable eq - from scooped mids to tons of warm mids, all with the turn of 2 knobs. >More
Wampler Brent Mason Hot Wired Overdrive
Most people think they've never heard of Brent Mason. You may not recognize the name but chances are huge that you have heard him. Brent is, without doubt, the number 1 session musician working out of Nashville and has been since the early 1990's. >More
Wampler Ecstasy Overdrive Pedal
When Brian Wampler created the Ecstasy, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. He wanted something for himself that would be dynamic, have a great sounding "gritty" tone to it yet be able to respond to the volume knob like a tube amp. >More
Wampler Faux AnalogEcho Delay Pedal
The Wampler AnalogEcho is the exact same pedal as used by many famous guitar players, including Brad Paisley, Brent Mason, James Burton, and many others. This pedal uses the same chip that most boutique delays use, the pt2399. >More
Wampler Triple Wreck Distortion Pedal
The Wampler Triple Wreck high gain distortion pedal... When Wampler thought of this pedal, it was decided that they would take no prisoners, they would produce a pedal with so much gain it would wipe the floor of anything else. >More
Wampler Plexi-Drive Overdrive Pedal
Wampler Pedals, being the electronics tinkerers that they are, set off to design a pedal that would get "Marshall" tones out of any run of the mill amp. After many long nights of bread-boarding, tweaking, and tweaking some more, He finally came up with it: The Wampler Plexi-Drive Pedal that absolutely nails that "JTM45" tone like none other. >More
Wampler Plextortion Distortion Pedal
NON-NEW $180
The Wampler Plextortion Distortion Guitar Effects Pedal is designed to emulate a 'JCM800' with Celestion Greenbacks think Back in Black era AC/DC, all the way through to Van Halen, Dokken, Ratt, and Guns'N'Roses). The Plextortion has a very brown sounding distortion, in a way, quite similar to Wampler's Pinnacle pedal. >More
NON-NEW $188
The faux tape echo is basically the Faux AnalogEcho crossed with a unique circuit the speeds up and slows down the echos, just like a real tape echo. >More
Wampler Nirvana Chorus and Vibrato Pedal
The Wampler Nirvana is an extremely flexible chorus pedal designed to take you to total nirvana - extreme lushness, nice and watery if you desire, or swirling speaker tones! From phat chorus, leslie type wobble all the way to straight vibrato, the nirvana chorus delivers. >More
Wampler Black 65 Vintage Overdrive Pedal
Over the years, Wampler Pedal received tons and tons of folks asking them when we were they going to produce an overdrive pedal that emulates the sound of a cranked Fender amp. >More
Wampler Faux Spring Reverb Pedal
The Wampler Faux Spring Reverb is a fat, watery spring reverb in a pedal... without the springs! Many reverbs go through an analog to digital conversion and then convert back from digital to analog after making the reverb echoes. >More
Wampler has created an uber aggressive fuzz pedal, the Leviathan Fuzz: not only does it destroy your tone, it somehow also manages to retain it... Each guitar still sounded like itself when played through it. >More
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